There's a definite Frank Capra feel about this making it one of the most enjoyable, entertaining feel-good movies from the whole 1930s. Apart from 'eye candy' this film's got everything. It's beautifully directed with perfect pace, acted by people you like and believe in and has the ideal blend of humour, drama and tension.
When Frank Capra told his boss Harry Cohen that the star of his 1933 picture would be a 75 year old, Cohen thought he was mad. Quite rightly Cohen knew that a pensioner's pulling power would be next to nothing. I must admit that I'd agree - unless it was something special I'd always go for Joan Blondell rather than someone who looked like her grandmother but Capra's LADY FOR A DAY was something special and so was Milton Rosmer's THE GUV'NOR - something very special. George Arliss is absolutely phenomenal in this. This proves you don't need cool or sexy stars to make something you'll batter down the doors to see.
It's a Gaumont-British remake of a French film made a year earlier so some credit needs to go to our talented cousins over the water but there's still tonnes of praise which needs to go to Arliss and the team at G-B. This is one of those brilliant surprise finds - one of the best films I've seen in ages. It makes it even better when you're not expecting much. I never knew Arliss could be this good. Despite its hopeless direction and abysmal acting, he was so endearing in THE WORKING MAN made a few years earlier that he single handedly rescued that, making it something quite entertaining.
If you only ever watch one George Arliss picture, watch this one. After you've watched this you'll be so impressed that you'll want to see his other works but you'll always remember this one. It's just such a nice warm picture and it's nice without being cute, sentimental or corny. It's got both edge and heart. It will make you angry, it will make you happy. If you're addicted to 1930s films and have realised that they're not all as good as LITTLE CAESAR or IT HAPPENED ONE NIGHT, do yourself a favour and give this a go.
When Frank Capra told his boss Harry Cohen that the star of his 1933 picture would be a 75 year old, Cohen thought he was mad. Quite rightly Cohen knew that a pensioner's pulling power would be next to nothing. I must admit that I'd agree - unless it was something special I'd always go for Joan Blondell rather than someone who looked like her grandmother but Capra's LADY FOR A DAY was something special and so was Milton Rosmer's THE GUV'NOR - something very special. George Arliss is absolutely phenomenal in this. This proves you don't need cool or sexy stars to make something you'll batter down the doors to see.
It's a Gaumont-British remake of a French film made a year earlier so some credit needs to go to our talented cousins over the water but there's still tonnes of praise which needs to go to Arliss and the team at G-B. This is one of those brilliant surprise finds - one of the best films I've seen in ages. It makes it even better when you're not expecting much. I never knew Arliss could be this good. Despite its hopeless direction and abysmal acting, he was so endearing in THE WORKING MAN made a few years earlier that he single handedly rescued that, making it something quite entertaining.
If you only ever watch one George Arliss picture, watch this one. After you've watched this you'll be so impressed that you'll want to see his other works but you'll always remember this one. It's just such a nice warm picture and it's nice without being cute, sentimental or corny. It's got both edge and heart. It will make you angry, it will make you happy. If you're addicted to 1930s films and have realised that they're not all as good as LITTLE CAESAR or IT HAPPENED ONE NIGHT, do yourself a favour and give this a go.