Smalltime crookster and showman Jerry Flynn is desperately searching for a new act to promote in order to save him from ruin. He meets a boy on the street who claims to have a dancing ... See full summary »
Clemson Reade, a business tycoon with marriage on his mind, and Effie, a U.S. diplomat, are a modern couple. Unfortunately there seems to be too much business and not enough pleasure on the... See full summary »
An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches. Written by
John Vogel <firstname.lastname@example.org>
One scene shows Cary Grant and Loretta Young in a conversation. Director Henry Koster staged this with the two facing each other, but both complained that this showed the "wrong" side of their faces. In order to show the "right" side, they both had to be looking screen left, which made a face-to-face talk impossible to film. Koster had a window set piece brought in, and he filmed it from outside, with both looking out in the same direction, Grant behind Young. The next day, producer Samuel Goldwyn visited the set after seeing dailies and berated Koster for shooting the scene in that manner. Koster replied by asking Young and Grant to explain why the scene was shot that way. After both told Goldwyn about the "right" and "wrong" sides of their faces, Goldwyn said "Look, if I'm only getting half a face, you're only getting half a salary!" and stormed off the set. The subject of "right" and "wrong" sides never came up again. See more »
After Dudley joins Julia in the park, they go to lunch at Michel's and then pay a visit to the Professor. But later when they return home and Julia tells the Bishop about their day, she says they went to visit the Professor and then went to Michel's. See more »
The main trouble is there are too many people who don't know where they're going and they want to get there too fast!
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One of the kindest, gentlest, most beautiful movies ever made...
A good script and inspired casting is what makes this film a real winner.
Cary Grant as Dudley the Angel has a charm that transcends his role.
When he enters a room his presence fills the screen -- you know he is there even if you cannot always see him.
Loretta Young (who was a last minute replacement) is positively luminescent when she gazes into Dudley's face.
This goes for Elsa Lanchester and Gladys Cooper (the staff at the Bishop's house) too -- they have absolute adoration in their countenance. Not hard to do with Cary Grant I am sure -- but they take it to the spiritual level.
David Niven gives just the right amount of disbelief and cynicism as the Bishop that may have lost his faith.
I have always enjoyed performances by Monty Wooley and again he is perfectly cast as the self-described "has-been scholar."
The special effects are wonderful for a time (1947) when special effects were pretty much in their infancy.
Movie books classify "The Bishop's Wife" as a fantasy -- but there is so much more there than that.
It is a love story, a comedy, a drama and an all around inspiring film.
"Peace on Earth; good will towards men."
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