Many of the facets of this story could have been transplanted to the film noir period of the mid-20th century, and bar the occasional reference to technology (which could have otherwise been replaced for something of those times), this movie could have been set then (LA Confidential, anyone?). But it's not, its setting is contemporary. But I couldn't help but think that I would have liked to have seen this movie, and this cast, in a 1940s film noir. A glam Gillan would have been particularly good!
A drunken ex-cop, with memory loss due to alzheimer's, has had an experimental procedure that may help his condition. He gets approached about an old case he worked on, but cannot recall, and where the convicted man is near to his execution date.
Hiding his condition, out of a mixture of pride and knowing that he would not be seen as competent by those asking for his help, he meets the advocate and then the death row inmate, and believes the convicted man's claims of innocence in the murder he was jailed for.
Despite his condition, the ex-cop decides that the case is worth looking at again. No doubt he also thought that the mental exercise might do him some good - as would doing something useful be to his sense of pride (I state for anyone who can't see this premise as plausible).
As the ex-cop looks into the matter, he not only starts to see other possible suspects to the crime, but starts to regain his own memories, as his experimental medical procedure starts to work.
Large elements of the story are shown in flashback, from the point of view of a manuscript, written by one of the characters involved, as well as shorter flashbacks as the ex-cop gradually recalls his own past. Again, this is reminiscent of film noir, where a character may explain what happened and the movie shows it.
Russell Crowe is convincing as the drunken ex-cop with a shredded memory that is starting to come back to him. Tommy Flanagan is solid in support as his old-partner (he needs more character roles so we can see him more often) and Karen Gillan can now add 'femme fatale' to her acting resume.
This movie is better than most people seem to be saying. It's well told, the central cast are all solid and the story should keep you interested until the end.
It is however an end that not everyone may care for and has a penultimate confrontation scene that I found too contrived.
It's not the most engrossing film and is another one of those thrillers that is more cerebral than it is fast moving, but has interesting characters and an interesting enough plot to reach the end.
If you're hoping for a Russell Crowe action flick, you'll probably be disappointed. This isn't as good as "The Next Three Days", for example, but it's good enough to get Crowe and two of Scotland's best acting talents together on screen.
If you don't like film noir, or are expecting a fast-paced thriller, you may not like this.
Summary: Not bad, not brilliant either. Worth a watch (with the above provisos).
A drunken ex-cop, with memory loss due to alzheimer's, has had an experimental procedure that may help his condition. He gets approached about an old case he worked on, but cannot recall, and where the convicted man is near to his execution date.
Hiding his condition, out of a mixture of pride and knowing that he would not be seen as competent by those asking for his help, he meets the advocate and then the death row inmate, and believes the convicted man's claims of innocence in the murder he was jailed for.
Despite his condition, the ex-cop decides that the case is worth looking at again. No doubt he also thought that the mental exercise might do him some good - as would doing something useful be to his sense of pride (I state for anyone who can't see this premise as plausible).
As the ex-cop looks into the matter, he not only starts to see other possible suspects to the crime, but starts to regain his own memories, as his experimental medical procedure starts to work.
Large elements of the story are shown in flashback, from the point of view of a manuscript, written by one of the characters involved, as well as shorter flashbacks as the ex-cop gradually recalls his own past. Again, this is reminiscent of film noir, where a character may explain what happened and the movie shows it.
Russell Crowe is convincing as the drunken ex-cop with a shredded memory that is starting to come back to him. Tommy Flanagan is solid in support as his old-partner (he needs more character roles so we can see him more often) and Karen Gillan can now add 'femme fatale' to her acting resume.
This movie is better than most people seem to be saying. It's well told, the central cast are all solid and the story should keep you interested until the end.
It is however an end that not everyone may care for and has a penultimate confrontation scene that I found too contrived.
It's not the most engrossing film and is another one of those thrillers that is more cerebral than it is fast moving, but has interesting characters and an interesting enough plot to reach the end.
If you're hoping for a Russell Crowe action flick, you'll probably be disappointed. This isn't as good as "The Next Three Days", for example, but it's good enough to get Crowe and two of Scotland's best acting talents together on screen.
If you don't like film noir, or are expecting a fast-paced thriller, you may not like this.
Summary: Not bad, not brilliant either. Worth a watch (with the above provisos).