My review was written in March 1985 after watching the movie on TWE video cassette.
"White Fire" is a crudely-mad action picture, lensed in Turkey in the summer of 1983 and bowing domestically on video cassette. With more filmmaking care, it could have had some domestic theatrical playoff on the action circuit.
Leads Robert Ginty and Belinda Mayne are cast as brother- and-sister diamond smugglers, in cahoots with crooked mines security officer Yilmaz (Gordon Mitchell). A pointless, 20-years-earlier prolog shows their parents killed by soldiers with the kids cared for by Sam (Jess Hahn), who is now a smuggling partner.
The legendary White Fire diamond (2,000 caats and emitting deadly radioactivity) is the main prize, but French filmmaker Jean-Marie Pallardy detours into absurd territroy when Mayne is killed and Ginty picks up a girl in a bar, has plastic surgery convert her into a Mayne lookalike in order to continue the inside job at the mine, but then falls in love with her (incest psychological overtones stressed). Even guest star Fred Williamson, cast as a villain bjut predictably turning into Mr. Nice Guy in the final reel, fails to save this one.
Dubbing is crude, and gore makeup is emphasize over local color.
"White Fire" is a crudely-mad action picture, lensed in Turkey in the summer of 1983 and bowing domestically on video cassette. With more filmmaking care, it could have had some domestic theatrical playoff on the action circuit.
Leads Robert Ginty and Belinda Mayne are cast as brother- and-sister diamond smugglers, in cahoots with crooked mines security officer Yilmaz (Gordon Mitchell). A pointless, 20-years-earlier prolog shows their parents killed by soldiers with the kids cared for by Sam (Jess Hahn), who is now a smuggling partner.
The legendary White Fire diamond (2,000 caats and emitting deadly radioactivity) is the main prize, but French filmmaker Jean-Marie Pallardy detours into absurd territroy when Mayne is killed and Ginty picks up a girl in a bar, has plastic surgery convert her into a Mayne lookalike in order to continue the inside job at the mine, but then falls in love with her (incest psychological overtones stressed). Even guest star Fred Williamson, cast as a villain bjut predictably turning into Mr. Nice Guy in the final reel, fails to save this one.
Dubbing is crude, and gore makeup is emphasize over local color.