The Phantom of 42nd Street (1945) User Reviews

The Phantom Killer strikes

[chris_gaskin123 · 6/10 · 13 March 2006]

I've just seen The Phantom Of 42nd Street for the first time and found it fairly enjoyable, but a little talkie at times.

A critic and police investigate a series of murders that have taken place on the set of a play. Three people have been killed in all and in order to catch the killer, a performance of Julius Caesar is held. Will the killer be caught?

This is an interesting little movie and atmospheric but I found it a little slow moving in parts.

The cast includes Dave O'Brien (The Devil Bat), Kay Aldridge and Alan Mowbray (Terror By Night).

Though not brilliant, The Phantom Of 42nd Street is worth watching. A good time filler for an hour or so.

Rating: 2 and a half stars out of 5.

"Pick the right psychological moment!!!"

[kidboots · 6/10 · 21 May 2009]

Dave O'Brien is the surprise lead in this mystery - made in between his roles of "Mr Everyman" in the Pete Smith Specialities series. He plays drama critic, Tony Woolrich, who has reluctantly gone to review a new play starring Claudia Moore (Kay Aldridge) in her stage debut. Alan Mowbray, with his perfect diction and superior air is ideal casting as Cecil Moore, Claudia's renowned father. After the performance her uncle is murdered and Tony is sent to interview the Moores.

Another murder is discovered - a nightwatchman and the killer leaves a note that seems to imply that he is connected with the stage. Tony thinks someone is trying to kill Cecil and traces the clues back to a play "Captain Kidd" (the nightwatchman had originally been a stage electrician in Cecil Moore's old repertory company. The star back then was Doris Hill, who under an assumed name now runs a boarding house. Tony thinks she knows something and she does - Claudia Moore is her daughter but Claudia doesn't know who her mother is!!! Doris knows other things too and is able to help Tony piece together the mystery.

There is obviously a few minutes cut out at the start - but it is still easy to follow. I figured out the killer long before Tony!!!

Beautiful Kay Aldridge was given a rare leading role in this, her last film. Although she had been around since the late 30s, usually playing decorative roles, her main claim to fame was as Nyoka, the Jungle Girl. She took over the role in the serial, when the original Nyoka (Frances Gifford) went on to bigger things.

Recommended.

A great premise wasted

[goblinhairedguy · 5/10 · 6 August 2004]

A haughty theatre critic is co-opted by his editor to investigate a sleazy backstage murder. Reluctant at first, he warms to the task through the enthusiastic prodding of his Shakespeare-loving, cab-driver sidekick and his developing interest in the aristocratic young lady involved in the case. For the Charlie-Chan-like climax, he sets up an audition of Julius Caesar, hoping to lure the murderer into all-to-realistically participating in the assassination scene. Imagine what a breezy and biting satire Hecht and MacArthur could have made of that premise. Unfortunately, the idea ended up at lowly PRC studios, which assigned the picture to Albert Herman, one of the most inept directors in history. At least Ed Wood and Andy Milligan had some flair and energy (no matter how misguided), but Herman just contributed dullness to all he touched (coincidentally, the final plot revelations have some ingredients in common with Wood's "Jailbait"). Thankfully, the cast of B-movie stalwarts makes the entire outing at least watchable. Prolific Dave O'Brien cops a rare leading role, and although disappointingly subdued, he elicits intelligence and charm throughout (unfortunately, he's now best remembered for his giggly emoting in "Reefer Madness" and not his many fine comic character turns in both features and shorts).

Murder in the Theatre

[wes-connors · 4/10 · 2 August 2009]

"The death of a performer at a Broadway stage play brings a theatre critic and a police detective together as an unlikely crime-solving duo. The dead performer's niece becomes not only the object of affection for our critic, but also a prime suspect in this death, and some other murders that occur at the theatre. 'The Phantom Killer' sets his sights upon the young woman as his next victim; so, it is a race against time for our heroes to catch the killer," according to the DVD sleeve's synopsis.

Milton Raison's screenplay puts a little spark in this low-budget mystery whodunit. Helpfully, Dave O'Brien (as Anthony "Tony" Woolrich) does well in the lead role; his skills as an actor appear to be much greater than the productions employing him. O'Brien and cab driving sidekick Frank Jenks (as Egbert "Romeo" Egglehoffer) would have made a fine 1950s TV detective team. Leading lady Kay Aldridge (as Claudia Moore) and the supporting cast are also good. Unfortunately, the story becomes meandering, and anti-climactic.

**** The Phantom of 42nd Street (5/2/45) Albert Herman ~ Dave O'Brien, Kay Aldridge, Frank Jenks

Modest Programmer

[dougdoepke · 12 April 2013]

A newspaper's drama critic turns detective when he gets mixed up with murder among members of a theatre company. Eventually, a series of murders occurs apparently committed by a mysterious phantom.

Not a bad little detective mystery from low-budget PRC. That's thanks mainly to a lively turn from O'Brien as Woolrich and the decorous Kay Aldridge as Claudia. Then there's the familiar Frank Jenks as the comedy relief cabbie, and a surprisingly delightful Vera Marshe as the lame brain waitress Ginger. The screenplay makes good use of its theatrical setting, and I suspect many of those backstage set-ups were real backstage scenes from PRC's sound stage. Of course, 50-some minutes is scarcely enough time to develop a strong list of suspects or mystery plot, but there's enough colorful characterizations to compensate. All in all, an adequate little time-passer.

I still don't know whodunit...

[MikeMagi · 3/10 · 4 September 2014]

After watching this poverty row mystery -- and re-running the climactic scene three or four times -- there's no need for a spoiler alert. I still have no idea who committed the murders nor why. Which sorta' takes the wind out of watching Dave O'Brien as the drama critic for the New York Record playing amateur sleuth, probing the slayings that are decimating the cast of a New York repertory theater. Then again, why was the film called "Phantom of 42nd Street" when live theater had long given way to grind movie houses on 42 Street by the time it was made in the 1940s? That's easy. While "Phantom of 47th Street Between Seventh and Eighth Avenues" would have been more accurate, it wouldn't have had nearly the cache. And fitting it on marquees -- especially at theaters that played PRC releases -- would have been a challenge.

The basic story wasn't bad, nor was the leading man...but the acting and dialog were pretty lame

[planktonrules · 4/10 · 13 December 2010]

My score of 4 might just be a bit generous to this ultra-low budget film from PRC--one of the worst of the so-called 'Poverty Row studios'--so named because of their very, very low production values. Much of the acting is very, very rough as is some of the dialog. A bit more polish and some better supporting actors would have helped this one a lot--especially since the actors often flubbed the delivery of their lines. As a result, it often seemed pretty amateurish. This is sad because the basic story idea is pretty nifty for a B-mystery and Dave O'Brien (a total unknown) did great in the lead. As a result of appearing in films like this, you can see why he never became a household name.

The story finds O'Brien a theater critic for the local newspaper. Oddly, following a particularly dreary show, one of the theater company members is found dead--murdered! While O'Brien is NOT a crime reporter, his short-tempered boss insists that he investigate further. In typical 1940s fashion, the hero reporter suddenly becomes a private detective--something I assume happened all the time back then!! And, after some clever digging and a few wild guesses, he has an angle on the killer--too bad the stupid police (big surprise) have already arrested the wrong man! Overall, despite some bad acting and writing, the basic story works and the film is an enjoyable little B-movie. While it won't change your life, it is worth a look if you love Bs. Otherwise, you can skip this one and not be missing out on much.

The archetype of what we boomers used to see as filler on local TV

[Handlinghandel · 6/10 · 18 March 2008]

This is a creative cheapie from PRC. I like Dave O'Brien. He ought to have had a major career in films. He's good here, but I guess PRC was not the place to forge a career.

I think I saw this on local TV years ago. If not, I saw many mysteries like it.

This is about murders involving a theatrical family. Alan Mowbry, looking quite gone to seed, plays the patriarch. He gets to ham it up a little in "Julius Caesar." Forty-second Street! Wow, are there ever phantoms wandering around! At the time this was made, they were pining for the days of the Ziedgfeld Girl. Then there were legitimate theaters, where plays were performed. Next came years of decline: peep shows, etc. Now it is all cleaned up and is like a vast mall. It isn't much fun. The phantoms will go elsewhere.

The Play's the thing

[bkoganbing · 5/10 · 10 June 2015]

The Phantom Of 42nd Street from PRC is a not too bad murder mystery of a group of people connected to a theatrical company. Theater critic Dave O'Brien is on the job reviewing a play when the first murder is committed. He gets drafted into the job of covering this and the other murders as they are committed. The ultimate target seems to be Alan Mowbray who is the actor/manager of the company and his daughter Kay Aldridge.

It all goes back to some dirt done the murderer many years ago by many members of the company both in front of and backstage. The culprit has gone quite nuts about it, no doubt fixating for many years on how he would do the job. It is a he, I'll give that much away.

Having a critic be a detective is an intriguing plot premise. Surprisingly the cops seem to warm up quickly to the outside help they're getting unlike in so many of these mysteries.

At a major studio this might have been a minor classic with a lot of the holes in the plot not existing. Still for a PRC film it's far from the worst I've seen.

It ain't Shakespeare but they've heard of him

[csteidler · 6/10 · 6 September 2011]

Tony Woolrich is an oddity for '40s mysteries—a newspaper man who decidedly does not think of himself as a detective. In fact, this film opens with a murder at the theater, and all theater critic Woolrich wants to do is get back to his paper and review the play. He is encouraged to pursue the mystery by his editor, who is understandably upset that the paper has missed a big scoop, and also by his sidekick, Romeo the cab driver. Eventually throwing himself into the job, Tony turns out to be surprisingly good at detective work (for a drama critic, anyway!) and his connections in the theater world help him quickly surpass the little progress achieved by rather dim police detective Walsh (Jack Mulhall).

Dave O'Brien as Tony is earnest and appealing; Frank Jenks as Romeo is appropriately helpful and smart-alecky. (Tony: "I know it's a boorish thing to do but I'd like to follow her." Romeo: "All detectives are boorish, don't let that worry you.") Kay Aldridge is good but unmemorable as leading lady Claudia Moore in a role that doesn't offer much in the way of surprises.

Alan Mowbray is fun as the famous actor at the center of the mysterious events, and even gets to declaim a few lines from Julius Caesar in a climactic scene.

Disguises, old grudges, secret marriages…oh, those actors' lives are so full of intrigue!

Uninspired

[bensonmum2 · 3/10 · 7 July 2015]

Tony Woolrish (Dave O'Brien) is a theater critic thrust into the role of crime reporter. At first he resists, but as the bodies pile up, he realizes the theater is the common thread behind a series of murders. With the help of his trusted cab-driving friend Romeo (Frank Jenks), he sets out to unmask a killer.

Recently, I've watched a good number of low-budget mysteries from the 30s and 40s. The Phantom of 42nd Street is easily (and it's not even close) the worst of the bunch. While there are a few elements of the plot that appealed to me, the movie has way too many problems. The direction is terribly uninspired, leading to an overall dull movie. The sets have that cheap look I associate with the worst of the Poverty Row films. Lighting is non-existent. The acting is hit or miss at best. O'Brien is actually pretty good in the lead role. But at the other end of the acting spectrum, Edythe Elliott gives one of the worst performances I've seen lately. Her delivery is just so stilted and unnatural. Finally, I have an issue with the movie's finale. Agreeing with another comment on IMDb, I've gone back and watched the ending twice and I still can't tell you whodunit. It's a very poor ending to a very unappealing movie. A 3/10 from me.

Mighty good for pretty rotten cinema!

[mark.waltz · 6/10 · 5 April 2019]

"Pretty Rotten Cinema" has been my nickname for years for Producers Releasing Corporation, the Z grade studio that released hundreds of low budget programmers from the late thirties to the late 1940's. A good majority of them are indeed two star films, but there are several dozen which now qualify as Classics. While this murder mystery is not necessarily a classic, it is certainly above-average in the history of that studio's mostly forgotten releases.

This film focuses on the investigation as to who is trying to kill off an entire family, having succeeded with the wealthy business man brother of veteran actor Alan Mowbray and his rising star daughter, Kay Aldredge. Detective Dave O'Brien Jets put on the case, and finds a family soap opera that would fill hundreds of hours of radio broadcasts at the timeIn . Much of the information comes from actor's boarding house owner Edythe Elliott, veteran actress with a secret past. It's intriguing and interesting from the start, with plenty of witty dialogue and great scenes in a darkened Broadway Theater.

In addition to great photography, this also has a terrific screenplay (utilizing many references and quotes from plays) and fast-moving direction by Albert Herman. Vera Marshe, as a dizzy stage struck waitress who's always on and Cyril Delavanti as Mowbray's dresser are memorable in the supporting cast. This will be of great interest not only to B mystery fans but students of the theater as well. Not quite worth a standing ovation, but a hearty round of applause will do.

The Phantom of 42nd Street

[Scarecrow-88 · 5/10 · 2 April 2009]

Minor little murder mystery involving the deaths of members of a theater company and how it revolves around a popular star of the stage, Cecil Moore(Alan Mowbray). A renowned New York City theater critic, Anthony Woolrich(Dave O'Brien)is asked by his newspaper's publisher to cover the story of the murder of Cecil Moore's brother, found hung with a note with written verse from a play. A second murder, an electrician who once worked for Cecil during an old theatrical troupe many years previous, is murdered as well(..a note with verse also left at his crime scene), and Tony has a hunch that it might concern a revenge of some sort tied to the Moores from their past. Looking through an old program that contained names of those involved with this troupe, Tony questions the leading actress, Janet(Edythe Elliot)and discovers, by her own admission, that she was in fact married to Cecil and is mother to his daughter, Claudia(Kay Aldridge). This might just be the link. Both Cecil and his brother were after Janet's hand, but she was in love with another..and actor who vanished, perhaps murdered by a jealous rival for her affections. Janet married and divorced from Cecil, and soon met another, a Buchanan, someone also involved with the stage who she confirmed died in an asylum..or did he? Tony believes someone currently working for Cecil might be the madman and that Claudia could be in danger as well. Even Tony himself was shot at. Along with his trusty taxi driver, Romeo(..the wisecracking Frank Jenks, whose cabbie never feels appreciated for all he does for our intrepid reporter), and Homicide detective, Lt Walsh(Jack Mulhall), Tony will attempt to lure the killer into a trap by staging a charity play of Julius Caesar, hoping that he will literally inhabit the role of Brutus, getting caught in the process.

Time hasn't been kind to this relic, and when you watch a film like THE PHANTOM OF 42ND STREET, you'll realize just why the role of film preservationists is so important. Lots of film jumps, lines and blotches that have effected key moments in the movie, and cuts into the dialogue due to the devastated quality really hamper the viewing experience..nothing's as important as getting all the details and when characters are interrupted by ravaged film and sound, you never completely get the whole story. The film is certainly of it's time as the talk and humor are relative to the people who existed in New York City of the 40's(..Jenks' cabbie is a true example of this). O'Brien is a handsome charmer and Aldridge quite a stunner. It's relatively quick at around an hour and harmless, but rather forgettable amongst others of it's type. Very talky..quite dialogue driven as clues are pursued with our hero's life always in danger, although he never breaks a sweat, quite determined and motivated to save the Moores from potential peril.

interesting, if only for historical value

[ksf-2 · 5/10 · 11 October 2019]

From PRC, Producers Releasing Corp, comes the moidah of an actor. Dave OBrien is "Tony", mister suave reporter, who is trying to solve the case. Kay Aldridge is the actress Claudia, who may or may not be involved. lots of talking, talking with suspects, who may or may not be suspects. O'Brien certainly did it all; writer, actor, director. probably best known for "Reefer Madness", 1936. Met Harry Truman. died quite young at 57 from a heart attack. Keep an eye out for Cyril Delevanti... was the old guy in "Night of the Iguana". Directed by Al Herman; this was one of his last films. had started in silents, doing short films, and moved into the talkies. the sound and picture quality is pretty bad, but there ARE captions, so i guess we're lucky it's watchable at all, after eighty years. showing on FilmDetective streaming channel. it's okay. that about all.

Pure Afternoon TV Fare

[oscar-35 · 27 February 2009]

A somewhat pedestrian and unimportant film. Has all the elements of a detective mystery. But lacks any real star-power or memorable features. Probably a good theater fodder during it's time. The plot revolves around a theater critic/detective. There is a watchable group of New York street types like taxi driver, bartender and others. All of these character actor faces are familiar to people who are film buffs of this time. It was part of a three film DVD collection of similar detective mysteries of the 40's. I think this was one of those 'potboilers' films that war-time Hollywood was famous in turning out. Nothing special about this film comes to mind to mention here. The plot is uneventful, watchable, but somewhat droll. I always wanted to use the word 'droll'.

Nothing to see here

[Leofwine_draca · 3/10 · 24 December 2023]

THE PHANTOM OF 42ND STREET is one of those cheap and bland detective stories that bulked out cinema screens back in the 1940s. This one's about a murder at a theatre, and while the genuine cops appear perplexed, our plucky journalist hero turns out to display a surprisingly aptitude for sleuthing. There's a lightness of touch here at times which works well and allows the production to breathe, but the nuts and bolts of the plotting is very creaky and there's a dearth of interesting characters which makes it a struggle to sit through. If you like Shakespeare then the snippets we see of the era might interest you, but otherwise this is bland stuff.