When Golden Harvest first released this movie, no one knew who director and writer Wu Yu-sheng, actor Chen Yuen-lung or fight choreographer Hung Chin-pao were.
Today we know them as John Woo, Jackie Chan and Sammo Hung.
After Shih Shao-Feng (James Tien), a traitor to the Shaolin eliminates thousands of their number for his own power, a surviving Shaolin master named Yun Fei (Tan Tao-Liang) has one goal. Revenge.
The problem is that he's going up against an army - and Tu Qing (Sammo Hung) - all by himself. He's already lost one battle against Tu Qing and his extended iron claw technique. Saved by a blacksmith by the name of Tan Feng (Jackie Chan), and soon joins forces with a swordsman named Zorro (Yang Wei) who has refused to draw his weapon since he accidentally killed a lover.
You can see the influence of Chang Cheh on Woo, as he allows us to get to know every single hero so that their heroic sacrifice means something at the end of the movie. The action is great in this, giving you an idea of the magic that Woo would bring in the 80s, as well as the loyalty between violent men, another theme that continually comes up in his movies.
It's interesting to see Woo tackling a traditional Hong Kong film, one about the Shaolin Temple, the brave warriors who defend it and the cruel ones who attempt to tear it down. Tao-Liang Tan fights literally armies of people in this all by himself and looks great doing it. Credit for the fight choreography goes to Hung, who also has to wear a ridiculous set of teeth.
Today we know them as John Woo, Jackie Chan and Sammo Hung.
After Shih Shao-Feng (James Tien), a traitor to the Shaolin eliminates thousands of their number for his own power, a surviving Shaolin master named Yun Fei (Tan Tao-Liang) has one goal. Revenge.
The problem is that he's going up against an army - and Tu Qing (Sammo Hung) - all by himself. He's already lost one battle against Tu Qing and his extended iron claw technique. Saved by a blacksmith by the name of Tan Feng (Jackie Chan), and soon joins forces with a swordsman named Zorro (Yang Wei) who has refused to draw his weapon since he accidentally killed a lover.
You can see the influence of Chang Cheh on Woo, as he allows us to get to know every single hero so that their heroic sacrifice means something at the end of the movie. The action is great in this, giving you an idea of the magic that Woo would bring in the 80s, as well as the loyalty between violent men, another theme that continually comes up in his movies.
It's interesting to see Woo tackling a traditional Hong Kong film, one about the Shaolin Temple, the brave warriors who defend it and the cruel ones who attempt to tear it down. Tao-Liang Tan fights literally armies of people in this all by himself and looks great doing it. Credit for the fight choreography goes to Hung, who also has to wear a ridiculous set of teeth.