It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
Alonzo is an armless knife thrower and gun shooter for a circus---or so he appears. He is actually a burglar with his arms intact. He and his accomplice, Cojo (a little person), are hiding from the police, and Alonzo views his disguise as perfect, especially since it keeps from view an unusual deformity of his left hand that would immediately give him away as the burglar. Nanon, the daughter of the circus owner, is the target in his act. Although Alonzo is in love with her, Nanon's father despises him. Nanon is attracted to Malabar, the circus strong man, but she is also repulsed by his uninhibited sexual advances and desire to touch and hold her. Apparently her phobia extends to the touch of any man. Alonzo feeds her fears in the hopes that Nanon will fall in love with him since he is "armless." Because Zanzi discovers Alonzo really has arms, Alonzo kills him, but Nanon witnesses the killing without seeing Alonzo's face; however, she does see the telltale deformity of his left hand. ... Written by
Patrick Robbins <firstname.lastname@example.org>
Included among the '1001 Movies You Must See Before You Die', edited by Steven Jay Schneider. See more »
During the scene where we fist meet Alonzo and he is throwing knives with his feet, the shot shows the girl against the board and there are no knives. It cuts to Alonzo throwing and when it goes back to the girl to see the impact there are knives in a silhouette around her. See more »
Malabar the Mighty, Circus Strongman:
See, Nanon! Eyes that adore you... hands that long to caress you... and strength to protect you! Why do you always draw away from me?
Why isn't he different from other men! Why doesn't he keep his hands off me?
Hands! Men's hands! How I hate them!
Men! The beasts! God would show wisdom if he took the hands from all of them!
Forgive me, Alonzo... I did not mean you.
You are the one man I can come to without fear.
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I give this one 8/10 simply for uniqueness. It's not a horror film, but if you can follow and swallow it The Unknown certainly is an unsettling experience. I don't think anyone has spoiled it yet for the unwary so for an explanation of why, the best thing to do is watch it! Suffice to report it's a tale of twisted love and the lengths a man's passion goes to ... to get his hands on the woman. Alonzo didn't understand women however!
Tod Browning sailed close to the edge as usual, and Lon Chaney put in a fine performance as a murderer on the run - I presume he was, from extrapolation of events in the 47 minute TCM UK TV version. Joan Crawford looked very pretty, before Hollywood really got hold of her and uglified her.
There's obviously many bits missing from this print, but by paying attention it's fairly straightforward to understand. I think it's worth it too, especially if you like silent films as I do. The scenes photographed through gauze were striking, but what was that all about?! Overall, different and slightly depressing - is the moral we men are all so desperate when infatuated with a woman?
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