The temptation to be very critic about it or to appreciate it very much are the basic traits. Few scenes are more than beautiful. The rhytm is too alert and it represents only a sketch. Paz Vega offers a splendid performance and the short portrait of Pilat of Pont , well acted by Remo Girone is a charming surprise .
Yes, it is a personal perspective about life of the Savior , with few serious licences.
No doubts, the clothes, rooms, atmosphere of first century in the Middle East are just seductive.
And the smile of Alissa Jung in the role of Mother of God or the clothes and jewels of Antonia Liskova as Irodiada are fundamental good points, like the powerful references to religious paintings.
It is a beautiful film. In fact, this is the only matters thing because it has the gift to offer a voice among so many adaptations of the life of Jesus. The perspective of Mother of God about His Son activity, sufferance and death, resurrection and words is not new and the temptation to compare with the work of Pernilla August is not strange.
But it gives more than a formalistic fresco. And this makes it more than interesting.
So, a voice, not bad at whole.
Yes, it is a personal perspective about life of the Savior , with few serious licences.
No doubts, the clothes, rooms, atmosphere of first century in the Middle East are just seductive.
And the smile of Alissa Jung in the role of Mother of God or the clothes and jewels of Antonia Liskova as Irodiada are fundamental good points, like the powerful references to religious paintings.
It is a beautiful film. In fact, this is the only matters thing because it has the gift to offer a voice among so many adaptations of the life of Jesus. The perspective of Mother of God about His Son activity, sufferance and death, resurrection and words is not new and the temptation to compare with the work of Pernilla August is not strange.
But it gives more than a formalistic fresco. And this makes it more than interesting.
So, a voice, not bad at whole.