Mr. Lucky (1943) 7.1
A gambler has plans to swindle money from a charity program, but starts to have second thoughts when he falls for a rich society girl. Director:H.C. Potter |
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Mr. Lucky (1943) 7.1
A gambler has plans to swindle money from a charity program, but starts to have second thoughts when he falls for a rich society girl. Director:H.C. Potter |
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| Complete credited cast: | |||
| Cary Grant | ... |
Joe Adams /
Joe Bascopolous
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| Laraine Day | ... |
Dorothy Bryant
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| Charles Bickford | ... |
Hard Swede
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| Gladys Cooper | ... |
Captain Veronica Steadman
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| Alan Carney | ... |
Crunk
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Henry Stephenson | ... |
Mr. Bryant
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| Paul Stewart | ... |
Zepp
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| Kay Johnson | ... |
Mrs. Mary Ostrander
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Erford Gage | ... |
Henchman
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Walter Kingsford | ... |
Commissioner Hargraves
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Florence Bates | ... |
Mrs. Van Every
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Joe Adams takes on the identity of a dead gangster in order to avoid the draft. Adams plans to use a war relief charity to get his gambling operation up and running, until he falls in love with Dorothy Bryant and has a change of heart. Written by Jenny Curtis <curti016@gold.tc.umn.edu>
Poor boy turned suave gambler Cary Grant (as Joe Adams) evades service in World War II by assuming the identity of a deceased sailor classified "4-F" (unfit for military service). Then, he joins a New York women's group supporting the war effort from the home front. There, he learns to knit, and flirts with sophisticate Laraine Day (as Dorothy Bryant). At first, Ms. Day is wary of Mr. Grant, who uses slight-of-hand to fill the war relief group's coffers. But, Day falls in love with Grant, unaware he is planning to bilk the ladies' war relief organization.
RKO put a lot into "Mr. Lucky", and it pays off handsomely. Aside from a violent streak (once slugging his leading lady), Grant turns out to be much less of a heel that you're led to believe; and, he is thoroughly charming. The direction (H.C. Potter), camera-work (George Barnes), design (William Cameron Menzies), and supporting cast are outstanding. The film is bracketed with a moody atmospherics.
The ending could have been better. But, mainly, "Mr. Lucky" is great for watching Grant work wonders with his conflicted character. Grant is so convincing that, when he looks in his car's rear view mirror, you're almost sure the car's mirror hasn't actually been removed by the studio (they blocked actors' faces and were too reflective). There was no mirror there, or was there?
******* Mr. Lucky (5/28/43) H.C. Potter ~ Cary Grant, Laraine Day, Charles Bickford, Gladys Cooper