Directed by
| George Sidney | ||
Writing Credits
| Edmund Beloin | ... | (screenplay) & |
| Nathaniel Curtis | ... | (screenplay) & |
| Harry Crane | ... | (screenplay) & |
| James O'Hanlon | ... | (screenplay) and |
| Samson Raphaelson | ... | (screenplay) |
| Kay Van Riper | ... | (additional dialogue) |
| Samuel Hopkins Adams | ... | (book) |
| Eleanore Griffin | ... | (original story) and |
| William Rankin | ... | (original story) |
Cast (in credits order) verified as complete
Produced by
| Roger Edens | ... | associate producer |
| Arthur Freed | ... | producer |
Music by
| Lennie Hayton | ... | (uncredited) |
| Conrad Salinger | ... | (uncredited) |
Cinematography by
| George J. Folsey | ... | director of photography (as George Folsey) |
Editing by
| Albert Akst | ||
Art Direction by
| William Ferrari | ||
| Cedric Gibbons | ||
Set Decoration by
| Edwin B. Willis | ||
Costume Design by
| Helen Rose | ||
| Valles | ... | (costumes: men) |
Makeup Department
| Jack Dawn | ... | makeup designer |
| Irma Kusely | ... | hair stylist (uncredited) |
| Dorothy Ponedel | ... | key makeup artist (uncredited) |
Production Management
| Dave Friedman | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| George Rhein | ... | assistant director (uncredited) |
Art Department
| Mildred Griffiths | ... | associate set decorator |
Sound Department
| Douglas Shearer | ... | recording director |
| Bill Edmondson | ... | unit mixer (uncredited) |
| Standish J. Lambert | ... | re-recording and effects mixer (uncredited) |
| Robert Shirley | ... | re-recording and effects mixer (uncredited) |
| Newell Sparks | ... | re-recording and effects mixer (uncredited) |
| William Steinkamp | ... | re-recording and effects mixer (uncredited) |
| Michael Steinore | ... | re-recording and effects mixer (uncredited) |
| John A. Williams | ... | re-recording and effects mixer (uncredited) |
Special Effects by
| Warren Newcombe | ... | special effects |
Visual Effects by
| Mark Davis | ... | matte paintings camera (uncredited) |
| A. Arnold Gillespie | ... | transparency projection shots (uncredited) |
Camera and Electrical Department
| Robert J. Bronner | ... | second camera (uncredited) |
| Cliff Shirpser | ... | assistant camera: Technicolor (uncredited) |
Costume and Wardrobe Department
| Irene | ... | costume supervisor |
| Eugene Joseff | ... | costume jeweller (uncredited) |
Editorial Department
| Henri Jaffa | ... | associate color director: Technicolor |
| Natalie Kalmus | ... | color director: Technicolor |
Music Department
| Robert Alton | ... | musical numbers staged by |
| Lennie Hayton | ... | musical director |
| Johnny Mercer | ... | songwriter |
| Conrad Salinger | ... | orchestrator |
| Kay Thompson | ... | vocal arranger |
| Harry Warren | ... | songwriter |
| Earl Cates | ... | music mixer (uncredited) |
| David Crocov | ... | violin (uncredited) |
| Sidney Cutner | ... | orchestrator (uncredited) |
| Marion Doenges | ... | singing voice: Cyd Charisse (uncredited) |
| Robert Franklyn | ... | orchestrator (uncredited) |
| Wally Heglin | ... | orchestrator (uncredited) |
| M.J. McLaughlin | ... | music mixer (uncredited) |
| Joseph Nussbaum | ... | orchestrator (uncredited) |
| Virginia Rees | ... | singing voice: Angela Lansbury (uncredited) |
Additional Crew
| Paul W. 'Pat' Durnell | ... | train engineer (uncredited) |
| George Richelavie | ... | research director (uncredited) |
| Bea Whitney | ... | assistant research director (uncredited) |
