7/10
No Questions about this this one!
29 March 2024
NO QUESTIONS ASKED is a fine film noir from the transitional period when dark visuals were still present, but were gradually being edged out in favor of well-lit sound stages. The opening is emblematic of noir, like a pulp novel come to life, and it leads immediately to a flashback. Director Harold F. Kress moves things along quickly, like a good B-movie director should. The picture wastes no time, and essentially telescopes the romantic interludes. In other words, it's mainly an action picture. And the action is often set in atmospherically interesting places: a sleazy night-spot that feels like a real place, a low-rent dancing school caught in mid-rehearsal, a sinister, dimly-lit indoor swimming pool, and more.

Barry Sullivan, Arlene Dahl, George Murphy are good, if not impressive. The real acting standout is Jean Hagen, a performer seemingly incapable of giving less than a superb performance. Hagen plays her part as though she were in one of MGM's A-films.

There are several worthwhile figures in the supporting roles. Moroni Olsen (the DA from MILDRED PIERCE), charming Richard Anderson as Lt. O'Bannion, Madge Blake (Mrs. Mondello from 'Leave it to Beaver'), Robert Osterloh, Mari Blanchard and the rest. Most fascinating of all is William Reynolds as the impossibly handsome thug/dancer Floyd. Reynolds (20 years old here) would later develop into a good actor with a career largely based in television.
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