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Elevator to the Gallows (1958)
"Ascenseur pour l'échafaud" (original title)

8.0
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Ratings: 8.0/10 from 10,369 users   Metascore: 92/100
Reviews: 70 user | 92 critic | 12 from Metacritic.com

A self-assured business man murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.

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(adaptation), (adaptation), 3 more credits »
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Title: Elevator to the Gallows (1958)

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Cast

Cast overview, first billed only:
...
Maurice Ronet ...
...
Louis
Yori Bertin ...
Véronique
Jean Wall ...
Simon Carala
Elga Andersen ...
Frieda Bencker
Sylviane Aisenstein ...
Yvonne, La fille du bar
Micheline Bona ...
Geneviève
Gisèle Grandpré ...
Jacqueline Mauclair
Jacqueline Staup ...
Anna
Marcel Cuvelier ...
Le réceptionniste du motel
Gérard Darrieu ...
Maurice
...
L'adjoint du commissaire Cherrier
Hubert Deschamps ...
Le substitut du procureur
Jacques Hilling ...
Le garagiste
Edit

Storyline

Florence Carala and her lover Julien Tavernier, an ex - paratrooper want to murder her husband by faking a suicide. But after Julien has killed him and he puts his things in his car, he finds he has forgotten the rope outside the window and he returns to the building to remove it... Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Plot Synopsis

Plot Keywords:

rope | murder | alibi | german | arms dealer | See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

29 January 1958 (France)  »

Also Known As:

Elevator to the Gallows  »

Box Office

Opening Weekend:

$7,354 (USA) (24 June 2005)

Gross:

$263,404 (USA) (16 December 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The German tourists' Mercedes-Benz 300SL W198 "Gullwing" was the fastest production car of its day. It is the first production car with direct fuel injection, which is why the characters mention that the engine has no carburetors. See more »

Goofs

After becoming soaked while walking around the city in a rain storm in search of Julien, Florence arrives at the bar with her hair dry and still perfectly coiffed, as well as dry clothing and perfect make-up. See more »

Quotes

Julien Tavernier: How many billions did the Indochina War bring you? And now Algeria, how much?
See more »

Connections

Featured in Zomergasten: Episode #20.2 (2007) See more »

Soundtracks

Played by:
Miles Davis - trumpet
Barney Wilen - tenor saxophone
Rene Urtreger - piano
Pierre Michelot - contrabass
Kenny Clarke - drums
See more »

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User Reviews

 
The black cat has it...
1 March 2014 | by (United Kingdom) – See all my reviews

Ascenseur pour l'échafaud (AKA: Elevator to the Gallows/Lift to the Scaffold) is directed by Louis Malle and co-written by Malle, Roger Nimier and Noël Calef (novel). It stars Jeanne Moreau, Maurice Ronet, Georges Poujouly, Yori Bertin and Jean Wall. Music is by Miles Davis and cinematography by Henri Decaë.

A little ole devil this one, a sly slow pacer that itches away at your skin. Rightly seen as a bridging movie between the classic film noir cycle and the nouvelle vague, Malle's movie is in truth straightforward on narrative terms. Julien Tavernier (Ronet) is going to kill husband of his lover, Florence Carala (Moreau), who also happens to be his boss, but upon executing the perfect murder, he, through his own absent mindedness, winds up stuck in a lift close to the crime scene. Outside Florence is frantically awaiting his arrival so as to begin their life together in earnest, but when a couple of young lovers steal Julien's car, Florence gets the wrong end of the stick and a sequence of events lead to Julien and Florence hitching that ride to the gallows.

Simplicity of narrative be damned, Malle's movie is a classic case of that mattering not one jot. There is style to burn here, with bleak atmospherics dripping from every frame, and Miles Davis' sultry jazz music hovers over proceedings like a sleazy grim reaper. The ironic twists in the writing come straight off the bus to noirville, putting stings in the tale, the smart reverse of the norm finding Moreau (sensual) wandering the streets looking for her male lover, while elsewhere he's in isolation and a doppleganger murder scenario is cunningly being played out. Decaë's photography has a moody desperation about it that so fits the story, the use of natural light making fellow French film makers sit up and take notice. While the dialogue, and the caustic aside to arms dealings, ensures we know that Malle can be a sly old fox. He really should have done more noir like pictures.

A film that convinces us that Julien and Florence are deeply in love and passionate about each other, and yet they never are once together in the whole movie! It's just one of the many wonderful things about Louis Malle's excellent picture.

Remember folks, the camera never lies... 8/10


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