
Bad Bascomb (1946)
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- Approved
- 1h 52min
- Western
- 07 Nov 1946 (Sweden)
- Movie
Photos and Videos
Cast verified as complete
Wallace Beery | ... |
Zeb Bascomb
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Margaret O'Brien | ... |
Emmy
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Marjorie Main | ... |
Abbey Hanks
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J. Carrol Naish | ... |
Bart Yancy
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Frances Rafferty | ... |
Dora McCabe
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Marshall Thompson | ... |
Jimmy Holden
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Russell Simpson | ... |
Elijah Walker
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Warner Anderson | ... |
Luther Mason
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Donald Curtis | ... |
John Fulton
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Connie Gilchrist | ... |
Annie Freemont
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Sara Haden | ... |
Tillie Lovejoy
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Renie Riano | ... |
Lucy Lovejoy
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Jane Green | ... |
Hannah McCabe
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Henry O'Neill | ... |
Gov. Winton
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Frank Darien | ... |
Elder Moab McCabe
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Rest of cast listed alphabetically: | |||
Eddie Acuff | ... |
Corporal Finch (uncredited)
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Stanley Andrews | ... |
Col. Cartright (uncredited)
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Buck Bucko | ... |
Gang Member (uncredited)
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Roy Bucko | ... |
Gang Member (uncredited)
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Wally Cassell | ... |
Curley (uncredited)
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Joseph Crehan | ... |
Gov. Ames (uncredited)
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Clyde Fillmore | ... |
Gov. Clark (uncredited)
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John Gallaudet | ... |
Selkirk (uncredited)
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Herman Hack | ... |
Gang Member (uncredited)
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Janet Jeppson | ... |
(uncredited)
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Sam Savitsky | ... |
Gang Member (uncredited)
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Susan Simon | ... |
Pioneer Girl (uncredited)
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Rudy Sooter | ... |
Gang Member (uncredited)
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Arthur Space | ... |
Timber City Sheriff (uncredited)
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Sailor Vincent | ... |
Caravan Member (uncredited)
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Directed by
S. Sylvan Simon |
Written by
D.A. Loxley | ... | (story) |
William R. Lipman | ... | () (as William Lipman) and |
Grant Garett | ... | () |
Produced by
Orville O. Dull | ... | producer |
Music by
David Snell |
Cinematography by
Charles Edgar Schoenbaum | ... | (as Charles Schoenbaum) |
Editing by
Ben Lewis |
Casting By
Billy Selwyn | ... | unit casting director (uncredited) |
Art Direction by
Cedric Gibbons | ||
Paul Youngblood |
Set Decoration by
Edwin B. Willis |
Costume Design by
Valles | ... | (costumes: men) |
Production Management
Art Smith | ... | production manager |
Second Unit Director or Assistant Director
Earl McEvoy | ... | assistant director (uncredited) |
Wallace Worsley Jr. | ... | assistant director (uncredited) |
Art Department
Jack H. Ahern | ... | associate set decorator (as Jack Ahern) |
Frank Wesselhoff | ... | painter (uncredited) |
Sound Department
Douglas Shearer | ... | recording director |
Howard Fellows | ... | unit mixer (uncredited) |
James Z. Flaster | ... | re-recording and effects mixer (uncredited) |
Ralph A. Pender | ... | re-recording and effects mixer (uncredited) |
Robert Shirley | ... | effects mixer (uncredited) / re-recordist (uncredited) |
Newell Sparks | ... | re-recording and effects mixer (uncredited) |
William Steinkamp | ... | re-recording and effects mixer (uncredited) |
Michael Steinore | ... | re-recording and effects mixer (uncredited) |
Don T. Whitmer | ... | re-recording and effects mixer (uncredited) |
Special Effects by
Warren Newcombe | ... | special effects |
Visual Effects by
Mark Davis | ... | matte paintings (uncredited) |
A. Arnold Gillespie | ... | transparency projection shots (uncredited) |
Stunts
Harry Monty | ... | stunt double: Margaret O'Brien (uncredited) |
Camera and Electrical Department
Irving Glassberg | ... | second camera (uncredited) |
Costume and Wardrobe Department
Irene | ... | costume supervisor |
Eugene Joseff | ... | costume jeweller (uncredited) |
Music Department
Wally Heglin | ... | orchestrator |
Mario Castelnuovo-Tedesco | ... | composer: additional music (uncredited) |
Earl Cates | ... | music mixer (uncredited) |
Pete Decker | ... | music mixer (uncredited) |
Ted Duncan | ... | orchestrator (uncredited) |
Robert Franklyn | ... | composer: additional music (uncredited) |
M.J. McLaughlin | ... | music mixer (uncredited) |
Additional Crew
Madge MacDonald | ... | research director (uncredited) |
George Richelavie | ... | research director (uncredited) |
Production Companies
- Metro-Goldwyn-Mayer (MGM) (controlled by Loew's Incorporated)
Distributors
- Metro-Goldwyn-Mayer (MGM) (1946) (United States) (theatrical) (controlled by Loew's Incorporated)
- Regal Films (1946) (Canada) (theatrical) (as Regal Films, Ltd.)
- Metro-Goldwyn-Mayer (MGM) (1946) (United Kingdom) (theatrical)
- Metro-Goldwyn-Mayer A/B (1946) (Sweden) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1947) (Norway) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1947) (France) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1947) (Belgium) (theatrical)
- Central Motion Picture Exchange (1948) (Japan) (theatrical)
- Indigo (2017) (Germany) (DVD)
- Tonpool Medien (2022) (Germany) (DVD)
Special Effects
Other Companies
Storyline
Plot Summary |
It's just after the civil war when the elderly outlaw Bascomb and his gang try to rob a bank. They run into a trap as officers are waiting in ambush. Bascomb and the cold blooded killer Yancey escape and join a Mormon wagon train heading for Utah. They learn there is gold hidden on the train and eventually Yancey finds it. The plan is to take the gold and flee but a nine year old girl has become attached to Bascomb and Bascomb is beginning to change his mind.
Written by Maurice VanAuken |
Plot Keywords | |
Taglines | Thrill for Thrill ! Laugh for Laugh ! See more » |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
Additional Details
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Filming Locations |
Box Office
Budget | $1,833,000 (estimated) |
Did You Know?
Trivia | According to page 70 of "Notes For A Memoir", Janet Jeppson, second wife of Isaac Asimov, describes how she was acting as an extra in this movie on August 14, 1945, when Wallace Beery came out of his trailer to tell everyone on site that World War II had been declared over. See more » |
Goofs | Bascomb said that he didn't want anything to do with marriage. But in one scene with Margaret O'Brien one can see Beery's wedding ring. See more » |
Movie Connections | Featured in Child Stars (2006). See more » |
Quotes |
Zeb Bascomb:
[after finding Emmy alone outside of camp]
Why, Emmy. Emmy: Go away, Zeke. Don't you dare touch me. Zeb Bascomb: How do you know it's Zeke, honey? Why, you ain't even looked. Emmy: I don't want to look. I don't want to ever see you. I just want to die. Zeb Bascomb: That ain't no nice way to talk after all the trouble I had finding you. What made you skip out? [He leans down to touch her] Emmy: [Emmy turns with a shotgun] I'll shoot! Zeb Bascomb: Well, I guess, ain't no use in asking for mercy once a woman's got her mind made up. I did think you had more feeling for me though. Emmy: You said I was stealing and it ain't true. Zeb Bascomb: Well, I know. I was wrong, I'm sorry. Emmy: You were going to give me a belt in the snoot. Zeb Bascomb: Well, I thought you knew that I was just testin' ya. Emmy: What's testin'? Zeb Bascomb: Seein' if you love me. Emmy: Were you testin' when you pushed me and said you wanted me to catch the measles? Zeb Bascomb: That is my number one test. Measles couldn't even light on you, you're too wiggly. Emmy: You care for anybody special, Zeke? Zeb Bascomb: What difference does it make? I ain't got long to live anyway. Emmy: Maybe I won't shoot ya. Zeb Bascomb: Well, what you got to do, you got to do. Emmy: I don't know how to work this very good anyway. [Hands him the shotgun] Zeb Bascomb: You sure could have fooled me, alright. Emmy: Would you have took the ring if grandma had give it to ya? Zeb Bascomb: Why should I? Emmy: She likes you. Why do you play cruel all the time? Zeb Bascomb: Oh, why do you poison gophers? Emmy: Will you marry her? Zeb Bascomb: Now I know you're sick. Emmy: Just sort of look after her. I may not always be around. Zeb Bascomb: Yes, yes, you... You are gettin' mighty old. Mighty old. I kind of thought though that you was waiting for me. Emmy: You wouldn't want a wart. Zeb Bascomb: Didn't you know that I meant just the opposite? Emmy: What's the opposite to a wart? Zeb Bascomb: The op... It's a dimple, a pretty little dimple. Emmy: A dimple? Zeb Bascomb: Mm-hmm. Emmy: You mean I'm a dimple? Zeb Bascomb: That's right. Emmy: I like that. Zeb Bascomb: Sure. See more » |