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The Phantom of 42nd Street (1945)

Approved  |   |  Mystery  |  2 May 1945 (USA)
5.1
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Ratings: 5.1/10 from 123 users  
Reviews: 11 user | 3 critic

A theatre critic (Dave O'Brien) teams up with a cop (Jack Mulhall) to investigate the murder of a Broadway actor.

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(based on novel), (based on novel), 1 more credit »
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Title: The Phantom of 42nd Street (1945)

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Cast

Complete credited cast:
Dave O'Brien ...
...
...
Cecil Moore
Frank Jenks ...
Egbert Egelhofer, aka Romeo (Taxicab Driver)
Edythe Elliott ...
Janis Buchanan
Jack Mulhall ...
Lt. Walsh
Vera Marshe ...
Ginger
Stanley Price ...
Reggie Thomas
John Crawford ...
John Carraby
Cyril Delevanti ...
Roberts
Paul Power ...
Timothy Wells
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Storyline

An actor is killed during the performance of a play and critic Tony Woolrich (Dave O'Brien) undertakes to solve the crime. Claudia Moore (Kay Aldridge, in her last movie role), the girl he loves, is suspected, but when two more deaths occur, she is also threatened by the Phantom Killer. During a production of "Julius Caesar" the killer makes a final attempt. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Mystery

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

2 May 1945 (USA)  »

Also Known As:

Fantasma da Rua 42  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Modest Programmer
12 April 2013 | by (Claremont,USA) – See all my reviews

A newspaper's drama critic turns detective when he gets mixed up with murder among members of a theatre company. Eventually, a series of murders occurs apparently committed by a mysterious phantom.

Not a bad little detective mystery from low-budget PRC. That's thanks mainly to a lively turn from O'Brien as Woolrich and the decorous Kay Aldridge as Claudia. Then there's the familiar Frank Jenks as the comedy relief cabbie, and a surprisingly delightful Vera Marshe as the lame brain waitress Ginger. The screenplay makes good use of its theatrical setting, and I suspect many of those backstage set-ups were real backstage scenes from PRC's sound stage. Of course, 50-some minutes is scarcely enough time to develop a strong list of suspects or mystery plot, but there's enough colorful characterizations to compensate. All in all, an adequate little time-passer.


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