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Good Girls Go to Paris (1939)

Approved  |   |  Comedy  |  20 June 1939 (USA)
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Ratings: 6.6/10 from 174 users  
Reviews: 5 user | 2 critic

A Midwesterner waitress, scheming to gold-dig her way to Paris, gets mixed up with a wealthy New York family.



(screenplay), (screenplay), 2 more credits »
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Title: Good Girls Go to Paris (1939)

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Cast overview:
Jenny Swanson
Olaf Brand
Tom Brand
Joan Perry ...
Sylvia Brand
Caroline Brand
Stanley Brown ...
Ted Dayton Jr.
Alexander D'Arcy ...
Henry Hunter ...
Dennis Jeffers
Clarence Kolb ...
Ted Dayton Sr.
Howard C. Hickman ...
Jeffers - Brand's Butler


Jenny Swanson, a waitress on a college campus, confides to English Professor Ronald Brooke that she is willing to gold-dig and blackmail her way to a Paris vacation. Her journey lands her in the New York home of Brooke's future in-laws: the wealthy and fractious Brand family. Jenny charms grandpa Olaf, and seems on her way to landing a rich suitor but her conscience and her heart may lead her in another direction... Written by L. Hamre

Plot Summary | Add Synopsis


You can go to town on "Good Girls Go To Paris". (Trade paper ad). See more »




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Release Date:

20 June 1939 (USA)  »

Also Known As:

Good Girls Go to Paris, Too  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


Originally titled "Good Girls Go To Paris, Too," but the censors objected. See more »


Tearoom Hostess: The students are supposed to keep their minds on their studies and you girls must remember, that we're only here to satisfy their appetite... for food.
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User Reviews

Talent wasted
9 September 2009 | by (United States) – See all my reviews

Joan Blondell saved many a movie. Here, as the star, she tries hard, but she is given lines which change her character from minute to minute. The lines are seldom funny. She was always at her best, both early and late in her career, as the brassy city broad, cynical, but with a heart of gold. She doesn't have this kind of role here. Her gold digging ambitions are out of character and are only a minor plot device. Melvin Douglas is Melvin Douglas, urbane, sophisticated, with a dry wit, but no witty lines at all. Walter Connelly, as usual, shouts his lines, but none of them are funny.

The good films of this type seem effortlessly written and performed. This kind of film shows, by its failures, just how great an effort those good films required.

9 of 22 people found this review helpful.  Was this review helpful to you?

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