
Blood and Sand (1922)
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- Not Rated
- 1h 48min
- Drama, Romance
- 05 Aug 1922 (USA)
- Movie
- 1 win.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Rudolph Valentino | ... |
Juan Gallardo
(as Rodolph Valentino)
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Rosa Rosanova | ... |
Angustias
(as Rose Rosanova)
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Leo White | ... |
Antonio
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Rosita Marstini | ... |
Encarnacion
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Walter Long | ... |
Plumitas
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Lila Lee | ... |
Carmen
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Charles Belcher | ... |
Don Joselito
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Fred Becker | ... |
Don José
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George Field | ... |
El Nacional
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Jack Winn | ... |
Potaje
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Harry Lamont | ... |
Ponteliro
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Gilbert Clayton | ... |
Garabato
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Sidney De Gray | ... |
Dr. Ruiz
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George Periolat | ... |
Marquis of Moraima
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Nita Naldi | ... |
Doña Sol
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Dorcas Matthews | ... |
Señora Nacional
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W.E. Lawrence | ... |
Fuentes
(as William Lawrence)
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Rest of cast listed alphabetically: | |||
Michael Dark | ... |
Doña Sol's New Lover (uncredited)
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Louise Emmons | ... |
Madre Gomez (uncredited)
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Rafael Negrete | ... |
Violinist (uncredited)
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Stanhope Wheatcroft | ... |
Member of Guevara's Bullfight Party (uncredited)
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Directed by
Fred Niblo | ||
Dorothy Arzner | ... | (uncredited) (additional footage) |
Written by
Vicente Blasco Ibáñez | ... | (from the novel by) |
Tom Cushing | ... | (from the play by) |
June Mathis | ... | (written for the screen by) |
Produced by
Jesse L. Lasky | ... | executive producer (uncredited) |
Fred Niblo | ... | producer (uncredited) |
Cinematography by
Alvin Wyckoff | ... | (photographed by) |
Editing by
Dorothy Arzner | ... | (uncredited) |
Makeup Department
Hattie Tabourne | ... | hair stylist |
Monte Westmore | ... | makeup artist (uncredited) |
Second Unit Director or Assistant Director
Frank Fouce | ... | assistant director (uncredited) |
Camera and Electrical Department
Edward Cronenweth | ... | assistant camera |
Production Companies
Distributors
- Paramount Pictures (1922) (United States) (theatrical)
- Famous-Lasky Film Service (1922) (Canada) (theatrical)
- Famous-Lasky Film Service (1922) (United Kingdom) (theatrical)
- Famous-Lasky Film Service (1923) (Australia) (theatrical)
- Société Anonyme Française des Films Paramount (1923) (France) (theatrical)
- Films Paramount (1923) (Belgium) (theatrical)
- A/B Liberty (1923) (Norway) (theatrical)
- Famous-Lasky Film Service (1924) (United Kingdom) (theatrical) (re-release)
- Kino Video (1990) (United States) (VHS)
- Image Entertainment (1991) (United States) (video) (laserdisc)
- Republic Pictures Home Video (1991) (United States) (VHS)
- Republic Pictures Home Video (1991) (United States) (video) (laserdisc)
- Republic Pictures Home Video (1994) (United States) (VHS)
- Kino Video (2001) (United States) (DVD)
- Alpha Video Distributors (2004) (United States) (DVD)
- Reel Media International (2004) (World-wide) (VHS)
- Reel Media International (2007) (World-wide)
- Reel Media International (2008) (World-wide)
- Kino Lorber Studio Classics (2020) (United States) (Blu-ray)
- El 9 Besepi S.L. (2022) (World-wide)
- Grapevine Video (United States) (VHS)
Special Effects
Other Companies
Storyline
Plot Summary |
Juan (Rudolph Valentino) is the son of a poor widow in Seville. Against his mother's wishes he pursues a career as toreador. He rapidly gains national prominence, and takes his childhood sweetheart Carmen (Lila Lee) as his bride. He meets the Marquis' daughter Dona Sol (Nita Naldi), and finds himself in the awkward position of being in love with two women, which threatens the stability of his family and his position in society. He finds interesting parallels in the life of the infamous bandit Plumitas (Walter Long) when they eventually meet by chance.
Written by Ed Sutton |
Plot Keywords | |
Taglines | You Haven't Seen Valentino Till You've Seen "Blood and Sand" (Print Ad- Albuquerque Morning Journal, ((Albuquerque NM)) 26 November 1922) See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Did You Know?
Trivia | The film's editor was Dorothy Arzner, who would later go on to become Hollywood's first female director. Arzner impressed the producers by cannily interspersing stock bull-fighting footage with shots of Rudolph Valentino to make it look like the actor was actually in the ring with real bulls. This was quite a progressive technique in its day. See more » |
Goofs | The mountain bandit who is one of the principal supporting characters is an anachronism; the Guardia Civil did away with their kind during the late 19th century. See more » |
Movie Connections | Edited into Michael Blanco (2004). See more » |
Quotes |
Juan Gallardo:
We spread our capes for your amusement and most generous alms. See more » |