Indie filmmaker Michael Fredianelli takes off from his usual comfort zone of earth bound tough guy cinema to explore the final frontier with a sci-fi movie set mostly in space. This microbudget production is an impressive one and many of the visual effects utilized are jaw dropping especially when it comes to the indie arena. Of particular standout is the segment of the film depicting the Mars surface-- Sci-fi geeks will only recognize the familiar Agua Dulce terrain when they're done marveling at how skillful (if obviously exaggerated for effect) a recreation of the red planet the film achieves. It makes Mars seem truly frightening in all its desolate rocky and dusty landscape. Similarly, the movie makes the cold vacuum of space seem equally as vast and scary and borrows much from the look and feel from the Hollywood sci-fi classic Alien.
Well there is no denying the technical achievements on display with Ultra Red, its biggest problem is its script. It utilizes a plot that very much resembles Star Trek's The "Naked Time" and its Next Generation follow up "The Naked Now" and deals with an extraterrestrial substance that effects the brain similarly to alcohol. However the way the substance is discovered and delivered comes off clear as day as a rather clunky MacGuffin. Furthermore, there are other problems with believability. The crew of the spaceship (NASA no less) in the movie is comically unprofessional and it wasn't enough for the lead character to be a genius rover vehicle designer, but also a master thief with a rap sheet a mile long as well. Other times, the film's technobabble just comes off poorly developed like when we're told that a futuristic weapon operates on the same principle as said rover which itself is more clearly modeled after present day technology. Now, I'm no scientist, but elements like that read more as pure kayfabe to me and took me out of the movie a bit.
While it's highly ambitious and impressive in many facets as well as highly entertaining for much of its running time, Ultra Red stumbles in too many places to be a clear win and instead comes off as a rather mixed bag.
Well there is no denying the technical achievements on display with Ultra Red, its biggest problem is its script. It utilizes a plot that very much resembles Star Trek's The "Naked Time" and its Next Generation follow up "The Naked Now" and deals with an extraterrestrial substance that effects the brain similarly to alcohol. However the way the substance is discovered and delivered comes off clear as day as a rather clunky MacGuffin. Furthermore, there are other problems with believability. The crew of the spaceship (NASA no less) in the movie is comically unprofessional and it wasn't enough for the lead character to be a genius rover vehicle designer, but also a master thief with a rap sheet a mile long as well. Other times, the film's technobabble just comes off poorly developed like when we're told that a futuristic weapon operates on the same principle as said rover which itself is more clearly modeled after present day technology. Now, I'm no scientist, but elements like that read more as pure kayfabe to me and took me out of the movie a bit.
While it's highly ambitious and impressive in many facets as well as highly entertaining for much of its running time, Ultra Red stumbles in too many places to be a clear win and instead comes off as a rather mixed bag.