Sabina Geshem (Liana Liberato, Scream VI) is a dance teacher who once had her own dreams of dancing on Broadway. But that was before the injury and before she got serious with Ramsay Stranger (Jordan Rodrigues), whose business is struggling and who seems like absolutely the worst person for her to pin her hopes and dreams on. When she brings up that he opened another credit card in her name, just as she's paid off the last one, he makes it her fault.
He assures her that if he can just have a good meeting with Randall Abbott (Richard Kind, who seems like a big star for a Tubi original), all their problems will disappear.
No, that's exactly where they'll start.
Randall could care less about Ramsay's virus solution. Yet their meeting ends up introducing him to the businessman's daughter Alvy (Rumer Willis) and yes, Ramsay has a type: pale redheads. He starts spending time with his new love interest while continually demoralizing his old one.
There may be hope yet. An old dancing friend named Celine (Stef Dawson, Annie Cresta from The Hunger Games series) who is just getting past cancer learns that Eva Graf Schierling (Lara Wolf) is taking over as the director of dance and she's been asking where Sabina has been. The opportunity for her to become a dancer on the biggest stage there is still exists.
Ramsay responds to this by telling her that she keeps making the same mistakes, that she's setting herself up to be a failure and that he wants nothing to do with her any longer. He disappears from her life, which allows her to put her energy into dancing and finally concentrate on herself.
That is, until Celina takes her to a party and she runs into Ramsay, who easily gets her back for a night.
He laughs when she thinks they're getting back together and explains that he has a whole new life. She decides to see what that life is all about in upstate New York. It's gorgeous. The people are kind. And no one is kinder to her than Alvy, who is nothing like the thieving force of evil that she expected.
The real problem? Alvy is pregnant. And so is Sabina.
Directed by Todd Bogin, who wrote the screenplay with Omali Jeffers and Frederic J. A. Richter, I really appreciated that this movie strayed from the psycho ex-girlfriend formula to present an ending that is tragic and quite sad. The film looks great, thanks to cinematographer Barbie Leung, who finds great lighting, deep colors and intriguing angles that keep the otherwise seen it before story seeming fresh and vital.
He assures her that if he can just have a good meeting with Randall Abbott (Richard Kind, who seems like a big star for a Tubi original), all their problems will disappear.
No, that's exactly where they'll start.
Randall could care less about Ramsay's virus solution. Yet their meeting ends up introducing him to the businessman's daughter Alvy (Rumer Willis) and yes, Ramsay has a type: pale redheads. He starts spending time with his new love interest while continually demoralizing his old one.
There may be hope yet. An old dancing friend named Celine (Stef Dawson, Annie Cresta from The Hunger Games series) who is just getting past cancer learns that Eva Graf Schierling (Lara Wolf) is taking over as the director of dance and she's been asking where Sabina has been. The opportunity for her to become a dancer on the biggest stage there is still exists.
Ramsay responds to this by telling her that she keeps making the same mistakes, that she's setting herself up to be a failure and that he wants nothing to do with her any longer. He disappears from her life, which allows her to put her energy into dancing and finally concentrate on herself.
That is, until Celina takes her to a party and she runs into Ramsay, who easily gets her back for a night.
He laughs when she thinks they're getting back together and explains that he has a whole new life. She decides to see what that life is all about in upstate New York. It's gorgeous. The people are kind. And no one is kinder to her than Alvy, who is nothing like the thieving force of evil that she expected.
The real problem? Alvy is pregnant. And so is Sabina.
Directed by Todd Bogin, who wrote the screenplay with Omali Jeffers and Frederic J. A. Richter, I really appreciated that this movie strayed from the psycho ex-girlfriend formula to present an ending that is tragic and quite sad. The film looks great, thanks to cinematographer Barbie Leung, who finds great lighting, deep colors and intriguing angles that keep the otherwise seen it before story seeming fresh and vital.