| Photos (See all 33 | slideshow) | Videos (see all 9) |
| Aleksandr Antonov | ... | Grigory Vakulinchuk - Bolshevik Sailor | |
| Vladimir Barsky | ... | Commander Golikov | |
| Grigori Aleksandrov | ... | Chief Officer Giliarovsky | |
| Ivan Bobrov | ... | Young Sailor Flogged While Sleeping (as I. Bobrov) | |
| Mikhail Gomorov | ... | Militant Sailor | |
| Aleksandr Levshin | ... | Petty Officer | |
| N. Poltavtseva | ... | Woman With Pince-nez | |
| Konstantin Feldman | ... | Student Agitator | |
| Prokopenko | ... | Mother Carrying Wounded Boy | |
| A. Glauberman | ... | Wounded Boy | |
| Beatrice Vitoldi | ... | Woman With Baby Carriage | |
| rest of cast listed alphabetically: | |||
| Brodsky | ... | Student | |
| Julia Eisenstein | ... | Woman with Food for Sailors | |
| Sergei M. Eisenstein | ... | Odessa Citizen | |
| Andrei Fajt | ... | Recruit (as A. Fait) | |
| Korobei | ... | Legless Veteran | |
| Marusov | ... | Officer | |
| Protopopov | ... | Old Man | |
| Repnikova | ... | Woman on the Steps | |
| Vladimir Uralsky | |||
| Zerenin | ... | Student | |
| Aleksanteri Ahola-Valo | ... | Extra (uncredited) | |
Directed by | |||
| Sergei M. Eisenstein | (as S.M. Eisenstein) | ||
Writing credits(in alphabetical order) | ||
| Nina Agadzhanova | script (as N.F. Agadzhanova-Shutko) | |
| Nikolai Aseyev | intertitles (uncredited) | |
| Sergei M. Eisenstein | uncredited | |
| Sergei Tretyakov | intertitles (uncredited) | |
Original Music by | |||
| Eric Allaman | (1986) | ||
| Yati Durant | |||
| Vladimir Heifetz | |||
| Nikolai Kryukov | (1950) | ||
| Chris Lowe | |||
| Edmund Meisel | (as Meisel) | ||
| Neil Tennant | |||
Cinematography by | |||
| Eduard Tisse | |||
| Vladimir Popov | (uncredited) | ||
Film Editing by | |||
| Grigori Aleksandrov | (re-issue) (uncredited) | ||
| Sergei M. Eisenstein | (uncredited) | ||
Art Direction by | |||
| Vasili Rakhals | (uncredited) | ||
Production Management | |||
| Brian Shirey | .... | production manager (2007 alternate version) | |
Second Unit Director or Assistant Director | |||
| Grigori Aleksandrov | .... | assistant director (as T. Aleksandrov) | |
Sound Department | |||
| Yevgeni Kashkevich | .... | sound recordist (1950 re-issue) | |
Editorial Department | |||
| Sala Deinema | .... | work print editor: Bundesarchiv-Filmarchiv, Berlin (2007 alternate version) | |
| Ron Heidt | .... | title editor (2007 alternate version) | |
| Erika Schmidt | .... | negative cutter: Bundesarchiv-Filmarchiv, Berlin (2007 alternate version) | |
| Gerhard Ullmann | .... | colorization (2007 alternate version) | |
| Jay Leyda | .... | assistant editor (uncredited) | |
Music Department | |||
| Helmut Imig | .... | conductor: Deutsches Filmorchestra Babelsberg (2007 alternate version) | |
| Helmut Imig | .... | instrumentation: Edmund Meisel's 1926 score (2007 alternate version) | |
| Helmut Imig | .... | music adaptor: Edmund Meisel's 1926 score (2007 alternate version) | |
Other crew | |||
| Aleksandr Antonov | .... | assistant to director (as A. Antonov) | |
| Anna Bohn | .... | reconstruction collaborator (2007 alternate version) | |
| Mikhail Gomorov | .... | assistant to director (as M. Gomorov) | |
| S. Kazakov | .... | supervisor (1950 reissue) | |
| A. Kotoshev | .... | administrator | |
| A.P. Kryukov | .... | administrator | |
| Aleksandr Levshin | .... | assistant to director (as A. Levshin) | |
| Enno Patalas | .... | reconstruction director (2007 alternate version) | |
| Maksim Shtraukh | .... | assistant to director (as M. Shtraukh) | |
| Bret Wood | .... | title designer (2007 alternate version) | |
| Hertzel Effensachs | .... | director: marine sequences (uncredited) | |
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| Torpedoed | Parasaito Ivu | Bloody Sunday | The Scarlet Empress | Salvatore Giuliano |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Soviet Union section |
Eisenstein created the Russian Montage Theory, and this film is his finest example. It took years before someone could utilize his ideas and make them work (The Limey, 1999). Nonetheless, the baby carriage scene really demonstrates the discombobulated nature of RMT. Granted, like most movies, it gets long in some parts, the beauty of the film is amazing. One of the best silent films I have ever seen.