Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Handsome playboy Nicky Ferrante and beautiful night club singer Terry McKay have a romance while on a cruise from Europe to New York. Despite being engaged to other people, both agree to reunite at the top of the Empire State Building in six months. However, an unfortunate accident keeps Terry from the reunion, and Nicky fears that she has married or does not love him anymore. Will he discover the truth behind her absence and reunite with his one true love, or has fate and destiny passed them by? Written by
Deborah Kerr and Cary Grant improvised many of their scenes throughout filming, and a number of lines that made it to the final cut of the film came from the actors' improvisation. See more »
When Nickie sees Terry in the theater, she has a fur coat over both shoulders and her left hand on the middle of the seat back in front of her. In the next shot, only her right shoulder is covered and her hand has moved to the corner of the seat. See more »
Oh, it's nobody's fault but my own! I was looking up... it was the nearest thing to heaven! You were there...
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Rusalka's eighteenth film review: A pearl in Pink Champagne
This film has to be the best romantic film that I've ever seen, even above Gone With the Wind, and Casablanca, but on the same level as The English Patient (my favorite film of all time). After I saw Sleepless in Seattle when I was in high school and caught the many references to this film, I decided to check it out for myself. Needless to say, with the whole "shipboard romance" aspect of it, and the promise to meet again in six months atop the Empire State Building of all places, I quickly became hooked. The scene that takes place on the French Riviera with Nickie's grandmother playing the piano, oh God is it beautiful! Cary Grant is so debonair and suave and Deborah Kerr is so ravishing and stunningly beautiful, that it always demands repeated viewings from me (at least twice a year).
Seeing this film always makes me wonder if something like the kind of relationship describes within this film would actually BE possible in real life. Would and could someone actually leave the person they were engaged to in order to marry a complete and total stranger they just met days ago? I'd like to think that it could, but then again I am nothing but a hopeless romantic. The final scene always tears my heart out no matter how many times I've seen it. I'm always sobbing. Watching this film around the fourteenth day of February (even if you are single) is always a treat. It allows our fantasies to take wing so that we may think we are actually the one meeting our beloved atop the Empire State Building in a thunderstorm.
Watch this film with a box of industrial-strength kleenex nearby.
My rating: 4 stars
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