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Blonde Venus (1932)

Passed  |   |  Drama  |  25 November 1932 (France)
7.3
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Ratings: 7.3/10 from 2,765 users  
Reviews: 44 user | 27 critic

A cabaret singer takes up with a millionaire to pay for her gravely ill husband's operation.

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Title: Blonde Venus (1932)

Blonde Venus (1932) on IMDb 7.3/10

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Cast

Complete credited cast:
...
Herbert Marshall ...
...
Nick Townsend
...
Johnny Faraday
Gene Morgan ...
Ben Smith
Rita La Roy ...
Taxi Belle Hooper
Robert Emmett O'Connor ...
Dan O'Connor
...
Detective Wilson
Morgan Wallace ...
Dr. Pierce
Rest of cast listed alphabetically:
...
Charlie, the Bartender (unconfirmed)
Edit

Storyline

American chemist Ned Faraday marries a German entertainer and starts a family. However, he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance at being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner, she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe, she continues with Nick but when Ned returns cured, he discovers her infidelity. Now Ned despises Helen but she grabs son Johnny and lives on the run, just one step ahead of the Missing Persons Bureau. When they do finally catch her, she loses her son to Ned. Once again she returns to entertaining, this time in Paris, and her fame once again brings her and Townsend together. Helen and Nick return to America engaged, but she is irresistibly drawn back to her son and Ned. In which life does she truly belong? Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Taglines:

From the lips of one MAN to the arms of another! See more »

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

| |

Release Date:

25 November 1932 (France)  »

Also Known As:

Deep Night  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (video: cut)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Quotes

Helen Faraday, aka Helen Jones: Snap out of it, kid. Tomorrow's another day.
Down-and-out woman in flophouse: Maybe for you, but not for me.
Helen Faraday, aka Helen Jones: Why? What's the matter with tomorrow?
Down-and-out woman in flophouse: I'm gonna' kill myself tomorrow. *That's* what's the matter with it.
Helen Faraday, aka Helen Jones: Me too. Make a hole in the water.
Down-and-out woman in flophouse: Why are *you* gonna' kick off?
Helen Faraday, aka Helen Jones: Because that's the way I feel. Isn't that reason enough?
Down-and-out woman in flophouse: That's no reason for anything. I've got a GOOD reason: haven't got a dime. Never had any money, and I never WILL have.
See more »

Crazy Credits

Opening credits are shown with a background of water reflected at a swimming hole. As the credits end, we see women swimming in the swimming hole. See more »

Connections

Featured in The Love Goddesses (1965) See more »

Soundtracks

I Couldn't Be Annoyed
Music by Richard A. Whiting
Lyrics by Leo Robin
Sung by Marlene Dietrich in French at the Paris nightclub
Reprised by her in English
Played as background music
See more »

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User Reviews

 
One of Dietrich's best
6 December 1998 | by (Tonsberg, Norway) – See all my reviews

Josef von Sternberg would, no doubt, dismiss this film as one of his lesser works. Yet, to me,"Blonde Venus" sort of defines his relationship with Marlene Dietrich. The combined attraction of the harlot-mother gives Marlene's acting both sexual radiance and that intimate, moody quality that is so unique to her.

Just watch her in the scenes with her baby boy. She is lovely, glamorous, yet totally attentive to the child's needs, protective and unselfconscious in a way that only Carole Lombard (see "Made for each other" for evidence) managed back in those days. Her presence is so strong that she makes the male stars seem awkward and rigid. Herbert Marshall looks ill at ease, (probably from lack of directorial attention) while Cary Grant sails through the movie, unblessed by inspiration.

This is Marlene's film, through and through. The plot is silly beyond words (suffering in mink, writ large!) but Marlene makes it memorable. Her close-ups in the scene at the railway-station when she realizes she has lost her family tells it all. A lost soul with nowhere to go but down. Von Sternberg (or some intrusive producer) tacked on a happy ending, but the movie really ended there, on a bench. The rest is just wish-fulfilment.


14 of 17 people found this review helpful.  Was this review helpful to you?

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