Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he ... See full summary »
How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Patriarch Borgen has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, ... See full summary »
Carl Theodor Dreyer
Emil Hass Christensen,
Preben Lerdorff Rye
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Carl Theodor Dreyer
Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he meets a man who used to be one of his teachers in school and hopes to get support from him, but the ideas of this man do not lead Edmund in a clearer or safer way of living... Written by
On the occasion of the projection of this film in the Brussels Royal Filmmuseum (recently restyled as "Cinematek.be") on September 7th 1997, the program quoted Belgian filmmaker Henri Storck (1907-1999): "It is a well guarded secret, but during the filming in Berlin Marlene Dietrich - desperately in love - was Rossellini's secretary, typist and translator". See more »
I have no work, and neither does Eva. My brother still won't report and get his card.
I understand, but what can I do?
My father needs treatment. Can't you help me? What can I do?
There's nothing you can do. Times are hard for everyone, worse for weak and old people. You've done all you can.
But what if he dies?
If he dies, he dies. We all die sooner or later. Would you rather die yourself or let an old man live?
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Rossellini's films just after World War II are to be appreciated as both social comment and for artistic advancement in the matter of film. This film, like no other, deals with Germany as a vanquished nation, driven downward toward annihilation. Edmund, a young boy, made to beggar himself in order to survive, gives one of the truly authentic portraits of youth driven to despair ever seen on the screen.
How used to sentimentality we Americans had become by the time Rossellini made this desolate vision of a destroyed post-war Europe.
How coddled and led astray were we by image after image of dimpled, freckled kids clutching hold of their pets. Children the likes of Mickey Rooney or Dean Stockwell. How engaging...and yet how unreal.
Edmund isn't just a child, we learn. But more so, a country.
A nation bombed into rubble and tasting its own ashes. Stripped of everything of any value and reduced to zero. Rejected by everyone and forced into murder...in the end made to stare death in the face.
Germany YEAR ZERO will shock you. Make you wince as the tragedy of a nation corrupted unfolds, and self-destructs.
Edmund is no longer just a boy made to suffer in a world he never made. In the end he's our conscience.
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