| Photos (see all 8 | slideshow) |
| Hans Heinrich von Twardowski | ... | Reinhard Heydrich | |
| Brian Donlevy | ... | Dr. Franticek Svoboda aka Karel Vanek | |
| Walter Brennan | ... | Prof. Stephen Novotny | |
| Anna Lee | ... | Nasha Novotny | |
| Nana Bryant | ... | Mrs. Hellie Novotny | |
| Margaret Wycherly | ... | Ludmilla Novotny | |
| Dennis O'Keefe | ... | Jan Horak (Nasha's fiancé) | |
| Gene Lockhart | ... | Emil Czaka (brewer) | |
| Tonio Selwart | ... | Chief of Gestapo Kurt Haas | |
| Alexander Granach | ... | Gestapo Insp. Alois Gruber | |
| Reinhold Schünzel | ... | Gestapo Insp. Ritter | |
| Ludwig Donath | ... | Schirmer | |
| Arno Frey | ... | Camp lieutenant | |
| Sarah Padden | ... | Mrs. Georgia Dvorak (grocer) | |
| Jonathan Hale | ... | Dedic | |
| Byron Foulger | ... | Bartos | |
| Edmund MacDonald | ... | Dr. Pillar | |
| Lionel Stander | ... | Banya (taxi driver) | |
| Lester Sharpe | ... | Rudy (waiter) | |
| Arthur Loft | ... | Gen. Votruba (hostage) | |
| George Irving | ... | Neeval (hostage) | |
| James Bush | ... | Pescacek (hostage) | |
| rest of cast listed alphabetically: | |||
| John Abbott | ... | Hostage (scenes deleted) | |
| Louis V. Arco | ... | Nazi Official | |
| Frederic Brunn | ... | SS Officer | |
| Fred Essler | ... | Dr. Kesselbach | |
| John Piffle | ... | Industrialist | |
| Albin Robeling | ... | Clerk | |
| William Roy | ... | Boda Novotny (as Billy Roy) | |
| Walter Thiele | ... | Police Official | |
| Erville Alderson | ... | Liberal official (uncredited) | |
| Richard Alexander | ... | Slugger in theater (uncredited) | |
| Florence Auer | ... | Czech patriot (uncredited) | |
| William 'Billy' Benedict | ... | Kylar (clerk, hostage) (uncredited) | |
| Lane Bradford | ... | Gestapo officer (uncredited) | |
| Harry C. Bradley | ... | Townsman (uncredited) | |
| James Dime | ... | Gestapo detective (uncredited) | |
| Lester Dorr | ... | Aldrich Krapke (patriot at meeting) (uncredited) | |
| Ralph Dunn | ... | Policeman (uncredited) | |
| Poldi Dur | ... | Slugger's girlfriend in theater) (uncredited) | |
| Edward Earle | ... | Professor (uncredited) | |
| Virginia Farmer | ... | Mrs. Nimitz (landlady) (uncredited) | |
| William Farnum | ... | Viktorin (patriot) (uncredited) | |
| Dwight Frye | ... | Hostage (uncredited) | |
| William Haade | ... | Patriot (uncredited) | |
| Sam Harris | ... | Extra at briefing (uncredited) | |
| Eddie Kane | ... | Novak (head waiter at The Golden Quail) (uncredited) | |
| Fred Kohler Jr. | ... | Czech patriot (uncredited) | |
| Kurt Kreuger | ... | Gestapo officer (uncredited) | |
| Hope Landin | ... | Czech patriot (uncredited) | |
| Emmett Lynn | ... | Gerta (hostage) (uncredited) | |
| Robert Malcolm | ... | Czech patriot (uncredited) | |
| Paul McVey | ... | Jan Pestuca (newspaper editor) (uncredited) | |
| Philip Merivale | ... | Bit part (uncredited) | |
| Charles Middleton | ... | Patriot at meeting with Svoboda (uncredited) | |
| Frances Morris | ... | Dr. Svoboda's nurse (uncredited) | |
| Kurt Neumann | ... | SS Man (uncredited) | |
| Manuel París | ... | Townsman on Street (uncredited) | |
| Lucien Prival | ... | Policeman (uncredited) | |
| Frank Reicher | ... | Interpreter (uncredited) | |
| Otto Reichow | ... | Gestapo agent (uncredited) | |
| Ernest Roberts | ... | Minor Role (uncredited) | |
| Henry Roquemore | ... | Patriot at meeting (uncredited) | |
| Janet Shaw | ... | Katerina Honiga (patriotic factory secretary) (uncredited) | |
| Robert R. Stephenson | ... | Nazi Guard in Visitors Pen (uncredited) | |
| Philip Van Zandt | ... | Officer (uncredited) | |
| Lucio Villegas | ... | Townsman at Briefing (uncredited) | |
| Emmett Vogan | ... | Hostage wearing glasses (uncredited) | |
| Eddy Waller | ... | Hansom cab driver (uncredited) | |
| Crane Whitley | ... | Gestapo officer (uncredited) | |
| Harry Wilson | ... | Ugly German bodyguard (uncredited) | |
Directed by | |||
| Fritz Lang | |||
Writing credits | ||
| Bertolt Brecht | (adaptation) (original story) (as Bert Brecht) and | |
| Fritz Lang | (adaptation) (original story) | |
| John Wexley | (screenplay) | |
Produced by | |||
| Theo. W. Baumfeld | .... | assistant producer (as T.W. Baumfeld) | |
| Fritz Lang | .... | producer | |
| Arnold Pressburger | .... | producer | |
Original Music by | |||
| Hanns Eisler | |||
Cinematography by | |||
| James Wong Howe | |||
Film Editing by | |||
| Gene Fowler Jr. | |||
Art Direction by | |||
| William S. Darling | |||
Makeup Department | |||
| Robert Stephanoff | .... | makeup artist (as Blagoe Stephanoff) | |
Production Management | |||
| Carley Harriman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Walter Mayo | .... | assistant director | |
| Fred Pressburger | .... | assistant director | |
Art Department | |||
| Julia Heron | .... | set dresser | |
Sound Department | |||
| Fred Lau | .... | sound | |
| Jack Whitney | .... | sound | |
Camera and Electrical Department | |||
| Ned Scott | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Eleanor Behm | .... | dresses: Miss Lee | |
Music Department | |||
| Artur Guttmann | .... | conductor | |
| Artur Guttmann | .... | orchestrator | |
Other crew | |||
| Max Pretzfelder | .... | technical advisor | |
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| Full cast and crew | Company credits | External reviews |
| IMDb War section | IMDb USA section | Add this title to MyMovies |
Made at the height of WWII not long after the events upon which it is based took place, "Hangmen Also Die" is a testament to the patriotic spirit of the Czechoslovakian people under the most dire conditions imaginable. After the Nazis have invaded and conquered the country, a brave resistance fighter assassinates the brutal leader of the German occupation forces, SS leader Reinhard Heydrich, who, like Klaus Barbie, was a ruthless butcher of the innocent. Heydrich subjugated the Czech people by murdering, torturing and enslaving hordes of non-combatant civilians.
Just before the Nazi tyrant is shot, he threatens to end a factory slowdown by the murder of hundreds of Czech workers. It is this threat that precipitates the assassination. The desperate killer of Heydrich, member of an underground Czech resistance group, narrowly escapes capture with the assistance of civilians who suffer the consequences immediately afterwards when many are taken hostage by the Nazis, with the threat of imminent death hanging over their heads if the assassin is not turned over to the Gestapo.
At the center of the tense drama is Nasha Novotny, flawlessly played by Anna Lee, as the daughter of a distinguished university professor and patriot, portrayed by character actor Walter Brennan. Nasha is instrumental in aiding Brian Donlevy (as Dr. Svoboda, the assassin with ice water in his veins) to escape his bloodthirsty Gestapo pursuers. But when Nasha's own father is picked up by the Gestapo, she is forced to question her loyalty to the resistance, begins to regard the man she has saved as a deadly threat to her family and nearly turns traitor to save her father's life. Expatriate German director Fritz Lang and his scenarists show great sympathy in portraying this all too human failing. In a few simple touches they go far beyond stereotype in showing how the recalcitrant patriot overcomes her strong personal misgivings to rejoin the heroic struggle against the Nazis.
"Hangmen" is not a movie for the mechanically minded. Its craft is the art of understatement. Many of the events dramatically most important to the story -- such as the assassination -- are not depicted or happen off-screen. Whole sections of the plot line are there only by inference. This is particularly true at the end of the film, when the entire conspiracy to frame up an enemy collaborator is only hinted at before it is sprung as a surprise upon the audience, as on the unwitting villain. How did the underground resistance fighters arrange to fabricate so deadly a case against a traitor? We can only guess, but may hardly object to the ironic way in which the informant meets his end.
Fritz Lang has a well known reputation as a leader of the noir school of film maker. Yet, in spite of its horrifying premise, the movie is neither bleak nor pessimistic but a straightforward affirmation of the struggle against tyranny. Unlike many of his less gifted followers, Lang is no mere stylist but is just as much concerned with the historic and moral significance of his story as the artful way in which he presents it. To those who might object that the Nazis are portrayed as stereotyped bad men, the answer is that the Nazis were precisely what the film shows them to be: ugly brutish travesties of human beings. And who would know that better than Fritz Lang and his excellent scenarist Bertolt Brecht? Both of them had lived in Germany under the Nazis and escaped to the United States to strike a devastating propaganda blow against the enemy.