In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
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In this sequel to Father of the Bride (1950), Stanley Banks learns that his daughter Kay is going to have a baby. When they get the news everyone except Stanley is overjoyed. His wife and grandmother-to-be Ellie broadcasts it everywhere and all Stan can do is worry about the practical things like how his son-in-law Buckley can afford it. Well, having not long ago paid for the wedding, Stanley has no intention of bearing any of the expenses involved. Buckley's parents and Ellie are overjoyed at the news and virtually take over redecorating the young couple's new house. Crisis and false alarms take over their lives and when the child is born, the only person he doesn't seem to like is Stanley. A walk in the park - and absolute panic when Stanley misplaces his grandson - seems to resolve the situation. Written by
The baby is christened "Stanley Banks." It may appear to be a goof that he is not christened "Stanley Dunstan" or "Stanley Banks Dunstan." However, in Roman Catholic and Anglican/Episcopalian baptisms, only the Christian names are used, not the surname. See more »
[Telephone rings at night]
Hello. Buckley, do you know what time it is? It's a quarter to three.
I'm sorry, I didn't realize. Is Kay there?
But of course she, where would she be?
Hello, I'll take this downstairs, hang on
[Puts down the receiver & quietly tiptoes downstairs to hall, then picks up the extension phone]
What do you mean. is she here?
Well, I thought if she were there I could come & pick her up if she were there.
When did she leave? What time did she leave?
[...] See more »
A befuddled Spencer Tracy and a scatty Joan Bennett find out they are to become grandparents in this charming sequel to 'Father of the Bride'. Although the original film was better, this is a funny, warm, and worthy follow-up.
Elizabeth Taylor again appears as daughter Kay, looking beautiful and radiant. Husband Buckley (the slightly wooden Don Taylor) struggles to cope with his pregnant wife's mood swings, while the in-laws (Moroni Olsen as the pompous ex-Harvard father-in-law, Billie Burke as the twittery mother-in-law) almost come to blows before baby has even arrived.
The star performance in this film is, as ever, Tracy, as he comes to terms with his little girl growing away from him, with his life 'slipping away' with the arrival of the new baby, with his resentment of the rich in-laws. It's a winning performance, and his scenes with Bennett and with Taylor are pure gold.
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