I soliti ignoti (1958)

Director:

Mario Monicelli

Writers:

Agenore Incrocci (story) &
Furio Scarpelli (story) ...

Release Date:

22 November 1960 (USA)

Genre:

Comedy | Crime

Plot:

A motley quintet of inept small-time thieves bungle the burglary of a local pawnshop in this Italian farce.

Plot Keywords:

Pawnshop | Sicilian | Photographer | Burglar | Gang

Awards:

Nominated for Oscar. Another 3 wins

Cast

Vittorio Gassman	...	Peppe il pantera
Renato Salvatori	...	Mario Angeletti
Memmo Carotenuto	...	Cosimo
Rossana Rory	...	Norma
Carla Gravina	...	Nicoletta
Claudia Cardinale	...	Carmelina
Carlo Pisacane	...	Capannelle
Tiberio Murgia	...	Michele Ferribotte
Gina Rovere	...	Teresa, wife of Tiberio
Gina Amendola	...	Mario's 'Mother'
Elvira Tonelli	...	Assunta
Elena Fabrizi	...	Signora Ada (as Elisa Fabrizi)
Pasquale Misiano	...	Massimo
Renato Terra	...	Eladio
Aldo Trifiletti	...	Fernando, doorkeeper

Also Known As:

Big Deal on Madonna Street (USA)
Persons Unknown (UK)

Runtime:

106 min

Country:

Italy

Language:

Italian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Finland:S | Italy:T | Spain:T | Sweden:Btl | Argentina:Atp | Singapore:PG

Filming Locations:

Rome, Lazio, Italy

Company:

Cinecittà

Trivia:

Mario Monicelli wanted to call its movie "Le Madame", and only in a second moment changed it into "I Soliti Ignoti" (Usual Unknowns). Le Madame is an Italian slang for Policemen.

Quotes:

Capannelle: Tell me, do you know a guy called Mario who lives around here?
Boy playing soccer: There are a thousand Marios around here.
Capannelle: Yes, but this one is a thief.
Boy playing soccer: There are still a thousand.

Movie Connections:

Featured in I soliti ignoti vent'anni dopo (1987)

Who are these guys anyway?

As is typical in most Italian comedies, Monicelli has taken a cup of post war Italy realism and stirred in a cup of scenes from the human condition along with a dash of physical comedy which makes 'Big Deal On Madonna Street' a bittersweet cake we all can enjoy.

Like DeSica and Visconti, Monicelli uses post war Italy as the atmosphere in which these characters find themselves trying to eke out their lives. The recurring Italian film maker's theme of man against a complicated, bureaucratic life is no more evident than here. Throughout the film, the characters impressively quote Italian law by chapter and verse however this does not help them as they all have spent time in jail. The absurdity of knowledge without benefit of improvement is a another theme used. As Toto waxes eloquently regarding the sundry ways to break into a safe (one which the film goer is led to believe he knows nothing about), these men attempt to gain knowledge which they believe will deliver the big score. However even with knowing the apartment is empty, the type of safe the valuables are in and the way to gain access to the safe, their plan is flawed by their inability to execute what seems to them to be a fool proof blue print for success.

While Monicelli's themes ring as clear as the bell that has Peppe il pantera (Gassman) on the canvas, the characterizations of this band of misfits are classic. A stuttering, would be fighter (Gassman), and an out-of-work photographer who has sold his camera to survive (Mastroianni)lead the crew. The scenes played between Gassman's 'everything's easy' attitude and Mastroianni's inquisitiveness provide the viewer with hilarious cat and mouse verbal trade-offs.

In the end, 'Big Deal On Madonna Street' strikes a chord for viewers because we have all felt, at times, completely helpless by the absurdity of life and our pursuit for 'the prize' that we perceive will deliver us from our situation. However like this crew at the end of the film, we wake up every morning and realize that it's back to work to grind out another day.