This episode of John Nesbitt's THE PASSING PARADE, his long-running series of shorts for MGM -- and elsewhere, a radio and a television feature -- tells the story of a Mauser automatic pistol, picked up from the corpse of a dead German officer and taken home as a souvenir by a passing American soldier.
After it shot the family dog, it starts to make its way hither and yon until it falls into the hands of a bleak-eyed Morris Ankrum, a criminal who uses it for its intended purpose -- to make holes in people. Meanwhile, Nesbitt tells the story from the gun's viewpoint, precise, prissy, and totally uncaring about the havoc its owner wreaks. It all ends with a message from J. Edgar Hoover. While stirring music plays, the audience is told that these guns are bad things. The gun has already made it clear that it bears no responsibility for these matters. I agree with its logic.
After it shot the family dog, it starts to make its way hither and yon until it falls into the hands of a bleak-eyed Morris Ankrum, a criminal who uses it for its intended purpose -- to make holes in people. Meanwhile, Nesbitt tells the story from the gun's viewpoint, precise, prissy, and totally uncaring about the havoc its owner wreaks. It all ends with a message from J. Edgar Hoover. While stirring music plays, the audience is told that these guns are bad things. The gun has already made it clear that it bears no responsibility for these matters. I agree with its logic.