Directed by
| Charles Crichton | ||
Writing Credits
| Kenneth Reddin | ... | (novel) |
| Walter Meade | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Michael Balcon | ... | producer |
| Ivor Montagu | ... | associate producer |
Music by
| Georges Auric | ||
Cinematography by
| Douglas Slocombe | ... | director of photography |
Editing by
| Bernard Gribble | ||
Art Direction by
| Malcolm Baker-Smith | ||
Costume Design by
| Anthony Mendleson | ... | (uncredited) |
Makeup Department
| Barbara Barnard | ... | hair stylist |
| Ernest Taylor | ... | makeup artist |
| Harry Frampton | ... | makeup artist (uncredited) |
| Daphne Martin | ... | assistant hair stylist (uncredited) |
Production Management
| Slim Hand | ... | unit production manager |
| Hal Mason | ... | production supervisor |
Second Unit Director or Assistant Director
| Norman Priggen | ... | assistant director |
| John Meadows | ... | second assistant director (uncredited) |
| Cyril Pope | ... | third assistant director (uncredited) |
Art Department
| Bert Davey | ... | assistant art director (uncredited) |
| Norman Dorme | ... | draughtsman (uncredited) |
| Roger Hopkin | ... | draughtsman (uncredited) |
| Andrew Low | ... | set dresser (uncredited) |
| Harry Phipps | ... | props (uncredited) |
| Harry Phipps | ... | props manager (uncredited) |
| Jack Shampan | ... | draughtsman (uncredited) |
| R. Thurgarland | ... | draughtsman (uncredited) |
| Bob Tull | ... | property master (uncredited) |
Sound Department
| John W. Mitchell | ... | recordist (as John Mitchell) |
| Gerry Crampton | ... | assistant boom operator (uncredited) |
| Stephen Dalby | ... | sound supervisor (uncredited) |
| George Diamond | ... | sound maintenance (uncredited) |
| A. Steadman | ... | boom operator (uncredited) |
| Gordon Stone | ... | dubbing editor (uncredited) |
| Pat Wheeler | ... | assistant boom operator (uncredited) |
| Joe Yeates | ... | sound camera operator (uncredited) |
Special Effects by
| Richard Dendy | ... | special effects |
| Geoffrey Dickinson | ... | special effects |
Camera and Electrical Department
| Jeff Seaholme | ... | camera operator |
| Jack Dooley | ... | still photographer (uncredited) |
| Jack Ford | ... | chief electrician (uncredited) |
| Ted Lockhart | ... | grip (uncredited) |
| P. Pollock | ... | clapper loader (uncredited) |
| Hugh Wilson | ... | focus puller (uncredited) |
Costume and Wardrobe Department
| Ernie Farrer | ... | wardrobe: men (uncredited) |
| Ben Foster | ... | wardrobe (uncredited) |
| Lily Payne | ... | wardrobe: ladies (uncredited) |
Editorial Department
| Barbara Bennett | ... | assembly cutter (uncredited) |
| David Green | ... | assistant editor (uncredited) |
Location Management
| Edward F. MacSweeney | ... | location advisor: Irish |
Music Department
| Ernest Irving | ... | conductor |
| The Philharmonia Orchestra | ... | music played by |
Script and Continuity Department
| Phyllis Crocker | ... | continuity |
| Susan Carbutt | ... | assistant continuity (uncredited) |
Additional Crew
| J. Arthur Rank | ... | presenter (as J.Arthur Rank) |
| John Hewlett | ... | runner (uncredited) |
