Cast a Long Shadow (1959)
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- Approved
- 1h 22min
- Western
- Sep 1959 (USA)
- Movie
Photos and Videos
Complete, Cast awaiting verification
Audie Murphy | ... |
Matt Brown
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Terry Moore | ... |
Janet Calvert
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John Dehner | ... |
Chip Donohue
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James Best | ... |
Sam Mullen
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Rita Lynn | ... |
Hortensia
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Denver Pyle | ... |
Preacher Harrison
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Ann Doran | ... |
Charlotte Calvert
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Stacy Harris | ... |
Eph Brown
(as Stacy S. Harris)
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Robert Foulk | ... |
Hugh Rigdon
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Wright King | ... |
Noah Pringle
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Rest of cast listed alphabetically: | |||
Arthur Berkeley | ... |
Townsman (uncredited)
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Jimmie Booth | ... |
Trail Cook (uncredited)
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Claire Carleton | ... |
Saloon Girl at Poker Game (uncredited)
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Mason Alan Dinehart | ... |
Dick Calvert (uncredited)
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Joe Ferrante | ... |
Townsman (uncredited)
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Terry Frost | ... |
Wade (uncredited)
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Nacho Galindo | ... |
Hotel Keeper (uncredited)
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Elias Gamboa | ... |
Townsman (uncredited)
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Jonathan Hole | ... |
Charlie Boles (uncredited)
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Dick Johnstone | ... |
Barfly (uncredited)
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Ray Jones | ... |
Townsman at Barbeque (uncredited)
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Anne Kunde | ... |
Townswoman (uncredited)
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Kermit Maynard | ... |
Barfly (uncredited)
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Joe Patridge | ... |
Ken Calvert (uncredited)
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Jack Perrin | ... |
Townsman (uncredited)
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Bob Reeves | ... |
Barfly (uncredited)
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Buddy Roosevelt | ... |
Townsman (uncredited)
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Tony Roux | ... |
Townsman (uncredited)
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Rudy Sooter | ... |
Musician (uncredited)
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Dale Van Sickel | ... |
Poker Player (uncredited)
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Rusty Wescoatt | ... |
Townsman (uncredited)
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Directed by
Thomas Carr |
Written by
Martin Goldsmith | ... | (screenplay) (as Martin M. Goldsmith) and |
John McGreevey | ... | (screenplay) |
Martin Goldsmith | ... | (screen story) (as Martin M. Goldsmith) |
Wayne D. Overholser | ... | (novel) |
Produced by
Walter Mirisch | ... | producer (as Walter M. Mirisch) |
Music by
Gerald Fried |
Cinematography by
Wilfrid M. Cline | ... | director of photography |
Editorial Department
Richard V. Heermance | ... | supervising film editor |
Art Direction by
Dave Milton | ... | (as David Milton) |
Set Decoration by
Joseph Kish |
Makeup Department
Vincent Romaine | ... | makeup artist |
Production Management
William A. Calihan Jr. | ... | production manager |
Second Unit Director or Assistant Director
Austen Jewell | ... | assistant director |
Art Department
Ted Mossman | ... | properties |
James West | ... | construction supervisor |
Sound Department
John K. Kean | ... | sound (as John Kean) |
Bruce Schoengarth | ... | sound editor (as Bruce W. Schoengarth) |
Special Effects by
Milt Rice | ... | special effects |
Stunts
Dale Van Sickel | ... | stunts (uncredited) |
Costume and Wardrobe Department
Sid Mintz | ... | wardrobe |
Music Department
Harold E. McGhan | ... | music editor (as Harold McGhan) |
Robert Bain | ... | musician: guitar (uncredited) |
George Fields | ... | musician: harmonica (uncredited) |
Gerald Fried | ... | conductor (uncredited) |
William Kraft | ... | musician: drums (uncredited) |
Shelly Manne | ... | musician: drums (uncredited) |
Script and Continuity Department
John Franco | ... | set continuity |
Production Companies
- The Mirisch Company (presents)
- Mirisch-Murphy Company (production)
Distributors
- United Artists (1959) (United States) (theatrical) (released thru)
- United Artists (1959) (United Kingdom) (theatrical)
- United Artists (1960) (Sweden) (theatrical)
- United Artists (1960) (Sweden) (theatrical)
- Syncron Film (1963) (Norway) (theatrical)
- YouTube (2010) (United States) (video)
- Rank Filmes de Portugal (1963) (Portugal) (theatrical)
Special Effects
Other Companies
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of: affiliated with A.F. of L.)
Storyline
Plot Summary |
Matt Brown is a penniless drunk who gets into brawls often times. He also plays poker when he has money. During a fight over a poker game, Matt is saved by Chip Donahue, the foreman of the Keenan ranch. Chip tels Matt that old man Jake Keenan died and he left his 87,000 acre ranch and fortune to Matt. Keenan had no family other than his illegitimate son, Matt. Whilst he was alive, old man Keenan never recognized Matt as his son and also treated Matt's mother very badly. Back at the ranch in Lobos, New Mexico, Matt rekindles his relationship with his former girlfriend, Janet Calvert. They decide to marry, despite her brothers' reluctance to accept Matt and in spite of Sam Mullen's advances toward Janet. Her brothers would rather see her marry Sam Mullen than Matt. When Janet's mother gives her blessings to Matt, things calm down and a celebration starts. Meanwhile, Chip Donahue the ranch foreman, discovers bank documents in the ranch's safe. These documents show that old man Jake Keenan was in debt to the bank and his lands and ranch were used as collateral. Because of the non-payment of debt, the bank can take over the ranch and lands within a few days. Chip Donahue brings the sad news to Matt and to Matt's tenants, raising their cattle on Matt's lands. The only solution seems to be the immediate repayment of debt to the bank. The only way Matt and his tenants can raise the money in such a short time is to sell three thousand herd of cattle to market in Santa Fe by the end of the week, but such a long cattle drive in such a short time is no easy task. To make matters worse, Sam Mullen and his friends are determined to sabotage Matt's plans. Written by nufs68 |
Plot Keywords | |
Taglines | The roughest vengeance-trail a man ever rode ! See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | Final film of director Thomas Carr. See more » |
Soundtracks | Nearer, My God, to Thee See more » |
Quotes |
Matt Brown:
I gave an order. I expect any man who works for me to obey it. Chip Donohue: No, it's not what you say that galls me. It's the way you say it. Matt Brown: You'll get used to it. Chip Donohue: The question is, do I want to? Matt Brown: You know when a man works the same job too long, he gets thinking no one else can do it. Chip Donohue: I guess that makes him as big a fool as the boy who thinks if he gives enough orders, nobody will have time enough to know that most of them don't make sense. See more » |