| James Donald | ... | Bill Harper | |
| Kenneth More | ... | Tony Rackham | |
| Jean Lodge | ... | Petronilla Brand | |
| Frederick Piper | ... | Customs inspector | |
| Charles Hawtrey | ... | George Crumb | |
| Michael Trubshawe | ... | Redworth | |
| Alfie Bass | ... | Dallyn | |
| Wilfrid Caithness | ... | Mr. Minch | |
| Lionel Harris | ... | Mr. Frost | |
| Richard Molinas | ... | Massaud | |
| Reginald Beckwith | ... | Scoutmaster | |
| Stanley Lemin | ... | Customs officer | |
| Arthur Wontner | ... | Maj. Glockleigh | |
| Frank Tickle | ... | Vicar | |
| rest of cast listed alphabetically: | |||
| Grace Arnold | ... | Landlady | |
| Hamlyn Benson | ... | Pub Landlord | |
| Amy Dalby | ... | Postmistress | |
| Edmund Gray | ... | Photographer | |
| Robert Hay-Smith | ... | Wolf Cub | |
| Walter Hodges | ... | Admiral Bargill | |
| W.E. Holloway | ... | Chairman Of The Bench | |
| Douglas Ives | ... | Farmer | |
| Tony Lyons | ... | Boy Scout | |
| Wensley Pithey | ... | Circus Owner | |
| John Powe | ... | Whitey | |
| Patience Rentoul | ... | Yachtswoman | |
| Gaston Richer | ... | French Customs Officer | |
| Mrs. E.M. Smith | ... | Maid | |
| Stanley Van Beers | ... | Mr. Lovegrove | |
| Sam Kydd | ... | Lorry Driver (uncredited) | |
| Brian Weske | ... | Jackie (uncredited) | |
Directed by | |||
| John Eldridge | |||
Writing credits | ||
| Geoffrey Household | (novel) | |
| Walter Meade | (screenplay) and | |
| John Dighton | (screenplay) | |
Produced by | |||
| John Grierson | .... | executive producer | |
Original Music by | |||
| John Addison | |||
Cinematography by | |||
| Martin Curtis | |||
Film Editing by | |||
| John Trumper | |||
Art Direction by | |||
| Ray Simm | |||
Production Management | |||
| Bill Kirby | .... | production manager | |
| Isobel Pargiter | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jack Causey | .... | assistant director | |
| Alfred Shaughnessy | .... | assistant director | |
Sound Department | |||
| George Burgess | .... | sound recordist | |
| Charles Tasto | .... | sound recordist | |
Camera and Electrical Department | |||
| John Harris | .... | camera operator | |
| Ronnie Taylor | .... | camera operator | |
Music Department | |||
| John Addison | .... | conductor | |
Other crew | |||
| Hazel Swift | .... | continuity | |
|
|
|
|
|
| Marie Galante | Stage Fright | Secret Venture | The House on 92nd Street | Docks of New Orleans |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section |
Brandy for the Parson comes out of Group 3 Productions and Southall Studios. It's directed by John Eldridge and adapted for the screen by John Dighton (The Man in the White Suit/Kind Hearts and Coronets) & Walter Meade (Scott of the Antarctic) from a story by Geoffrey Household. It stars James Donald, Kenneth More, Jean Lodge, Frederick Piper, Charles Hawtrey & Alfie Bass. Music is by John Addison and Martin Curtis is on cinematography.
Young couple Bill (Donald) & Petronilla (Lodge) find their yachting holiday turned upside down after a collision with Tony Rackham (More). For Tony is smuggling Brandy from France to London! And now that he has no boat, the young couple are obliged to help him. With the Customs Office on their tail and their destination seemingly miles and miles away, it will need a lot of fortune to go their way if they are to evade capture and stay out of prison.
No doubt about it, Brandy for the Parson is something akin to entering a time warp. But that is meant in the nicest possible way. Group 3 was a British company set up to give young film makers a chance in the industry, some of their 50s productions have finally made it on to DVD. The likes of Miss Robin Hood, The Love Match, Orders Are Orders, Make Me an Offer and this here smuggling caper, all encompass a British sensibility that makes them stand out on their own: well more that they can't be bracketed with the best of Ealing, Powell & Pressburger and the Boulting Brothers. They are film's that are rough around the edges but have a charming appeal that's unique to fans of British comedy movies from the 50s. With that in mind, they are not for everyone, and certainly not all of them are film's easy to recommend. But for those of a similar persuasion to myself there is much to enjoy.
Brandy for the Parson only runs at 73 minutes and does contain a cast worthy of a bigger production. Kenneth More is now the name actor on show, tho at the time of release he was secondary to James Donald, while Hawtrey, Bass and Piper are well known for work elsewhere. But it's a fine collective of actors regardless of budget. The film eases along without any need for exuberance, it's a solid premise that sees the innocent pulled into an adventure that they didn't court. The fun is not so much that they are fishes out of water, the entertainment is that they embrace the challenge and take it on with a stiff upper lip. Not to mention the number of characters they meet along the way who are only too eager to help our needy trio; regardless of knowing the truth or not. Away from the safe story and how it's knowingly acted, the work of Addison and Curtis is worthy of a second viewing. Addison's score is jaunty and completely in keeping with the pace of the film, while Curtis' photography brings to life a Devonshire harbour and captures some beautiful English countryside in a way that the great Jack Cardiff would have been proud of.
So easy on the eyes and ears, then, and also a film that is easy to warm too for those not expecting side splitting satire or farce. 7/10