It's been sometime since I have seen this little cinematic gem. My take on it was that it was somewhat reminiscent of films like "Destry Rides Again" and "The Far Country", in so far as,the hero appears to be somewhat naive and innocent and caught in a love triangle. Murphy not only survives amorous flirtations of a conniving saloon girl, but overcomes various obstacles and intimidation's set fourth by a villainous Sheriff or legal authority. Audie Murphy does an admirable job as a naive back woodsman who winds up inadvertently sheltering an orphaned country girl(Sandra Dee). Beautiful Joanne Dru portrays the predictable saloon "bad" girl turned "good" girl that tries to manipulate Murphy to do the evil sheriff's (Gilbert Roland)bidding. Murphy finally realizes Roland's evil intentions toward Sandra Dee and the inevitable showdown occurs. Western fans have seen all this before, but if you are a true fan of western movies .... you go with the flow and enjoy every moment as the story unfolds. The one thing that a lot of folks don't realize about this film is the fact that it offers an interesting piece of movie trivia .... the mule featured in the film is just as famous as the featured stars (Murphy, Dee, Roland and Dru). Who was that famous mule anyway? None other than Donald O'Connor's old co-star - Francis "the talking mule". Does that surprise you? It shouldn't .... here is another example of "four legged trivia" ... What famous horse did Olivia DeHaviland (Maid Marion) ride in "The Adventures Of Robin Hood"? Would you believe a horse that was later sold to a cowboy star named Roy Rogers? You got it .... that horse was named Trigger!
24 Reviews
Good atmospheric western that unfortunately stumbled at the end
rockymark-309745 March 2021
Warning: Spoilers
This is an enjoyable atmospheric Western that I sometimes call "slice of life" Westerns, where we can see how people lived and enjoyed life in the Old West, much like the Western musicals such as Oklahoma. It's always fun watching people in those days shop for clothes in the one General Store, or entertain themselves in dances, etc.
Though a bit episodic it's precisely its episodic quality that engages one's interest. None of the actors are standouts except JoAnn Dru, but they all acquit themselves, even though Sandra Dee's doe-eyed poses begin to irritate one as it does Audie Murphy in the film ("and stop looking at me like that").
Unfortunately the anagnoris or sudden self-understanding of the sheriff, played by Gilbert Roland, at the end is almost ridiculously pat to ensure a too neat closure. It's also a bit problematic in another way. The sheriff has been kind to Murphy through out the film but suddenly Murphy turns against him for what throughout history has been the world's oldest profession. It's true, of course, that Murphy is depicted as "innocent" throughout and that explains the title. But surely a more tempered response would have ensured character identification with Murphy's character better.
Additionally the ending does make sense in another way. We are told that before the sheriff arrived to restore order people couldn't even attend church without being subject to violence of one kind or another. Yet, ignoring this fact, the town folk are happy to see him dead? It doesn't make sense.
Though a bit episodic it's precisely its episodic quality that engages one's interest. None of the actors are standouts except JoAnn Dru, but they all acquit themselves, even though Sandra Dee's doe-eyed poses begin to irritate one as it does Audie Murphy in the film ("and stop looking at me like that").
Unfortunately the anagnoris or sudden self-understanding of the sheriff, played by Gilbert Roland, at the end is almost ridiculously pat to ensure a too neat closure. It's also a bit problematic in another way. The sheriff has been kind to Murphy through out the film but suddenly Murphy turns against him for what throughout history has been the world's oldest profession. It's true, of course, that Murphy is depicted as "innocent" throughout and that explains the title. But surely a more tempered response would have ensured character identification with Murphy's character better.
Additionally the ending does make sense in another way. We are told that before the sheriff arrived to restore order people couldn't even attend church without being subject to violence of one kind or another. Yet, ignoring this fact, the town folk are happy to see him dead? It doesn't make sense.
It's a feel good movie
glentom124 September 2006
I really should have given it a 5 of 10, but it just felt good to watch.
This movie reminds me of some of the Elvis movies where they surrounded him with great character actors. Audie was famous years before Elvis, but in a different way. I would not be surprised if Audie was a hero of Elvis.
Anyway, this is a vehicle movie made for Audie, and it works fine. Audie is a good actor, and you will always get what you expect from one of his movies. Sandra Dee is good as well; she conveys much with her pouty face without ever saying a word.
Worth watching.
This movie reminds me of some of the Elvis movies where they surrounded him with great character actors. Audie was famous years before Elvis, but in a different way. I would not be surprised if Audie was a hero of Elvis.
Anyway, this is a vehicle movie made for Audie, and it works fine. Audie is a good actor, and you will always get what you expect from one of his movies. Sandra Dee is good as well; she conveys much with her pouty face without ever saying a word.
Worth watching.
The Tame and the Emotional
Richie-67-4858529 August 2017
Anything with Audie Murphy in it is worth a look-see so right there and then it is worth watching for that. We get a glimpse of the Wild West only more tamed but still a ways to go with people in town consisting of two factions; the respectable and the not so respectable. True to life depicting the hard ship and the rewards of living on the frontier in the later stages of its development toward becoming more civilized. Murphy plays a character that is peaceful, has virtue and wants to do right and hurt no one and it works but we are also pleased to find out he has boundaries too. As usual, we got horses, mules, trappers, Indians, gun-play, good guys, bad guys and a love interest. Some tender scenes with some mild violence and of course a happy ending to make it all go down just right. As Westerns go, this is not a stand-out or even a good word of mouth movie but an okay time spent if you do watch. Get a sandwich, a drink and settle in.
A jerk trapper gets a beautiful stone in his boots!!
elo-equipamentos17 May 2019
Write something about Audie Murphy is a pleasure, a have almost all your pictures at a very special spot in my collection, he made a fortune on those B-westerns, earned much more money that some many famous actors, his charisma brought to him countless followers like myself, in another fantastic performance Audie plays a jerk trapper who is charge from his priceless uncle to sell all furs, in the middle he gets almost a gift a young blonde girl, trying out find a job to her on the crowed town, there he stays enchanted by a woman which shall see has an "Easy Life", a matter of fact that he actually wasn't civilized enough to understand how works a modern city on west, he has funniest moments to share us, Sandra Dee was gorgeous in this role, plays a perfect young innocent girl from the countryside, the chemistry is quite noticed, all viewers stayed anxious practically the entire movie for the best endind!!!
Resume:
First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.25
Resume:
First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.25
"You'd better go back to the mountains, boy..."
classicsoncall18 February 2016
Warning: Spoilers
The title sounds like it might have been one of those exploitation flicks from the Thirties or Forties. In a way, I guess the picture delivers a bit on that idea if you think about it. A hillbilly gal (Sandra Dee) ditches her thieving father (Strother Martin) and siblings and hitches her star to Yancy Hawks (Audie Murphy), but due to the naiveté of both, she winds up as a dance hall saloon gal. This could have been a real downer if she ever actually went to work, but fortunately Yancy made the save just in time.
Anyone growing up during the era will recall Sandra Dee as a teenage heartthrob and I imagine she fluttered a few when this picture came out. Ben Stocker (Martin) had it right when he said she'd be real purty once you cleaned her up, but gee, I thought she was worth more than a couple of furs. Murphy's character had one of the best lines in the story when he told old Ben that "the Lord sure made a mistake lettin' people like you have children". Ouch!
For his part, Yancy initially had his eye out for saloon gal Marcy Howard (Joanne Dru), but I couldn't understand why he couldn't put two and two together when he found her passed out among the ferns. Yancy was a bumpkin in more ways than one, and even though I can imagine that there once might have been people as clueless as he was, it still had a hard time translating on screen.
In it's own way, the story had a nice, happy ending if you can get past the idea of thirty five year old Murphy finally hooking up with a teenager half his age. But it wasn't as ridiculous as Sheriff Paul (Gilbert Roland) putting the move on her himself, I'm glad the picture didn't go too far in that direction. You know, I had to wonder what the town folk must have really thought about their saloon owner lawman. Right after Yancy shot the sheriff (sounds like a good idea for a song), one of the citizens says to Yancy, "That was great shootin', fella". Not too much sympathy there for a guy who cleaned up the whole town.
Anyone growing up during the era will recall Sandra Dee as a teenage heartthrob and I imagine she fluttered a few when this picture came out. Ben Stocker (Martin) had it right when he said she'd be real purty once you cleaned her up, but gee, I thought she was worth more than a couple of furs. Murphy's character had one of the best lines in the story when he told old Ben that "the Lord sure made a mistake lettin' people like you have children". Ouch!
For his part, Yancy initially had his eye out for saloon gal Marcy Howard (Joanne Dru), but I couldn't understand why he couldn't put two and two together when he found her passed out among the ferns. Yancy was a bumpkin in more ways than one, and even though I can imagine that there once might have been people as clueless as he was, it still had a hard time translating on screen.
In it's own way, the story had a nice, happy ending if you can get past the idea of thirty five year old Murphy finally hooking up with a teenager half his age. But it wasn't as ridiculous as Sheriff Paul (Gilbert Roland) putting the move on her himself, I'm glad the picture didn't go too far in that direction. You know, I had to wonder what the town folk must have really thought about their saloon owner lawman. Right after Yancy shot the sheriff (sounds like a good idea for a song), one of the citizens says to Yancy, "That was great shootin', fella". Not too much sympathy there for a guy who cleaned up the whole town.
Audie Murphy vehicle as a stubborn but innocent mountain trapper get into problem along with Sandra Dee
ma-cortes13 March 2021
In Wyoming a mountain man goes to the nearest town to sell his pelts, across the way he meets an innocent, runaway girl : Sandra Dee and both of whom join to go his destination . There he attempts to save her from the claws of the Saloon owner who at the same time results to be the nasty sheriff : Gilbert Roland of the little town . Along the way, Murphy falls in love for a Saloon Girl : Joanne Dru who is alienated by the townspeople .
The wild and wonderful story of the exciting young frontier !
A decent and attractive Western about two innocent people who become involved in problem when they go to a noisy town to trade pelts and where inhabitants attempt to take advantage of them . It contains thrills, emotion, fights , duels, though no much action. Audie Murphy as a mountain trapper gives a nice interpretation in his usual style, though this time he plays an innocent as well as tough man. Murphy, who died early due to a plane accident plane, had a short life but a prolific cinematic career, outstanding in Western genre, starring a lot of them , such as : Sierra, Ride a crooked trail, Billy the Kid, Red Badge of Valor, Duel at Silver Crek, Cimarron Kid , but being his two biggest successes : the drama titled The Quiet Man and the warlike movie To Hell and Back. His partenaire is the famous teen of the 50s : Sandra Dee as the girl in distress who Murphy wants to save from her shameful job as a Saloon girl. Alongside the always beautiful Joanne Dru as woman isolated by the local citizens, Jim Backus as the hardware seller , Strother Martin in a sympathetic role , Peter Breck, George Mitchell and of course the veteran secondary Gilbert Roland as a corrupt sheriff.
It packs a colorful and evocative cinematography by Harald Lipstein. As well as thrilling and moving musical score by Hans J Salter. The motion picture originally titled The Wild Innocents was professionally made by Jack Sher, though it has some flaws and gaps. Sher was usually a writer, and produced some films and directed a few movies , such as : Kathy O, Love in a Goldfish Bowl, Four girls in Town, and his greatest hit : The 3 worlds of Gulliver. Rating : 6/10. Acceptable and passable. The movie will appeal to Audie Murphy and Sandra Dee fans.
A decent and attractive Western about two innocent people who become involved in problem when they go to a noisy town to trade pelts and where inhabitants attempt to take advantage of them . It contains thrills, emotion, fights , duels, though no much action. Audie Murphy as a mountain trapper gives a nice interpretation in his usual style, though this time he plays an innocent as well as tough man. Murphy, who died early due to a plane accident plane, had a short life but a prolific cinematic career, outstanding in Western genre, starring a lot of them , such as : Sierra, Ride a crooked trail, Billy the Kid, Red Badge of Valor, Duel at Silver Crek, Cimarron Kid , but being his two biggest successes : the drama titled The Quiet Man and the warlike movie To Hell and Back. His partenaire is the famous teen of the 50s : Sandra Dee as the girl in distress who Murphy wants to save from her shameful job as a Saloon girl. Alongside the always beautiful Joanne Dru as woman isolated by the local citizens, Jim Backus as the hardware seller , Strother Martin in a sympathetic role , Peter Breck, George Mitchell and of course the veteran secondary Gilbert Roland as a corrupt sheriff.
It packs a colorful and evocative cinematography by Harald Lipstein. As well as thrilling and moving musical score by Hans J Salter. The motion picture originally titled The Wild Innocents was professionally made by Jack Sher, though it has some flaws and gaps. Sher was usually a writer, and produced some films and directed a few movies , such as : Kathy O, Love in a Goldfish Bowl, Four girls in Town, and his greatest hit : The 3 worlds of Gulliver. Rating : 6/10. Acceptable and passable. The movie will appeal to Audie Murphy and Sandra Dee fans.
A quaint little film that is sometimes funny and sometimes poignant.
terryjo7 June 2003
The movie emphasizes that innocents can get into a lot of trouble in the city. The movie also makes a good statement about people being too lenient in accepting bad choices. When given a chance to improve their lives, some people will always accept the status quo instead of changing. Sandra Dee is a delight and Audie Murphy gives a great performance as someone who finally gets his eyes open to reality in time to save the girl. I truly enjoyed it and wished that they would release it on video.
"Your hair's a mess, and your dress needs a wash"
weezeralfalfa24 June 2017
Warning: Spoilers
It's a good title. I think I'm safe in assuming that it refers to Yancy's (Audie Murphy) seeming choice between females: the wild Marcy(Joanne Dru), an aging saloon girl, who likes to get drunk and frolic, or the seemingly innocent shy teenage hillbilly Rosalie(Sandra Dee). In terms of actual age of the actors, Joanne and Audie were pretty similar, and twice the age of the 17 year old Sandra. Audie thought she was a more desirable candidate for a wife than Sandra, but she wasn't interested in becoming a backwoods woman. Yancy has always been a trapper, along with his father. Although he seems polite and respectful, he's just not her idea of a fun playmate, being too young and unsophisticated. Audie seems to be playing a man in his early twenties, although being 35. He says he ran out of fingers and toes in counting his age. Thus, his character's age is not all that much more than Rosalie's. So, why did he keep pushing Rosalie away? Of course, at first, she looked disheveled, with her unkept hair and soiled dress, was illiterate, and talked very little, mostly pouting, with a blank expression. So, even after her appearance was upgraded, he was not that attracted to her. Yet, he was willing to risk his life to prevent her from becoming a saloon girl and a plaything of the 54y.o. Sheriff Bartell(Gilbert Roland), who owned the saloon, and apparently 'broke in' new recruits. And, when it came down to the wire, he took her to town, when he said he couldn't, and took her back home when she looked so soulful at him when he was about to leave without her.
Of course, Sandra was perfect for her role, Audie perhaps less so in his role as an almost equal innocent. Of course, their characters were burlesqued in this respect. I have to wonder why Rosalie was so shy, and disheveled. Was she trying to make herself unattractive to men? I found Struther Martin hilarious as Sandra's thieving father. Gilbert Roland made a good lecherous owner of the saloon. Joanne Dru made it clear to Yancy that she was treated as an outcast by polite society in the town. Although she might frequently be dressed in fancy clothes, she was not considered a lady. Polite society was scandalized when she attended a social with Yancy.
Yancy engages in several fights with cowboys or townies, and shoots one man dead, providing some 'action'. The catchy theme song "A Touch of Pink" is featured in the upbeat finale.
See it in color at YouTube. I think you will find it a fun film.
Of course, Sandra was perfect for her role, Audie perhaps less so in his role as an almost equal innocent. Of course, their characters were burlesqued in this respect. I have to wonder why Rosalie was so shy, and disheveled. Was she trying to make herself unattractive to men? I found Struther Martin hilarious as Sandra's thieving father. Gilbert Roland made a good lecherous owner of the saloon. Joanne Dru made it clear to Yancy that she was treated as an outcast by polite society in the town. Although she might frequently be dressed in fancy clothes, she was not considered a lady. Polite society was scandalized when she attended a social with Yancy.
Yancy engages in several fights with cowboys or townies, and shoots one man dead, providing some 'action'. The catchy theme song "A Touch of Pink" is featured in the upbeat finale.
See it in color at YouTube. I think you will find it a fun film.
The Fourth of July in Casper
bkoganbing18 May 2008
Audie Murphy stretched his youthful appearance once too often in doing The Wild and The Innocent. Neither he or Sandra Dee are all that wild, but brother are they innocent enough. If this were done today, both probably would have had sex scenes with Joanne Dru and Gilbert Roland.
It's hard to believe such folks exist, but Murphy plays a mountain trapper, probably one of the last of his kind in the rugged Wyoming Rockies. Normally he goes to a trading post to sell his furs, but as he gets there the trading post has been burned down because some peckerwood played by Strother Martin sold some moonshine to the Indians with predictable results.
Murphy's got to take his furs to Casper and this is first time in the big city. God only knows what he would have thought of Chicago or New York if Casper, Wyoming is defined as a city. Strother Martin leaves his daughter, young Sandra Dee with Murphy and both go to Casper.
Which is having a Fourth of July celebration. Let's say that both Murphy and Dee get a big city education from Dru and Roland.
The characters are a bit too much to swallow. Murphy's education may be lacking, but I can't believe he didn't learn a bit about the birds and the bees living in the wild. In fact country folk probably have a far more relaxed attitude about sex as they see it in the livestock they raise.
Gilbert Roland is one of my favorite character actors, I love him in anything and another good performance here is Peter Breck as a cowboy tough who Murphy deals with quite expeditiously.
Still Murphy and Dee look like one very odd couple.
It's hard to believe such folks exist, but Murphy plays a mountain trapper, probably one of the last of his kind in the rugged Wyoming Rockies. Normally he goes to a trading post to sell his furs, but as he gets there the trading post has been burned down because some peckerwood played by Strother Martin sold some moonshine to the Indians with predictable results.
Murphy's got to take his furs to Casper and this is first time in the big city. God only knows what he would have thought of Chicago or New York if Casper, Wyoming is defined as a city. Strother Martin leaves his daughter, young Sandra Dee with Murphy and both go to Casper.
Which is having a Fourth of July celebration. Let's say that both Murphy and Dee get a big city education from Dru and Roland.
The characters are a bit too much to swallow. Murphy's education may be lacking, but I can't believe he didn't learn a bit about the birds and the bees living in the wild. In fact country folk probably have a far more relaxed attitude about sex as they see it in the livestock they raise.
Gilbert Roland is one of my favorite character actors, I love him in anything and another good performance here is Peter Breck as a cowboy tough who Murphy deals with quite expeditiously.
Still Murphy and Dee look like one very odd couple.
Nice romantic western
Caz196414 November 2007
Warning: Spoilers
I saw this movie once years ago and always thought it had been made in black and white,which shows how long ago it was it was when my parents still owned a black and white set.I do remember really liking it though and had always wanted to see it again,finally i got the chance a couple of days ago and it was as good as i remembered . The Wild And The Innocent is an unusual little western and i cant say its like anything else I've seen before or since.Its a sort of tale about morals and the decisions that people might make in life and how easy it is to make the wrong ones,there is always somebody corrupt around the corner who will prey on those that are naive and will use them for their own advantage. Audie Murphy plays a young fur trapper named Yancy who goes to town reluctantly with a young runaway girl named Rosalie{Sandra Dee},and together they get into all sorts of trouble through their naivety towards town life.He wants to help Rosalie find a job,and then he can go his separate way,but its not that simple.
Towards the end of the film he wisens up when he finally realises that the job Rosalie has been offered is more than what the job description says,and he must try to save her before its too late. The Wild And The Innocent is a charmingly romantic film which seems to be sadly forgotten,i think it needs to be shown more as I'm sure there are a lot of viewers out there who would really appreciate this little movie if they only knew about it.As one reviewer on here as commented you need to look at the era it was made in to really appreciate it. I love this movie and the ending makes it all worthwhile,ill give it 9/10
Towards the end of the film he wisens up when he finally realises that the job Rosalie has been offered is more than what the job description says,and he must try to save her before its too late. The Wild And The Innocent is a charmingly romantic film which seems to be sadly forgotten,i think it needs to be shown more as I'm sure there are a lot of viewers out there who would really appreciate this little movie if they only knew about it.As one reviewer on here as commented you need to look at the era it was made in to really appreciate it. I love this movie and the ending makes it all worthwhile,ill give it 9/10
Mr. Yancy Goes to Town!
bsmith555218 May 2018
Warning: Spoilers
"The Wild and the Innocent" was a different sort of western for star Audie Murphy. In it he plays a naïve, innocent semi illiterate mountain man who sees the lights of a big town for the first time.
Yancy (Murphy), his Uncle Lije (George Mitchell) and Lije's wife Kiri (Lillian Adams) are on their way to trade their beaver pelts at their usual trading post. Along the way, Uncle Lije is mauled by a bear and is unable to continue. Yancy is forced to carry on alone.
The trading post has been burned to the ground as a result of drunken Indians made so by rot gut whiskey sold to them by the unscrupulous Ben Stocker (Strother Martin). Stocker, who is travelling westward with his wife and several children, offers up his eldest daughter, the unkempt Rosalie (Sandra Dee) for half of Yancy's furs. He refuses. But Rosalie leaves her family and attaches herself to Yancy much to his dismay. The two continue on to the nearest town and arrive on the 4th of July amid the celebrations.
In town, Yancy gets into an altercation with drover Chip (Peter Breck) and is rescued by the town sheriff (Gilbert Roland) who takes a shine to Rosalie. Yancy meanwhile, takes his furs to the General Store run by Forbes (Jim Backus) who is playing in the town band. Yancy sees Marcy (Joanne Dru), a saloon girl and becomes smitten with her.
The Sheriff in the meantime, cleans Rosalie up, dresses her in a fancy gown and begins to wine and dine her while all the time she pines for Yancy. Yancy unaware of the town's feelings, asks Marcy to the town dance. The townsfolk shun her and she is forced to explain the facts of life to the innocent Yancy. She tells him that the Sheriff is the owner of the Dance Hall and that Rosalie is with him.
Yancy being a bible thumping sort, sees red and goes and gets his gun and goes after Rosalie and...............................................................................
Murphy and Dee make a May-September couple. Murphy's character is supposed to be in his early 20s but in fact was 35 at the time and Dee only 17. Roland on the other hand, was in his 50s at the time making him a somewhat of a dirty old man.
The best part of the movie is when Strother Martin is on the screen. His portrayal of the slimy slithering whiskey drummer is classic Martin.
Not much action but "The Wild and the Innocent" is an enjoyable little opus nonetheless.
Yancy (Murphy), his Uncle Lije (George Mitchell) and Lije's wife Kiri (Lillian Adams) are on their way to trade their beaver pelts at their usual trading post. Along the way, Uncle Lije is mauled by a bear and is unable to continue. Yancy is forced to carry on alone.
The trading post has been burned to the ground as a result of drunken Indians made so by rot gut whiskey sold to them by the unscrupulous Ben Stocker (Strother Martin). Stocker, who is travelling westward with his wife and several children, offers up his eldest daughter, the unkempt Rosalie (Sandra Dee) for half of Yancy's furs. He refuses. But Rosalie leaves her family and attaches herself to Yancy much to his dismay. The two continue on to the nearest town and arrive on the 4th of July amid the celebrations.
In town, Yancy gets into an altercation with drover Chip (Peter Breck) and is rescued by the town sheriff (Gilbert Roland) who takes a shine to Rosalie. Yancy meanwhile, takes his furs to the General Store run by Forbes (Jim Backus) who is playing in the town band. Yancy sees Marcy (Joanne Dru), a saloon girl and becomes smitten with her.
The Sheriff in the meantime, cleans Rosalie up, dresses her in a fancy gown and begins to wine and dine her while all the time she pines for Yancy. Yancy unaware of the town's feelings, asks Marcy to the town dance. The townsfolk shun her and she is forced to explain the facts of life to the innocent Yancy. She tells him that the Sheriff is the owner of the Dance Hall and that Rosalie is with him.
Yancy being a bible thumping sort, sees red and goes and gets his gun and goes after Rosalie and...............................................................................
Murphy and Dee make a May-September couple. Murphy's character is supposed to be in his early 20s but in fact was 35 at the time and Dee only 17. Roland on the other hand, was in his 50s at the time making him a somewhat of a dirty old man.
The best part of the movie is when Strother Martin is on the screen. His portrayal of the slimy slithering whiskey drummer is classic Martin.
Not much action but "The Wild and the Innocent" is an enjoyable little opus nonetheless.
not that wild but borders on infantile
bengleson3 September 2002
Odd little films like THE WILD AND THE INNOCENT pop up from time to time and one has to wonder what brains trust bankrolled it. Surely it was the high-roller from the backwoods who yearned to see a family sort of western with just a nasty touch of two older guys, 54 year old Gilbert Roland and 35 year old Audie Murphy, panting after 15 year old Sandra Dee. Or maybe it was some perverse producer who wanted to humiliate Murphy and dress him up as a sort of country bumpkin Stan Laurel lookalike. Still, there's a bit of harmless fun to be had here, especially if you are at a mountain top Drive-in with your best gal and a drop or two of moonshine to keep you company.
The young, the old and the restless!
hitchcockthelegend14 September 2019
The Wild and the Innocent is directed by Jack Sher and Sher co-writes the screenplay with Sy Gomberg. It stars Audie Murphy, Joanne Dru, Gilbert Roland, Sandra Dee, Jim Backus, George Mitchell and Strother Martin. A CinemaScope/Eastman Color production, the music is by Hans J. Salter and cinematography by Harold Lipstein.
Plot has Murphy as young mountain man Yancy Hawks who experiences big city life for the first time. Reluctantly on his journey into town he has acquired a companion, young Rosalie Stocker (Dee), whose father tried to trade her for some of Yancy's beaver pelts. Once in town the two fishes out of water meet trouble and learn more about life in the process.
It's a bit of an oddity is this, a collage of mixed tonal flows and risky scenarios that marry up to a family friendly first hour, only to be usurped in the last quarter by mature thematics.
Murphy was always youthful in looks, but he is clearly too old for this character, and yet he's as watchable as ever. Yet as we get a potential relationship burgeoning between Murphy (35 at the time) and Dee (17 at the time), it makes us wonder in wonderment where this will end up?! Then things really take a turn into the uncomfortable when Roland's (55 at the time!) Sheriff Paul Bartell puts the moves on Dee! Remembering that Dee is actually playing her age group, well it's a bit choice to say the least...
At pic's beginning we are treated to a bear attack and some lovely locations photographed out of Big Bear Valley/Snow Valley in San Bernardio. From there we get a hot wired Strother Martin playing a quality weasel type, which ultimately leads to Yancy and Rosalie as unlikely companions, which makes for a whole bunch of frothy charm. The scrapes they get into is a fun watch, but as she has eyes for Yancy, he has fallen for "dancehall gal" Marcy Howard (Dru). And then the pic hits darker territory...
Having done a complete tonal flip-flop, pic surprises by not shying away from the narrative thrust that is a house of ill repute. There is no compunction by the owners of such in recruiting young ladies for "dancehall duties" (special mention to the costuming of the ladies in town). So the hot-pot simmers for a naïve Yancy who is bemused why the town shun the lady he fancies and call her a hussy! So how will it work out for our protagonists? As we ponder that question you then realise that it ultimately ends up as expected, and that the last twenty minutes of the piece has actually lifted it above average. 6/10
Plot has Murphy as young mountain man Yancy Hawks who experiences big city life for the first time. Reluctantly on his journey into town he has acquired a companion, young Rosalie Stocker (Dee), whose father tried to trade her for some of Yancy's beaver pelts. Once in town the two fishes out of water meet trouble and learn more about life in the process.
It's a bit of an oddity is this, a collage of mixed tonal flows and risky scenarios that marry up to a family friendly first hour, only to be usurped in the last quarter by mature thematics.
Murphy was always youthful in looks, but he is clearly too old for this character, and yet he's as watchable as ever. Yet as we get a potential relationship burgeoning between Murphy (35 at the time) and Dee (17 at the time), it makes us wonder in wonderment where this will end up?! Then things really take a turn into the uncomfortable when Roland's (55 at the time!) Sheriff Paul Bartell puts the moves on Dee! Remembering that Dee is actually playing her age group, well it's a bit choice to say the least...
At pic's beginning we are treated to a bear attack and some lovely locations photographed out of Big Bear Valley/Snow Valley in San Bernardio. From there we get a hot wired Strother Martin playing a quality weasel type, which ultimately leads to Yancy and Rosalie as unlikely companions, which makes for a whole bunch of frothy charm. The scrapes they get into is a fun watch, but as she has eyes for Yancy, he has fallen for "dancehall gal" Marcy Howard (Dru). And then the pic hits darker territory...
Having done a complete tonal flip-flop, pic surprises by not shying away from the narrative thrust that is a house of ill repute. There is no compunction by the owners of such in recruiting young ladies for "dancehall duties" (special mention to the costuming of the ladies in town). So the hot-pot simmers for a naïve Yancy who is bemused why the town shun the lady he fancies and call her a hussy! So how will it work out for our protagonists? As we ponder that question you then realise that it ultimately ends up as expected, and that the last twenty minutes of the piece has actually lifted it above average. 6/10
I never miss a Sandra Dee western.
mark.waltz8 April 2023
Warning: Spoilers
The very same year that the subject of Rizzo's ridicule got smacked into a Christmas tree by one mother and neglected by her actress mother in two different films, Sandra Dee founded herself pimped out by dad Strother Martin in this colorful, above average western starring Audie Murphy. She runs away from her slimy father, joins Murphy as he makes his way into a local town with corrupt law enforcement (Gilbert Roland) and ends up working for saloon keeper Wesley Marie Tackitt while he sets his sights on the tough talking Joanne Dru who at least teaches him how to dance before the uppity Christian folk order Dru to leave town.
The opening scene is quite memorable, with Murphy's family encountering a family of skunk and later a bear as they make their way through the wilderness. The technicolor cinematography is striking, and the performances (including Dee's) are all good. Jim Backus has a dramatic part as the most respected man in town whose wife (Betty Harford) is behind the fight to get rid of the saloon and its corruption, but rather hypocritical in the methods she uses. Probably one of the best westerns I'd never heard of, with Roland getting much dimension in his role as the main villain who's actually more ethical than others as revealed in a scene where he explains why he is the way he is. There's a surprisingly profound ethical message that comes out of this, showing that the supposedly decent people are often less decent than those being judged by everyone around them for their lack of morals.
The opening scene is quite memorable, with Murphy's family encountering a family of skunk and later a bear as they make their way through the wilderness. The technicolor cinematography is striking, and the performances (including Dee's) are all good. Jim Backus has a dramatic part as the most respected man in town whose wife (Betty Harford) is behind the fight to get rid of the saloon and its corruption, but rather hypocritical in the methods she uses. Probably one of the best westerns I'd never heard of, with Roland getting much dimension in his role as the main villain who's actually more ethical than others as revealed in a scene where he explains why he is the way he is. There's a surprisingly profound ethical message that comes out of this, showing that the supposedly decent people are often less decent than those being judged by everyone around them for their lack of morals.
Sweet old-west love story.
blisterioso18 May 2008
Warning: Spoilers
One reason the old TV sitcom I Dream of Jeannie remains popular is that it keeps us yelling at our screens: "Major Nelson, you idiot! Can't you see that Jeannie is totally gorgeous and is hooked on you? You can make any wish. What are you waiting for?" We wonder if he'll ever wise up. A similar plot element drives this innocent yet sometimes wise story, made in a happily more naive time than today, and depicting a time and place even more so. About half-way through this movie, I angrily thought somebody should compose a sarcastic plot synopsis that begins: "A blind, gay, castrated, autistic mountain man is accompanied on a journey by a beautiful blonde nymphet..." But then I realized that the filmmakers had hooked me in precisely the manner they meant to. Sandra Dee does an excellent job as Rosalie. And at a dewy and budding 17, she is very attractive, modern society's scolding admonitions that teenage girls cannot possibly be appealing to normal adults notwithstanding. This movie's heart is in the right place. Some of the characters are perhaps a bit archetypal and cliché, but that is part of the charm and fun of it. See it if you get the chance.
dull with surprising chemistry
j_eyon25 September 2012
a gentler movie than most of Audie Murphy's westerns - he's a gosh-darn hillbilly man - who meets a plum dirty hillbilly girl - and cain't see thru the messy hair & filthy clothes to her Sandra Dee appeal - but at the town where they come to trade their furs - the sheriff there does see it - while the hillbilly boy is a smitten by the lady dressed in scarlet
this was never gonna be a great movie - but it weren't even average - the story didn't generate any tension cuz of the long dry scenes - and cuz everything was so predictable
the chemistry between Audie and Sandra Dee showed considerable promise - while Gilbert Roland almost steals the movie as the suave latino sheriff
this was never gonna be a great movie - but it weren't even average - the story didn't generate any tension cuz of the long dry scenes - and cuz everything was so predictable
the chemistry between Audie and Sandra Dee showed considerable promise - while Gilbert Roland almost steals the movie as the suave latino sheriff
I loved this movie!
kinikia822 May 2005
Warning: Spoilers
It could be that I'm a hopeless romantic at heart, but I really enjoyed this little film. I have searched far and wide for a copy for my own personal library. I have not given up on my search. One has to remember the era this movie was released in and true appreciation can then be determined. Can anyone enlighten me as to the studio that released this film so that I can have them check their archives for consumer availability? I am a real Audie Murphy fan and as such enjoy all the movies he appeared in during his short life. I watch each time "To Hell and Back" is shown. I'd throughly enjoy seeing this movie again if for no other reason than to make my own tape of it - that shows how much I liked it!
Audie Murphy -- 35 Year Old Teenage Innocent
alonzoiii-121 March 2008
If you are going to have a prayer of enjoying this movie, you have to accept that Audie Murphy is playing a boy, about age 16 or so, so that his romance with Sandra Dee (playing the unfortunate daughter of some trashy folk) doesn't seem creepy. If you notice that Murphy looks every bit of 35, and Sandra Dee looks a young 16 or 17, you will be in trouble.
The movie itself is intended to be strictly family entertainment -- as full of good-hearted humor and lack of dramatic conflict as a typical Disney film of that era. And that makes it an odd choice for Murphy -- who, even when playing innocents, tends to have a sense of danger about him. Poor Audie plays his role with a strain of irritability that makes one think, at any moment, he'll notice that Sandra Dee has a crush on him and go "Girls! Oh gross! Cooties!".
The basic plot -- Audie goes to the big city (er, Casper Wyoming) to sell some beaver furs his pa has trapped. Sandra Dee hitches along, because Pa will try to trade her to somebody for furs or whiskey, and she might not like the guy. So Audie also tries to go find Sandra Dee a job, so she'll stop pestering him. The rest of the flick is how these innocents deal with the big bad world, including corrupt sheriff and dance hall owner Gilbert Roland. (Gilbert plays the role like he knows he is in a bad movie, and hopes to sleep through it.) If you like family friendly movies, and are unbothered about the concept of fancy dance hall women that looms large in this plot, this movie might work for you. If you are looking for a gritty western in the style of Ford, Boetticher, or Mann, run far, far away.
The movie itself is intended to be strictly family entertainment -- as full of good-hearted humor and lack of dramatic conflict as a typical Disney film of that era. And that makes it an odd choice for Murphy -- who, even when playing innocents, tends to have a sense of danger about him. Poor Audie plays his role with a strain of irritability that makes one think, at any moment, he'll notice that Sandra Dee has a crush on him and go "Girls! Oh gross! Cooties!".
The basic plot -- Audie goes to the big city (er, Casper Wyoming) to sell some beaver furs his pa has trapped. Sandra Dee hitches along, because Pa will try to trade her to somebody for furs or whiskey, and she might not like the guy. So Audie also tries to go find Sandra Dee a job, so she'll stop pestering him. The rest of the flick is how these innocents deal with the big bad world, including corrupt sheriff and dance hall owner Gilbert Roland. (Gilbert plays the role like he knows he is in a bad movie, and hopes to sleep through it.) If you like family friendly movies, and are unbothered about the concept of fancy dance hall women that looms large in this plot, this movie might work for you. If you are looking for a gritty western in the style of Ford, Boetticher, or Mann, run far, far away.
6.5 Really?
huskydad26 September 2020
Too gritty and realistic for modern age dorks
drystyx26 September 2018
This is a good example of why older Westerns, pretty much before 1965, were grittier and more credible than the ones that showed modern day dorks in the old West.
The movie seems light hearted, yet mixes in the grit just the way it fits in real life, in ways uncomfortable. Audie Murphy plays a very real character, a backwoods nineteenth century trapper who ventures into the big city. His "good eyesight" becomes critical as the film continues. Indeed, good eyesight is something of great value in the old West, and it makes the two main male characters what they are.
The supporting characters are also very believable for nineteenth century characters. A great diversion from the usual garbage that made you think more that the actors were playing video games off set. Fortunately, there has been a resurgence of the reality and grit that made the fifties great.
The "mood" comes across very clear and works great. The old West city struggles between civilization and savagery, as we see in the way the store owner played by Jim Backus behaves. The store owner depicts pretty much the status quo of the town.
This film has a lot going for it, particularly in believable character motivation.
The movie seems light hearted, yet mixes in the grit just the way it fits in real life, in ways uncomfortable. Audie Murphy plays a very real character, a backwoods nineteenth century trapper who ventures into the big city. His "good eyesight" becomes critical as the film continues. Indeed, good eyesight is something of great value in the old West, and it makes the two main male characters what they are.
The supporting characters are also very believable for nineteenth century characters. A great diversion from the usual garbage that made you think more that the actors were playing video games off set. Fortunately, there has been a resurgence of the reality and grit that made the fifties great.
The "mood" comes across very clear and works great. The old West city struggles between civilization and savagery, as we see in the way the store owner played by Jim Backus behaves. The store owner depicts pretty much the status quo of the town.
This film has a lot going for it, particularly in believable character motivation.
Not Bad
zardoz-1311 August 2017
Warning: Spoilers
Audie Murphy never took an Oscar home, but he was an adequate actor. Some roles gave him more leeway to experiment, while others confined him to formulaic roles. Nevertheless, Murphy is thoroughly convincing as a wet-behind-the-ears young man named Yancy who has spent his entire life in the mountains with his trapper uncle and Native American wife. A rugged frontiersman and a crack shot with a rifle, he knows nothing about social customs. He knows nothing about women, prostitution, and little about the outside world. Co-writer & director Jack Sher and "Joe Butterfly" scenarist Sy Gomberg have fashioned a solid, unpretentious, offbeat western that happily doesn't cast Murphy as a gunfighter. Instead, he plays a man out of touch with reality when he get his first taste of city life on the frontier. Murphy does a good job of playing a naïve young man. "The Wild and the Innocent" isn't a town tamer western, a cavalry western, a revenge oater, or a wagon train chronicle. This Universal-International release could qualify as a coming-of-age saga. After Yancy's uncle is attacked by a bear one evening, Yancy must ride out by himself to sell their pelts. The owner of the General Store in the nearest town is leaving when Yancy catches him and he recommends that Yancy sell his furs in Casper. This means that he must ride two extra days. He encounters a liquor salesman, Ben Stocker (Strother Martin of "Cool Hand Luke"), when he is told to go to Casper. Stocker is a low-down, no-account, scoundrel, and he is responsible for driving the General Store manager away. Stocker has a good-looking daughter, Rosalie (Sandra Dee of "Gidget," who he tries to pawn off on Yancy. Yancy refuses all of Stocker's proposals, but Rosalie slips away from her terrible father. She wants to ride with Yancy and get herself a job in Casper. Initially, Yancy wants nothing to do with her, but eventually he lets her join him. Rosalie is as naïve about life as Yancy.
When the two arrive in Casper, and they learn some important lessons about life and love. The town of Casper is ruled by the Town Marshal, Paul (Gilbert Roland of "The Bad and the Beautiful"), who owns and operates a bordello. He learns about Yancy's arrival after a rowdy cowpoke, Chip (Peter Breck of "Shock Corridor"), tries to rough him up, and Yancy baptizes Chip in a horse trough. Chip sloshes up out of the horse trough and tries to shoot Yancy, but his gun is too wet to fire. These two have a running feud throughout "The Wild and the Innocent" and they clash later during a dance on Independence Day. Chip challenges Yancy to a gunfight, but Yancy prefers to bodily attack Chip. Incredibly, Yancy stomps on Chip's hand and breaks it when the young galoot tries to shoot him. Meantime, Paul takes an interest in Rosalie and wants her all to himself. Yancy lays his eyes on a prostitute, Marcy (Joanne Dru of "Red River"), and he becomes infatuated with her. They get together, but Yancy wants her, but he must learn the hard way about the social stigma surrounding prostitution. Basically, Yancy is a man of considerable resource but no guile. While all this is going on, Rosalie gets a job in a whore house, but she doesn't want to work there. Eventually, Paul and Yancy clash. Yancy learns that Paul made the citizens breathe easier after he took over the duties of town marshal. Yancy topples Paul from power as the town boss, decides to leave Casper, and finds himself pursued by Rosalie. The opening and ending scenes serve as book markers. Jack Sher does a solid job of staging the bullet-riddled action. "The Wild and the Innocent" ranks as one of Murphy's better movies.
When the two arrive in Casper, and they learn some important lessons about life and love. The town of Casper is ruled by the Town Marshal, Paul (Gilbert Roland of "The Bad and the Beautiful"), who owns and operates a bordello. He learns about Yancy's arrival after a rowdy cowpoke, Chip (Peter Breck of "Shock Corridor"), tries to rough him up, and Yancy baptizes Chip in a horse trough. Chip sloshes up out of the horse trough and tries to shoot Yancy, but his gun is too wet to fire. These two have a running feud throughout "The Wild and the Innocent" and they clash later during a dance on Independence Day. Chip challenges Yancy to a gunfight, but Yancy prefers to bodily attack Chip. Incredibly, Yancy stomps on Chip's hand and breaks it when the young galoot tries to shoot him. Meantime, Paul takes an interest in Rosalie and wants her all to himself. Yancy lays his eyes on a prostitute, Marcy (Joanne Dru of "Red River"), and he becomes infatuated with her. They get together, but Yancy wants her, but he must learn the hard way about the social stigma surrounding prostitution. Basically, Yancy is a man of considerable resource but no guile. While all this is going on, Rosalie gets a job in a whore house, but she doesn't want to work there. Eventually, Paul and Yancy clash. Yancy learns that Paul made the citizens breathe easier after he took over the duties of town marshal. Yancy topples Paul from power as the town boss, decides to leave Casper, and finds himself pursued by Rosalie. The opening and ending scenes serve as book markers. Jack Sher does a solid job of staging the bullet-riddled action. "The Wild and the Innocent" ranks as one of Murphy's better movies.
MURPHY AT HIS BEST...!
masonfisk10 July 2019
An Audie Murphy western from 1959. Murphy plays a fur trapping rube sent by his family into town to ply his wares. On his journey he comes in contact w/a family of bumpkins led by a scheming father (Strother Martin) out to steal his furs but when caught, he offers up his daughter played by Sandra Dee. Once in town, Murphy, who prides himself on his decency & book smarts, finds himself constantly undermined by drunk cowboys, dance hall ladies & even the sheriff who provides his unwelcome companion to become the newest member of the establishment he owns. Running a slim ninety minutes or so, this intriguing tale wins many points for taking its time carving out the episodic nature of this story as our hero gains wisdom & experience in the face of the casual barbarity of the town's denizens. One of Murphy's best. Also starring Jim Backus (Thurston Howell the 3rd from Gilligan's Island) who plays the general store owner who is at constant odds w/his wife.
Dee's Most Natural Portrayal
aimless-4611 February 2024
Quite possibly the most bizarre mainstream Hollywood feature film of all time, "The Wild and the Innocent" can in part be explained as another thrown together assembly line vehicle for Audie Murphy, green lighted without a reality check. As an actor Murphy is underrated in large part because he churned out countless films that each year could range from a quality western like "The Unforgiven" (1960) to something absolutely horrible like "Battle at Bloody Beach" (1961).
But things got interesting when the producers cast breakout teen sensation Sandra Dee in the role of mountain waif Rosalie Stocker. It is now commonly accepted that Dee's mother added two years to her age when she started out as a young model in New York. She was actually born in April 1944 and this film was shot in November 1958 so you basically have a precocious 9th grader playing a femme fatale in a triangle with one actor in his mid 30's and another whose leading man days included silent features with Clara Bow. But the oddest thing is that dispite the need for considerable suspension of disbelief about most things in this screenplay, Dee successfully sells her character as the motivating force for the entire story. Go figure.
By 1958 Dee had already made six feature films and had long been exhibiting anorexic tendencies to which many attributed her incredibly youthful appearance rather than suspecting her actual age. She had considerable natural talent and took direction well but had clearly been acting in all those prior roles. Her performances were pleasingly underplayed until "Gidget" earlier in 1958 where she successfully broke out and demonstrated her considerable range.
But how to play Rosalie Stocker was a mystery and Jack Sher was basically a writer who had only directed two films and was inexperienced giving acting for the camera direction. So I suspect that Dee's Rosalie was pretty much a natural portrayal with Sandra Dee basically just playing Sandra Dee. Yet not only does it work but it is the reason for seeking out the film.
Dee's physical fragility and tentativeness make it onto the screen, exactly the qualities that sell Rosalie. When she is poured into sexy outfits she is visibly uncomfortable with the affect she is having on men. The contrast is incredible. To a viewer she becomes the "Innocent" in the title and is believable as an object of desire and the main motivation to men seeking redemption.
But things got interesting when the producers cast breakout teen sensation Sandra Dee in the role of mountain waif Rosalie Stocker. It is now commonly accepted that Dee's mother added two years to her age when she started out as a young model in New York. She was actually born in April 1944 and this film was shot in November 1958 so you basically have a precocious 9th grader playing a femme fatale in a triangle with one actor in his mid 30's and another whose leading man days included silent features with Clara Bow. But the oddest thing is that dispite the need for considerable suspension of disbelief about most things in this screenplay, Dee successfully sells her character as the motivating force for the entire story. Go figure.
By 1958 Dee had already made six feature films and had long been exhibiting anorexic tendencies to which many attributed her incredibly youthful appearance rather than suspecting her actual age. She had considerable natural talent and took direction well but had clearly been acting in all those prior roles. Her performances were pleasingly underplayed until "Gidget" earlier in 1958 where she successfully broke out and demonstrated her considerable range.
But how to play Rosalie Stocker was a mystery and Jack Sher was basically a writer who had only directed two films and was inexperienced giving acting for the camera direction. So I suspect that Dee's Rosalie was pretty much a natural portrayal with Sandra Dee basically just playing Sandra Dee. Yet not only does it work but it is the reason for seeking out the film.
Dee's physical fragility and tentativeness make it onto the screen, exactly the qualities that sell Rosalie. When she is poured into sexy outfits she is visibly uncomfortable with the affect she is having on men. The contrast is incredible. To a viewer she becomes the "Innocent" in the title and is believable as an object of desire and the main motivation to men seeking redemption.
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