In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
English dancehall actress Julia Packett hasn't seen her daughter since Susan was a few months old, having given her up to be raised by her respectable and wealthy father William (whom Julia... See full summary »
On a visit to London, 18 year-old American Melinda Greyton goes to her first party, a Regimental ball. There she meets and falls madly in love with Major Michael Curragh, a handsome ... See full summary »
The advertising slogans of Jimmy Hanagan and the lab reports reveal that the patented prepared pudding invented by Lemuel P. Twine has a treasure of Vitamin Z and is full of Zumph. Lemuel's... See full summary »
Arnold Boult is determined to make his son a success at all costs. He commits arson, causes two suicides, and bribes people. His wife, unable to leave him, becomes alcoholic and dies. His ... See full summary »
In this sequel to Father of the Bride (1950), Stanley Banks learns that his daughter Kay is going to have a baby. When they get the news everyone except Stanley is overjoyed. His wife and grandmother-to-be Ellie broadcasts it everywhere and all Stan can do is worry about the practical things like how his son-in-law Buckley can afford it. Well, having not long ago paid for the wedding, Stanley has no intention of bearing any of the expenses involved. Buckley's parents and Ellie are overjoyed at the news and virtually take over redecorating the young couple's new house. Crisis and false alarms take over their lives and when the child is born, the only person he doesn't seem to like is Stanley. A walk in the park - and absolute panic when Stanley misplaces his grandson - seems to resolve the situation. Written by
This is one of a handful of Metro-Goldwyn-Mayer productions of the 1950-1951 period whose original copyrights were never renewed and are now apparently in Public Domain; for this reason this title is now offered, often in very inferior copies, at bargain prices, by numerous VHS and DVD distributors who do not normally handle copyrighted or Metro-Goldwyn-Mayer material. See more »
During the drive to the hospital, Stanley and Ellie cross a railroad track just before the arrival of a train. Immediately afterward, we can see the traffic behind the car, and the stream of cars is undisrupted, with no sign of the train. See more »
This is not a "great" movie, but it is light-hearted fun, and worth watching. The studio was trying to cash in on Tracy's new-found cachet as a comic actor. I liked that his character stood for reason and tolerance - could just as easily been bombast and intolerance. Instead of coercing his daughter, he takes the time to let her see how it all works out, much as in "Father of the Bride." There's certainly a place in my heart for a man like that. In fact, Tracy reminds me of my father at his best. I do wonder at all the varying concerns - the rush to the hospital by all parties, the nervous mother and father in the months to the baby's arrival. Aside from the black and white filming, there are some other things that really date this movie, such as the casual use of tobacco and alcohol. It was interesting to see Hayden Rorke in his pre- "I dream of Jeannie" days, and with a bit less of a featherbrained character. Paul Harvey ("Good Day!") and Bob Hope make appearances too. The doctor's guidance surprised me with the degree of prenatal care - 8 glasses of water a day, plenty of walking, vitamins. I'd have guessed that back in the day, they'd have the gals kicking back with a beer to just relax. Also, when the son-in-law phones in from the maternity ward, he's all bubbly; when I called my dad to tell him about my kids arriving, I could barely talk, I was so choked up. My dad told me later he was a little worried that something bad had happened. Ah, well. I also understand a little better why my dad was so taken with Elizabeth Taylor, she's just a knockout in this movie, young, big dark eyes, so pretty. Folks may think that such movies suffer by their age, but I think it's interesting to see how people lived and what their attitudes were, kind of like being with my grandpa again. Not so obsessed with health, more about genuine concern for one another. I'm glad TCM runs these movies.
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