With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
Walter Mitty, a daydreaming pulp-fiction proofreader with an overprotective mother, likes to imagine that he is a hero who experiences fantastic adventures. His dream becomes true when he ... See full summary »
An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches. Written by
John Vogel <firstname.lastname@example.org>
In several shots throughout the movie, the dog trainer's shadow can be seen. When Dudley pushes Julia's chair in, at Henry's back a shadow moves, and the dog gets up and walks over to Dudley. See more »
Sometimes angels rush in where fools fear to tread.
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While not quite on the level of "It's a Wonderful Life" or the best of the "Scrooge" adaptations, "The Bishop's Wife" is still a worthwhile holiday classic. Much of the story is relatively lightweight material, but that's not necessarily all bad, since it thereby avoids taking itself too seriously. It is simple but thoughtful, and often quite entertaining. When it picks up a little more substance towards the end, it is then that much more effective for having maintained a lighter tone for much of the movie.
The cast is quite strong. Very few actors could handle a role like Dudley as well as Cary Grant does, giving it plenty of energy and believability. David Niven and Loretta Young also give fine performances. With the likes of James Gleason, Gladys Cooper, and Elsa Lanchester, plus a couple of good moments from Monty Woolley, the supporting cast also helps a great deal. The production is unpretentious, even downplaying the possibilities for miraculous tricks much of the time, and it works well.
The 1990's remake had a couple of strengths, but it was not up to the standard of the classic version. Denzel Washington, Whitney Houston's singing, and a fine supporting performance from Gregory Hines provided some good reasons to see it. But there was too much predictable padding, and the level of the screenplay and the directing were not up to the standard of the cast.
As for the classic version, it avoided most of the potential mistakes. By taking itself less seriously and focusing on a few core developments, it fits together nicely. The closing sequence in particular works very well, and it is easily the best part of the movie.
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