With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
Walter Mitty, a daydreaming pulp-fiction proofreader with an overprotective mother, likes to imagine that he is a hero who experiences fantastic adventures. His dream becomes true when he ... See full summary »
An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches. Written by
John Vogel <firstname.lastname@example.org>
What a pleasure to revisit this Henry Koster little gem. Everything works in the most unexpected way. The mystic magic of the story is utterly contagious. The unexpected musical number on ice skates by Cary Grant, Loretta Young and James Gleason made me want to see it again straight away and thanks to the new technologies I was able to do it on the spot. There was a remake of this movie a few years ago, remember? No, probably not. Denzel Washington in the Cary Grant part and Whitney Huston in Loretta Young's. To see both films back to back should be a masterclass in film anthropology that proves without a doubt that with the passing of time we have lost something invaluable. I don't know what it is. Maybe there isn't a word for it yet. What I would love to share with all of you is the joy that "The Bishop's Wife" borough to me. Even Gladys Cooper's upper class monster has a moment of exquisite redemption. Not to be missed.
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