Directed by
Lewis Milestone |
Writing Credits
Lewis Milestone | ... | (screenplay by) and |
Harry Brown | ... | (screenplay by) |
Erich Maria Remarque | ... | (from the novel by) |
Irwin Shaw | ... | (uncredited) |
Cast (in credits order) verified as complete
Produced by
Charles Einfeld | ... | executive producer (uncredited) |
Otto Klement | ... | associate producer |
David Lewis | ... | producer (produced by) |
David L. Loew | ... | executive producer (uncredited) |
Joseph Henry Steele | ... | assistant producer (uncredited) |
Music by
Louis Gruenberg |
Cinematography by
Russell Metty | ... | director of photography |
Editing by
Duncan Mansfield |
Casting By
Billy Selwyn | ... | (uncredited) |
Production Design by
William Cameron Menzies |
Art Direction by
William Flannery | ... | (as William E. Flannery) |
Set Decoration by
Edward G. Boyle |
Costume Design by
Marion Herwood Keyes | ... | (wardrobe designed by) |
William Cannell | ... | (uncredited) |
Makeup Department
Gustaf Norin | ... | makeup supervisor (as Gustaf M. Norin) |
George Bruce | ... | makeup artist (uncredited) |
Lillian Lashin | ... | hair stylist: Miss Bergman (uncredited) |
Ann Locker | ... | hair stylist (uncredited) |
Production Management
Joseph C. Gilpin | ... | executive production manager |
Second Unit Director or Assistant Director
Robert Aldrich | ... | assistant director |
Nate Watt | ... | second unit director |
Georges Lampin | ... | assistant director: European sequence (uncredited) |
Albert Van Schmul | ... | second assistant director (uncredited) |
Al Westen | ... | second assistant director (uncredited) |
Art Department
Robert H. Moreland | ... | special scenic effects (as Robert M. Moreland) |
Buddy Betzholdt | ... | paint foreman (uncredited) |
William Garrett | ... | draper (uncredited) |
Charles Gay | ... | assistant set decorator (uncredited) |
Mike Gordon | ... | prop foreman (uncredited) |
Archie Hall | ... | construction foreman (uncredited) |
Al Hersh | ... | prop foreman (uncredited) |
Louis Hoenig | ... | greensman (uncredited) |
Howard E. Johnson | ... | assistant art director (uncredited) |
Dave Katzman | ... | location props (uncredited) |
Ernie McCarty | ... | stand-by painter (uncredited) |
Roger McDonald | ... | illustrator (uncredited) |
John Orlando | ... | prop foreman (uncredited) |
Albert M. Pyke | ... | chief draftsman (uncredited) |
James Trepeck | ... | prop foreman (uncredited) |
Sound Department
Frank Webster | ... | sound engineer |
Earl Crain Jr. | ... | boom operator (uncredited) |
John K. Kean | ... | sound recordist (uncredited) |
William Mills | ... | cable person (uncredited) |
W.C. Smith | ... | sound mixer (uncredited) |
Special Effects by
Louis Hopper | ... | special effects (uncredited) |
Visual Effects by
Mario Castegnaro | ... | process department |
Camera and Electrical Department
Robert Dabke | ... | company grip (uncredited) |
Walter Dalton | ... | company grip (uncredited) |
Durward Graybill | ... | still photographer (uncredited) |
Ledge Haddow | ... | focus puller (uncredited) |
C.K. Hancock | ... | gaffer: stills (uncredited) |
John Leeds | ... | assistant camera (uncredited) |
Guy Merry | ... | best boy (uncredited) |
George Neff | ... | gaffer (uncredited) |
John L. Russell | ... | camera operator (uncredited) |
Charles Sattler | ... | grip: stills (uncredited) |
Scotty Welbourne | ... | chief still photographer (uncredited) |
Walter Young | ... | company grip (uncredited) |
Casting Department
Barbara Canterbury | ... | casting assistant (uncredited) |
Jasper Russel | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
Edith Head | ... | costumes designer: Ingrid Bergman |
Brent Brentford | ... | wardrobe (uncredited) |
Thelma Courtmarsh | ... | wardrobe (uncredited) |
Eugene Joseff | ... | costume jeweller (uncredited) |
Ned Lambert | ... | wardrobe manager (uncredited) |
Paul McCardle | ... | wardrobe (uncredited) |
Nan Tate | ... | seamstress (uncredited) |
Ruth Woods | ... | wardrobe (uncredited) |
Editorial Department
Martha Dresback | ... | negative cutter (uncredited) |
Eleanor Harrison | ... | assistant editor (uncredited) |
Music Department
Rudolph Polk | ... | musical director |
Morris Stoloff | ... | conductor |
Ilia Khmara | ... | coach: gypsy folk music for Ingrid Bergman (uncredited) |
Joseph Nussbaum | ... | orchestrator (uncredited) |
Leonid Raab | ... | orchestrator (uncredited) |
Script and Continuity Department
Evelyn Earle | ... | script supervisor (uncredited) |
Transportation Department
Bob Russell | ... | transportation manager (uncredited) |
Additional Crew
Michel Bernheim | ... | technical advisor |
Serge Bertensson | ... | dialogue director (uncredited) |
Bob Blowitz | ... | publicity director (uncredited) |
Raphael Bretton | ... | technical advisor (uncredited) |
Forrest Damewood | ... | first aid (uncredited) / technical advisor: medical scenes (uncredited) |
Lida Dolan | ... | secretary to director (uncredited) |
Harry S. Franklin | ... | assistant to second unit director (uncredited) |
Rochelle Friedburg | ... | production secretary (uncredited) |
Loretta Jones | ... | payroll clerk (uncredited) |
Georges Kessel | ... | advisor: French scenes (uncredited) |
Norman Lloyd | ... | production assistant (uncredited) |
Simon R. Mitchneck | ... | dialogue coach: Charles Boyer (uncredited) |
Hal Plante | ... | watchman (uncredited) |
Ruth Roberts | ... | dialogue coach: Ingrid Bergman (uncredited) |
Dario Sabatello | ... | advisor: Ingrid Bergman's Italian in death sequence (uncredited) / publicist: foreign (uncredited) |
John Strauss | ... | unit publicist (uncredited) |