IMDb > Elevator to the Gallows (1958)
Ascenseur pour l'échafaud
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Elevator to the Gallows (1958) More at IMDbPro »Ascenseur pour l'échafaud (original title)

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Elevator to the Gallows -- Trailer for Elevator To The Gallows

Overview

User Rating:
8.0/10   10,881 votes »
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Down 42% in popularity this week. See why on IMDbPro.
Director:
Writers:
Roger Nimier (adaptation) &
Louis Malle (adaptation) ...
(more)
Contact:
View company contact information for Elevator to the Gallows on IMDbPro.
Release Date:
29 January 1958 (France) See more »
Plot:
A self-assured business man murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events. Full summary » | Full synopsis »
Plot Keywords:
Awards:
1 win See more »
User Reviews:
The Camera has more than one picture See more (71 total) »

Cast

  (in credits order) (verified as complete)

Jeanne Moreau ... Florence Carala
Maurice Ronet ... Julien Tavernier

Georges Poujouly ... Louis
Yori Bertin ... Véronique
Jean Wall ... Simon Carala
Elga Andersen ... Frieda Bencker
Sylviane Aisenstein ... Yvonne, La fille du bar
Micheline Bona ... Geneviève
Gisèle Grandpré ... Jacqueline Mauclair
Jacqueline Staup ... Anna
Marcel Cuvelier ... Le réceptionniste du motel
Gérard Darrieu ... Maurice

Charles Denner ... L'adjoint du commissaire Cherrier
Hubert Deschamps ... Le substitut du procureur
Jacques Hilling ... Le garagiste
Marcel Journet ... Le président du conseil d'administration
François Joux ... Commissaire de police

Iván Petrovich ... Horst Bencker
Félix Marten ... Christian Subervie

Lino Ventura ... Le commissaire Cherrier
rest of cast listed alphabetically:
Micheline Sarfati
Robert Balpo ... Un consommateur (uncredited)
Nicolas Bataille ... Un consommateur à la brasserie (uncredited)
Marcel Bernier ... Un policier au commissariat (uncredited)

Jean-Claude Brialy ... Le jeune homme du motel (uncredited)
Christian Brocard ... Un consommateur (uncredited)
Olivier Darrieux ... Le chauffeur (uncredited)
Lucien Desagneaux ... Un journaliste (uncredited)
Pierre Devilder ... Petit rôle (uncredited)
Pierre Frag ... Un consommateur à la brasserie (uncredited)
Guy Henry ... Un inspecteur (uncredited)
Roger Jacquet ... Gaston (uncredited)
Alice Reichen ... La fleuriste (uncredited)
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Directed by
Louis Malle 
 
Writing credits
Roger Nimier (adaptation) &
Louis Malle (adaptation)

Roger Nimier (dialogue)

Noël Calef (novel)

Noël Calef (pre-adaptation)

Produced by
Jean Thuillier .... producer
 
Original Music by
Miles Davis 
 
Cinematography by
Henri Decaë 
 
Film Editing by
Léonide Azar 
 
Art Direction by
Jean Mandaroux 
Rino Mondellini 
 
Makeup Department
Boris de Fast .... chief makeup
 
Production Management
Irénée Leriche .... production manager
Hubert Mérial .... unit production manager
 
Second Unit Director or Assistant Director
Alain Cavalier .... assistant director (as Alain Fraisse)
François Leterrier .... second assistant director
 
Art Department
Pierre Guffroy .... first assistant art director
Clément Hurel .... poster artist
Jacques Martin .... property master
 
Sound Department
Raymond Gauguier .... sound engineer
 
Special Effects by
Pierre Lax .... special effects
 
Camera and Electrical Department
André Bouladoux .... key grip
Jean-Louis Castelli .... still photographer
Jean Rabier .... first assistant camera
Vincent Rossell .... still photographer
André Villard .... camera operator
 
Editorial Department
Madeleine Bibollet .... assistant editor
Kenout Peltier .... assistant editor
 
Music Department
Kenny Clarke .... musician: drums
Miles Davis .... musician: trumpet
Emilhenco .... musician: piano (as René Urtreger)
Pierre Michelot .... musician: bass
Barney Wilen .... musician: tenor sax
 
Other crew
Francine Corteggiani .... script supervisor
Jean-Paul Sassy .... technical advisor
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
"Ascenseur pour l'échafaud" - France (original title)
"Frantic" - USA
See more »
Runtime:
88 min
Country:
Language:
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Argentina:16 | Australia:PG | Finland:K-16 | Netherlands:12 (re-release) (2005) | Netherlands:18 (original rating) (1958) | Norway:16 | Spain:16 (DVD rating) | UK:PG | USA:Not Rated | West Germany:12

Did You Know?

Trivia:
Gardenal is a barbiturate, and is the most widely used anticonvulsant (anti-epileptic) worldwide.See more »
Goofs:
Revealing mistakes: When Julien is hanging from the cable and the elevator suddenly starts moving down the shaft, there is a shot of him where the walls around him aren't moving as they should.See more »
Quotes:
Le commissaire Cherrier:you see madam there are always several photos in a cameraSee more »
Movie Connections:
Referenced in Broken Embraces (2009)See more »

FAQ

This FAQ is empty. Add the first question.
12 out of 16 people found the following review useful.
The Camera has more than one picture, 22 April 2006
Author: David Ferguson (fergusontx@gmail.com) from Dallas, Texas

Greetings again from the darkness. The phrase Film Noir conjures up a certain feel and look and "Gallows" certainly captures what we have come to expect from the genre. However, the great director Louis Malle goes even further with his minimalistic approach to sound, lighting and dialog. Where 1944's "Double Indemnity" wreaks explosive on screen passion, Malle offers up a quiet simmering that draws the viewer into the lives of the main characters.

Jeanne Moreau is the perfect pouty French femme fatale. Her scenes of walking (wandering) the dark, rainy streets of Paris are chilling to watch for film lovers. The weak lighting and lack of make-up allow Moreau's true emotions to guide us. Malle also is tremendous in his filming of the elevator scenes with Maurice Ronet.

The secondary characters of the young lovers played by Yori Bertin (Veronique) and George Poujouly (Louis) are unmistakable in their likeness to Natalie Wood and James Dean. Watching two young kids carelessly destroy their own lives, as well as that of others, is quite the contrast to the well-conceived scheme of Moreau and Ronet.

I have not been able to come up with an apt description of the powerfully improvised jazz score from the legendary Miles Davis. The approach has been mimicked over the years, but never duplicated. It is startling in its ability to slap the viewer in the face! Moreau is of course a screen legend and went on to star in "Jules and Jim", Truffaut's "The Four Hundred Blows" and my personal favorite, "The Bride Wore Black". As great as she was in all of these, I am not sure her essence was ever better captured than her wandering through the Paris streets in "Elevator to the Gallows".

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