6.7/10
621
14 user 11 critic

Up in Arms (1944)

Passed | | Comedy, Musical | 27 March 1944 (Brazil)
Hypochondriac Danny Weems gets drafted into the army and makes life miserable for his fellow GIs. He's also lovesick when it comes to pretty Mary Morgan, unaware that she's in love with his... See full summary »

Director:

Writers:

(original screenplay), (original screenplay) | 2 more credits »
Reviews
Nominated for 2 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
...
Virginia
...
Joe
Constance Dowling ...
Mary Morgan
The Goldwyn Girls ...
Dancing Ensemble
Knox Manning ...
Narration (voice)
...
Colonel Ashley
...
Blackie
Benny Baker ...
Butterball
...
Info Jones
...
Sgt. Gelsey
Walter Catlett ...
Major Brock
George Meeker ...
Ashley's Aide
...
Ashley's Aide (as Richard Powers)
...
Mrs. Willoughby
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Storyline

Hypochondriac Danny Weems gets drafted into the army and makes life miserable for his fellow GIs. He's also lovesick when it comes to pretty Mary Morgan, unaware that she's in love with his best friend Joe. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 March 1944 (Brazil)  »

Also Known As:

Anyámasszony katonája  »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Virginia Mayo was originally scheduled to play the leading character of Mary Morgan, but it was decided she needed more experience in front of the camera and was replaced by Constance Dowling. Mayo was reduced to performing with the "Goldwyn Girls," but was never actually meant to be in the chorus. See more »

Connections

Featured in Moments in Music (1950) See more »

Soundtracks

Jive Number
(1944)
(Based on "Tess's Torch Song")
Written by Sylvia Fine and Max Liebman
See more »

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User Reviews

 
Window opens on multi-talented Danny Kaye
27 November 2014 | by (United States) – See all my reviews

Other reviewers have noted that "Up in Arms" was the first major movie that launched Danny Kaye's star. It certainly is a foretaste of the versatile Kaye's many talents. It includes a couple tongue-twister sequences, a couple of other language impersonations, and just a little song and dance. But, none of these are at the accomplished level Kaye would reach and show in films that followed. What he is good at in this career opener, he is fantastic at in films such as "The Inspector General" of 1949, "On the Riviera" of 1951, "Knock on Wood" of 1954, and "The Court Jester" of 1955.

Venues to showcase talents like Kaye don't have to have great plots. Films such as this are good and enjoyable just for the entertainment of the star or stars. But, when films also have interesting stories, they often click better and enhance the viewing enjoyment. At least I find that so in Kaye films. With much better scripts in those later movies, he moved more naturally and smoothly into his tongue twisters, impersonations, or song and dance numbers.

"Up in Arms" doesn't have a very solid plot. So, it seemed to me a number of times that the producers forced the next Kaye sequence on us. Like an old-fashioned entertainment break between scenes in an otherwise not-too-good stage show. Those few who praise this film as among Kaye's best had best watch again those films I named above. His impersonations, tongue twisters, and song and dance advanced remarkably in just a few years as he perfected his talents in each of these fields. Still, it is his comic performance alone that earns this movie seven stars in my book. Dinah Shore's singing supported the film some, but otherwise I think the cast was lackluster. Dana Andrews had more than a dozen movies under his belt, and would rise to become a leading man and male co-star in many films of the late 1940s and 1950s. But, he did not fit in comedies or musicals. He's clearly out of place here.

One other thing that struck me, with the rich Technicolor for such an early film, was the makeup worn by the ladies. In the musical scene with everyone boarding a ship, all the WAC nurses line up along the ship railing. As the camera pans their pretty faces, their heavy use of makeup really stands out. That may have been a sign of the times, and I appreciate the lesser use of pancake makeup in modern days. Our sharp lenses and cameras can give us very close shots that show the natural beauty of the human face. I think the pancake would be obvious and not very enticing.


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