In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, two monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage. Written by
9200 living actors in the notable star-studded cast! 68 incredibly magnificent sets! Augmented orchestra of 130 pieces! Chorus of 300 rousing voices! 100 minutes of unforgettable entertainment! (Newspaper ad, 1939). See more »
The film, while run on network television, used to be packaged as a special event and, as such, was initially introduced by on-camera hosts (including Red Skelton, Dick Van Dyke and Danny Kaye). This practice ended after CBS' first contract with the film ended in 1967. From 1968 on the film was aired host-less, save the 1970 broadcast which was the first to air following the death of star Judy Garland. Gregory Peck gave a short tribute to her before the film aired that year on NBC. Ironically, when the film went into the Turner vault and began airing on Turner Classic Movies, it returned to hosted introductions, usually by TCM's Robert Osborne. The same is true for recent airings on the Cartoon Network--it is one of the few live-action films to be shown on that channel--but whenever it is shown on Turner Network Television or the CW network, it is not hosted. See more »
When the wizard rewards the lion with his badge, the lion shakes his head in embarrassment. As his head moves you can see the white t-shirt under the costume. See more »
She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
See more »
Toto is listed in the end credits as being played by Toto, when he was actually played by a dog named Terry. See more »
The NBC Peacock began unfolding its wings. "The following program is brought to you in living color--with portions in black & white--on NBC." That exclusive intro began my exposure to color television at Grandma's in 1968. When Dorothy stepped out into Technicolor, I'll bet my eyes just popped.
This is the Movie of All Time, folks--a status achieved during its long run as a huge annual TV event during that classic era whose programs now show up on TV Land network. In the 1970s, Peter Marshall once read the answer on Hollywood Squares as to the program seen more times by more people than anything else ever shown on television. It was "Oz." Likewise, no movie has the hold on popular culture that this one does. What lion character ever since (i.e., Snagglepuss) hasn't been an impersonation of Bert Lahr going, "Put 'em up, put 'em uuuuup!"
Few musicals offer an equal combination of lovable music and engaging story. Perhaps "The Sound of Music." Hard to think of many Hollywood musicals where the story gets as serious as it does here when the Witch informs Dorothy that, "The last to go will see the first three go before her...and her mangy little dog too!" Yikes! In contrast, even the best of other Hollywood musicals seem to serve up fluffy, forgettable story lines that are mere backdrop to the song numbers that typically put the plot on hold.
I can't say that "Oz" doesn't have technical flaws or story element inconsistencies. It's just that the astonishing production values all around so overwhelm the shortcomings. The tornado sequence is a 1939 special effects tour de force--incredible. And the Nutcracker-quality musical score offers songs tastefully interwoven with the action. Certain numbers like "Merry Old Land of Oz," I never get tired off, though I like each of the songs.
Oz should be viewed in the lightness of spirit that it deserves. I mean look, we have Frank Morgan as the Emerald City gatekeeper, then seconds later as the cabbie with the Horse of a Different Color, then the Wizard's palace guard, and then the voice of fire-and-smoke Wizard of Oz who bellows, "Step forward, Tin Man!" What other film could put an actor go through 4 quick-changes within 10 minutes to such an endearing result? "Oz" is as magic as those sparkling ruby shoes.
The early Technicolor process utilized triple nitrate negative strips--separately recording each primary color in light. This was done due to the lack of a suitable "color film" in 1939. That would quickly change--but films from years following suffered from hues that faded with the years, even original negatives. Because "Oz" was actually filmed on a black-and-white base film, the negatives never faded. So now we have home videos/DVDs of breathtaking color quality. Now, the tinted filters in the cameras that separated the colors onto the negative strips meant that intense illumination was required, rendering the filming experience miserably hot for the actors involved, especially Lahr. But they all hold up amazingly well.
"Oz" has a valuable message. As the pop group America once said, "No, Oz never did give nothin' to the Tin Man....that he didn't, didn't already have." If we have truly search, we can find within us--or create through trial, like the Lion's courage--what we think we most lack. The Wizard (like the Lord) helps those who find help within themselves.
I feel sorry for the Almira Gulches who can't treasure this film experience. They need to visit the Emerald City to get their own ticking Testimonials and find their hearts.
Didn't bring your broomsticks with you? Well, I'm afraid you'll have to walk.
102 of 125 people found this review helpful.
Was this review helpful to you?