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Tom Winston, a widower, is trying to understand and raise three precocious children alone. He gets a little unexpected help from Cinzia, when the children decide she is be the new maid. She is actually an Italian socialite who is trying to get away from her overprotective father. Written by
Brian W Martz <B.Martz@Genie.com>
Cary Grant initially accepted his role in Houseboat (1958) because he was dating Sophia Loren, whom he was madly in love with. After she married someone else, Grant, heartbroken, wanted to back out. He couldn't, but the director made sure the production was a smooth one. See more »
During Cinzia's first visit to Tom's apartment, at one point he is adjusting the sofa bed; as the two converse the camera moves closer to them and the shadow of the moving camera can be seen on Cinzia's dress. See more »
[after yelling at his son]
Now where were we?
[She turns on the spray paint and sprays him in the face on purpose]
Thank you, Michelagelo.
See more »
Cozy romp with some surprising emotional resonance
At first glance, "Houseboat" looks like the worst type of sitcom: stern father gets saddled with his estranged children, later hiring a governess who is really a runaway from high society. Saccharin-prone viewers might bail early, but give it time. Cary Grant plays the dad with an amusing mixture of concern, consternation and suspicion; he enjoys a good time, but he goads his kids into being more than what he sees, and when his son pushes back it seems an exceptionally realistic reaction. As for Sophia Loren, basking in her movie-star close-ups, she takes a cartoonish character (which is written like a cynical refugee from "Roman Holiday") and gives the lady a big heart. Her bonding with the children (and with Grant) is a treat, and while I wasn't quite convinced it would all work out happily, I was genuinely entertained. A surprising jewel. *** from ****
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