| Edmund Moeschke | ... | Edmund (as Edmund Meschke) | |
| Ernst Pittschau | ... | Il padre | |
| Ingetraud Hinze | ... | Eva (as Ingetraud Hinz) | |
| Franz-Otto Krüger | ... | Karl-Heinz (as Franz Grüger) | |
| Erich Gühne | ... | Il maestro | |
| rest of cast listed alphabetically: | |||
| Heidi Blänkner | ... | Frau Rademaker (uncredited) | |
| Jo Herbst | ... | Jo (uncredited) | |
| Barbara Hintz | ... | Thilde (uncredited) | |
| Adolf Hitler | ... | Himself (voice) (archive footage) (uncredited) | |
| Karl Krüger | ... | Il medico (uncredited) | |
| Alexandra Manys | ... | Amica di Eva (uncredited) | |
| Christl Merker | ... | Christl (uncredited) | |
| Gaby Raak | ... | La donna di generale (uncredited) | |
| Inge Rocklitz | ... | Rifugiata (uncredited) | |
| Hans Sangen | ... | Herr Rademaker (uncredited) | |
| Babsi Schultz-Reckewell | ... | La figlia di Rademacher (uncredited) | |
| Franz von Treuberg | ... | Il generale von Laubniz (uncredited) | |
Directed by | |||
| Roberto Rossellini | |||
Writing credits | ||
| Roberto Rossellini | (screenplay) | |
| Roberto Rossellini | dialogue and | |
| Carlo Lizzani | and | |
| Max Kolpé | dialogue (as Max Colpet) | |
| Sergio Amidei | (italian version) | |
| Basilio Franchina | based on an idea by (uncredited) | |
Produced by | |||
| Salvo D'Angelo | .... | associate producer | |
| Alfredo Guarini | .... | executive producer | |
| Roberto Rossellini | .... | producer | |
Original Music by | |||
| Renzo Rossellini | |||
Cinematography by | |||
| Robert Juillard | (as Robert Julliard) | ||
Film Editing by | |||
| Eraldo Da Roma | |||
Art Direction by | |||
| Piero Filippone | |||
Production Management | |||
| Marcello Bollero | .... | production supervisor | |
| Alberto Manni | .... | production supervisor | |
| Alfredo Guarini | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Max Kolpé | .... | assistant director (as Max Colpet) | |
| Carlo Lizzani | .... | assistant director | |
| Franz von Treuberg | .... | assistant director (uncredited) | |
Sound Department | |||
| Kurt Doubrowsky | .... | sound technician (as Kurt Doubrawsky) | |
Camera and Electrical Department | |||
| Jacques Robin | .... | camera operator | |
| Emil Puet | .... | camera operator (uncredited) | |
Music Department | |||
| Edoardo Micucci | .... | musical director | |
Other crew | |||
| Vincenzo Genesi | .... | laboratory technician (as V. Genesi) | |
| Giancarlo Campidori | .... | production secretary (uncredited) | |
| Charles Clement | .... | subtitler: English (1949 release) (uncredited) | |
| Sonya Friedman | .... | subtitler (1978 English language version) (uncredited) | |
Thanks | |||
| Marco Romano Rossellini | .... | dedicatee (as Mio figlio Romano) | |
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| This is an incredible movie | thrillerinmanila |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
This film was without a doubt one of the most difficult films I have ever seen. The directing is very much Neorealist, and as such presents a very objective view of the devastation in post-war Germany and the lives of the people therein. I experienced what the characters went through, and grew numb and tired of the harsh reality of such a ravaged world right along with them. In the character of Edmund (main character) is presented a dark individual fallen victim to the consequences of war within a country, and as I as the audience witnessed the desperation of his life I was, dare I say, almost forced to disconnect myself from the experience. Disconcerting on a masterful level. I highly recommend this movie to anyone interested in being probed to examine and challenge their natural response to tragedy.