Too bad about the high tech dialog which makes little sense, mixing with the cheapest looking of sets. Time is irrelevant here because it's all a complete waste of time, giving veteran actor Scott Brady a pompous character to boss and bellow at everyone underneath him, and a one dimensional character to play.
An egg shaped television screen takes Brady, Gigi Perreau, Anthony Eisley and others on the team both into the future and back to the past, and the pompous dialog just gets more ridiculous. The laughable pale face of comic heartthrob Lyle Waggoner is a campy highlight with the "Carol Burnett Show" veteran playing some sort of weird futuristic alternate human.
Early 50's TV sci-fi was an improvement on this, and coming early in the "Star Trek" years (and during the "Lost in Space" years), this just looks ridiculous. The women of the future according to this look more like cartoon characters, all bald, big busted (uncomfortably so), and one note. Time has never been so wasted outside a few laughs at this film's expense.
An egg shaped television screen takes Brady, Gigi Perreau, Anthony Eisley and others on the team both into the future and back to the past, and the pompous dialog just gets more ridiculous. The laughable pale face of comic heartthrob Lyle Waggoner is a campy highlight with the "Carol Burnett Show" veteran playing some sort of weird futuristic alternate human.
Early 50's TV sci-fi was an improvement on this, and coming early in the "Star Trek" years (and during the "Lost in Space" years), this just looks ridiculous. The women of the future according to this look more like cartoon characters, all bald, big busted (uncomfortably so), and one note. Time has never been so wasted outside a few laughs at this film's expense.