John Lobert runs a training camp in Florida for the New York Giants. Every year, he evaluates the 18-22 year old hopefuls to pick the best for a minor league contract. They all have dreams ... See full summary »
Edward G. Robinson,
At the turn of the century, Duke and Chester, two vaudeville performers, go to Alaska to make their fortune. On the ship to Skagway, they find a map to a secret gold mine, which had been ... See full summary »
The trials and tribulations of the Winfield family in small town Indiana as Marjorie Winfield's boyfriend, William Sherman, returns from the Army after W.W.I. Bill & Marjorie's on-again, ... See full summary »
Clay Spencer is a hard-working man who loves his wife and large family. He is respected by his neighbors and always ready to give them a helping hand. Although not a churchgoer, he even ... See full summary »
When cholera takes the parents of Mary Lennox, she is shipped from India to England to live with her Uncle Craven. Archibald Craven's house is dark and drafty, with over 100 rooms built on ... See full summary »
Fred M. Wilcox
Life in small town Wisconsin. Selma and Arnold, aged 7 and 5, pal around together between their two farms. Selma has a newborn calf that her father gave to her which she named 'Elizabeth'. Nels is the editor of the Fuller Junction Spectator and the kids just call him 'editor'. Viola is the new school teacher from the big city. While Nels wants to marry Viola, Viola does not want to live in a small quiet, nothing happening town. The biggest news is that Faraassen has built a new barn. Written by
Tony Fontana <firstname.lastname@example.org>
Jerry Marin, the lollipop man from Wizard of oz, Stood in for Margaret O'Brien in the scene where she is floating down the river in a washtub. See more »
The cars/trucks have no windshields. Studio lights can be seen reflected off vehicle bodies but not where the glass would be. Additionally, this movie was filmed/set during World War II when gas was rationed; since there's no windshields, there are also no rationing stickers visible. See more »
Of course you don't know me, but if you believe that I am the furthest thing from a sentimental person, you should trust me when I say this film (the title of which I cannot even bring myself to reproduce it's such a HORRIBLE title, one of the worst ever) blew me away. This film is like Debussey's music, it flows along and has a spontaneous quality to it, as if it weren't planned at all. The LACK of conflict for at least the first hour is a BOLD move esthetically. It took real guts to make this film, and real skill too. Those who would criticize its lack of "realism," its failure to acknowledge the DARK SIDE know not what they do. We NEED movies which acknowledge the fact that life can be good, that childhood can be fun, that the effortless insights of children make us laugh. I am still laughing at Arnold, who in one scene in the barn bombards Martinius and Selma with "why" after "why" after "why." "Why can't I go to school?" asks Arnold. "Because you're too young," answers Selma. "Why am I too young?" he asks. "Just because you are." "But why?" he asks again. "Because." Maybe it's just me, but that is one hilarious exchange of dialogue, one of many in the film. Margaret O'brien is BRILLIANT in these scenes, astonishingly natural in front of the camera.
Sure there are attempts to get deep about the war, and there are other "literary" moments of forced deepness, but overall this is one RARE piece of film ART, and an unjustly ignored CLASSIC.
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