In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
A rich, young beauty, Louise Durant, follows the man she loves and hopes to marry to Zurich where he studies violin at the conservatory. A piano student at the conservatory falls madly in ... See full summary »
Charles returns to Paris to reminisce about the life he led in Paris after it was liberated. He worked on "Stars and Stripes" when he met Marion and Helen. He would marry and be happy ... See full summary »
In 1796, Captain George Brummell of the 10th Royal Hussars Regiment offends the Prince of Wales with his straightforward outspokenness and gets fired from the army but is chosen as the Prince's personal advisor.
On a visit to London, 18 year-old American Melinda Greyton goes to her first party, a Regimental ball. There she meets and falls madly in love with Major Michael Curragh, a handsome ... See full summary »
In this sequel to Father of the Bride (1950), Stanley Banks learns that his daughter Kay is going to have a baby. When they get the news everyone except Stanley is overjoyed. His wife and grandmother-to-be Ellie broadcasts it everywhere and all Stan can do is worry about the practical things like how his son-in-law Buckley can afford it. Well, having not long ago paid for the wedding, Stanley has no intention of bearing any of the expenses involved. Buckley's parents and Ellie are overjoyed at the news and virtually take over redecorating the young couple's new house. Crisis and false alarms take over their lives and when the child is born, the only person he doesn't seem to like is Stanley. A walk in the park - and absolute panic when Stanley misplaces his grandson - seems to resolve the situation. Written by
Spencer Tracy blusters around quite nicely in this fluffy sequel to Father of the Bride. It's most interesting to watch as a sort of time capsule, to see the attitudes and quirks of the early 1950s. I love the scene where Liz Taylor describes to her father how her doctor believes in the bizarre new concept of childbirth, wherein the mother is actually conscious during the process, and then she is with her baby as much as possible during the coming days. It's quite funny, then, to the viewer, as Tracy's eyes widen in horror -- and episodes like this pepper the film. It's not a masterpiece, but it's cute, and for fans of the genre, it's just fine.
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