Captain Henri Rochard is a French officer assigned to work with Lieut. Catherine Gates. Through a wacky series of misadventures, they fall in love and marry. When the war ends, Capt. ... See full summary »
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Barnaby Fulton is a research chemist working on a fountain of youth pill for a chemical company. While trying a sample dose on himself, he accidentally gets a dose of a mixture added to the water cooler and believes his potion is what is working. The mixture temporarily causes him to feel and act like a teenager, including correcting his vision. When his wife gets a dose that is even larger, she regresses even further into her childhood. When an old boyfriend meets her in this state, he believes that her never wanting to see him again means a divorce and a chance for him. Written by
John Vogel <firstname.lastname@example.org>
During the opening credits, an offscreen voice twice says, "Not yet, Cary" when Barnaby (Cary Grant) opens his front door to come outside. Each time, he closes the door again so the credits can continue. See more »
If you like good solid wacky comedy, this is a strong bet. An utterly silly movie, it makes me smile just thinking about it--I've seen it probably a dozen times. Cary Grant really was in a class by himself, managing to do virtually every genre, even though he seems to have been typecast by movie history--here he plays a hopelessly stuffy absent minded professor, after drinking a youth serum of improbable origin, he immediately becomes a teen ager from the early fifties. Changing on a dime, the transformation is hilarious.
Ginger Rogers, always really engaging, isn't give a lot to do as an adult, but she excels when regressing into a juvenile.
One thing--for anyone who really likes Marilyn Monroe (and who doesn't), this is a must see. Not because it's her best part, or because she has a lot of screen time, it isn't and she doesn't. But since she made this movie really before she became famous, it's instructive: the part is just another ditzy bombshell secretary, but something about her just jumps off the screen. This seems to me to be a great example of how there's an ineffable unexplainable quality of "screen presence". She manages to hold her own with Cary Grant, not an easy task for anyone, let alone some yet to be discovered starlet.
Now that we're in a gross out downward spiral for comedies, this might be the best tonic--a movie that's very silly, and very funny.
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