"Out of the Blue" is an example of one of those films which result in considered reviews that range from 3 stars to 10 , all of which have credibility and deserve respect. With 18 reviews already registered I would normally not add yet another, but I would like to offer my appreciation and even my admiration for the project.
To begin with, the title is dull and doesn't serve to lather up interest on the part of potential viewers. But one would think the cast would engender interest, as they indeed are composed of participants plying their trade in ways we the viewers are not accustomed to. I believe they all did excellent work and played it the way the director, Leigh Jason, imagined. The writing flows well and naturally, and seldom, if ever, did it occur to me that a line was inappropriate or without logic.
For me the picture is more comfortably placed in the absurdist-droll arena rather than the zany-screwball realm, and really plays more like something akin to movies with dark humor deriving from the late 1950's to mid 1960's. It is a pleasure to see so many veteran hands having fun with something so different from their usual assignments, including Turhan Bey; he looked like a sly so-and-so at the beginning but I came to like his character as the show unfolded.
How they even came to cast Ann Dvorak in this expressively comedic role would be nice to know, and I don't think she overplayed it; if her performance were out of sorts the picture would have been rendered bereft of value. The rest of the players really offered subtle readings compared to what could have been, including George Brent, whose facial expressions were not, as some reviewers have declared, merely mugging. Virginia Mayo might have been the only one who did not have a lot of comedic antics to lend or lines to say, but she too turned in an expert reading, often as the "straight" woman. And her eyes in this film are used to excellent advantage.
I can imagine "Out of the Blue" disappeared pretty fast and without much after-chatter after spending a couple of weeks in neighborhood theaters back in 1947, but I enjoyed spending time with this group of performers and appreciate that the film was created and is here for us to enjoy all these decades later.
To begin with, the title is dull and doesn't serve to lather up interest on the part of potential viewers. But one would think the cast would engender interest, as they indeed are composed of participants plying their trade in ways we the viewers are not accustomed to. I believe they all did excellent work and played it the way the director, Leigh Jason, imagined. The writing flows well and naturally, and seldom, if ever, did it occur to me that a line was inappropriate or without logic.
For me the picture is more comfortably placed in the absurdist-droll arena rather than the zany-screwball realm, and really plays more like something akin to movies with dark humor deriving from the late 1950's to mid 1960's. It is a pleasure to see so many veteran hands having fun with something so different from their usual assignments, including Turhan Bey; he looked like a sly so-and-so at the beginning but I came to like his character as the show unfolded.
How they even came to cast Ann Dvorak in this expressively comedic role would be nice to know, and I don't think she overplayed it; if her performance were out of sorts the picture would have been rendered bereft of value. The rest of the players really offered subtle readings compared to what could have been, including George Brent, whose facial expressions were not, as some reviewers have declared, merely mugging. Virginia Mayo might have been the only one who did not have a lot of comedic antics to lend or lines to say, but she too turned in an expert reading, often as the "straight" woman. And her eyes in this film are used to excellent advantage.
I can imagine "Out of the Blue" disappeared pretty fast and without much after-chatter after spending a couple of weeks in neighborhood theaters back in 1947, but I enjoyed spending time with this group of performers and appreciate that the film was created and is here for us to enjoy all these decades later.