The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into a lion's muzzle! With this ... See full summary »
Naval commander Charles Sturm has made life miserable for his wife Diana due to his insane jealousy over every man she speaks to. His obsessive behavior soon drives her to the arms of a ... See full summary »
Lieutenant B.F. Pinkerton is on shore-leave in Japan. He and his buddy Lieutenant Barton, out for a night on the town, stop in at a local establishment to check out the food, drink and ... See full summary »
American chemist Ned Faraday marries a German entertainer and starts a family. However, he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance at being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner, she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe, she continues with Nick but when Ned returns cured, he discovers her infidelity. Now Ned despises Helen but she grabs son Johnny and lives on the run, just one step ahead of the Missing Persons Bureau. When they do finally catch her, she loses her son to Ned. Once again she returns to entertaining, this time in Paris, and her fame once again brings her and Townsend together. Helen and Nick return to America engaged, but she is irresistibly drawn back to her son and Ned. In which life does she truly belong? Written by
Gary Jackson <firstname.lastname@example.org>
This film has some wonderful moments, particularly the nightclub scenes where Dietrich "stripteases" out of a gorilla suit, and the pastoral opening sequence where the two lovers meet. The latter is handled in a very early 20s European style reminiscent of the heady days of Maurice Tourneur. The modern "American" sequences are too static, though, and the story is just a superficial melodrama that doesn't involve me too much. Cary Grant plays his early character type from the Mae West films with far less interesting results. One thing that is cool is that the club sequences give one an idea of what Dietrich's famous cabaret style might have been like.
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