Elevator to the Gallows
(1958)
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Elevator to the Gallows
(1958)
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Jeanne Moreau | ... | ||
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Maurice Ronet | ... | |
| Georges Poujouly | ... |
Louis
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Yori Bertin | ... |
Véronique
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Jean Wall | ... |
Simon Carala
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Elga Andersen | ... |
Frieda Bencker
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Sylviane Aisenstein | ... |
Yvonne, La fille du bar
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Micheline Bona | ... |
Geneviève
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Gisèle Grandpré | ... |
Jacqueline Mauclair
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Jacqueline Staup | ... |
Anna
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Marcel Cuvelier | ... |
Le réceptionniste du motel
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Gérard Darrieu | ... |
Maurice
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| Charles Denner | ... |
L'adjoint du commissaire Cherrier
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Hubert Deschamps | ... |
Le substitut du procureur
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Jacques Hilling | ... |
Le garagiste
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Florence Carala and her lover Julien Tavernier, an ex - paratrooper want to murder her husband by faking a suicide. But after Julien has killed him and he puts his things in his car, he finds he has forgotten the rope outside the window and he returns to the building to remove it... Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
I never physically met the man, but I consider Malle an old friend.
He made two films that I think are among the most perfect and intellectually adventurous I know. He also made some good films that aren't life-changing but that show insight. This is one of them.
There are no new ideas here. It unfolds as one expects. The drama is muted to the point of homeopathy.
And yet we like it because it is so economical. Its bare, honest, true. So we like it, just like we gravitate to an open person regardless of whether she is dumb. I appreciate Bresson for this, his economy which blesses the viewer with a mind that necessarily filters what we see. But Bresson goes too far and presses into the impress of abstraction. Malle is real because it is overtly untheatrical.
Its worth seeing because it is seamless bamboo and because it informs "Vanya" and "Dinner." But in terms of its effect; its callow post-noir noir. And it has that hint at the end of a "film" within that condemns the couple.
Ted's Evaluation -- 3 of 3: Worth watching.