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Wings in the Dark (1935)

6.5
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Ratings: 6.5/10 from 318 users  
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In his dedicated pursuit of technology that will aid pilots to safely "fly blind" during adverse conditions. aerial innovator Ken Gordon is literally blinded in an accident, but this setback doesn't deter him from his goal.

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Title: Wings in the Dark (1935)

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Cast

Cast overview:
...
Sheila Mason
...
Ken Gordon
...
Nick Williams
Hobart Cavanaugh ...
Mac
...
Top Harmon
Russell Hopton ...
Jake Brashear
Matt McHugh ...
1st Mechanic
Graham McNamee ...
Radio Announcer
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Storyline

Aeronautical engineer Ken Gordon and his faithful mechanic Mac are devoted to developing technology that will enable pilots to safely fly blind during adverse weather conditions. An irresponsible newsman, Nick Williams, publishes a premature story about a planned long distance flight Gordon hopes will prove his theories. Because of Williams, he loses funding but is introduced to skilled aviatrix Shiela Mason. After Gordon is literally blinded in a workshop accident, Shiela undertakes dangerous stunt flying jobs in order to secretly support Gordon's continuing research. When she undertakes a dangerous Moscow to New York non-stop flight and is in jeopardy of crashing over a fog-bound Roosevelt Field, there is only one person capable of saving her. Written by Gabe Taverney (duke1029@aol.com)

Plot Summary | Add Synopsis

Genres:

Adventure | Romance

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Details

Country:

Language:

Release Date:

1 February 1935 (USA)  »

Also Known As:

Asas nas Trevas  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Quotes

Sheila Mason: What are you thinking about?
Ken Gordon: I was just thinking how crazy I was not to take a good look at you when I had the chance.
Sheila Mason: Don't you remember at all?
Ken Gordon: Pretty well, but I'm not sure. Tell me.
Sheila Mason: Oh, I'm a sort of low wing, single-motored monoplane type. You've seen hundreds of them.
Ken Gordon: I don't believe it. Tell me more.
Sheila Mason: Let's see. I have reddish hair, snub nose, freckles, plenty of freckles.
Ken Gordon: What else?
Sheila Mason: Well, a little under medium length, fair wing spread, stream-lined, so they tell me.
Ken Gordon: Sounds fascinating.
See more »

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User Reviews

 
As Capable As The Male
5 September 2010 | by (Buffalo, New York) – See all my reviews

Producer Arthur Hornblow, Jr. borrowed Myrna Loy from MGM for a loan out film at Paramount and teamed her for the first time with Cary Grant who was under contract there. This must have been a courtship film of sorts because the following year Hornblow married Myrna Loy. I'm betting that top billing went to Loy because of Louis B. Mayer as a condition of the loan out and because Hornblow was courting her hot and heavy.

In the Forties Cary and Myrna did The Bachelor And The Bobby Soxer and Mr. Blandings Builds His Dream House, both films more of the usual sort of material for both of them. Wings In The Dark is a drama about an Amelia Earhart type aviatrix and an aeronautical inventor who find love and happiness. But it's a bumpy road to all that.

Grant is a cynical fellow who despises Loy as a circus stunt flier with no feel for the progress of aviation. Myrna properly puts him in his place when she points out that due to the status of women at the time, her kind of flying is all that's open to her and in doing what she does she is showing her sex as capable as the male. A very far reaching treatise on feminism for its time.

During an accident Cary goes blind and he's not one to take charity. But as it were he happened to be working on developing instrument flying through thick clouds and fog and in the end he gives his machine the ultimate test.

Wings In The Dark is dated because aviation has made light years more progress than when this film was made. And it does pale beside the two classic screen comedies that Grant and Loy later did. Still it does offer an interesting glimpse of both stars in their earlier year and for Grant an unusual bit of casting.


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