This film depicts three affluent European high school girls in the middle of some coming of age issues - I would not go so far as to call it problems.
The structure and the feel is a derivative of the Norwegian Internet series SKAM, which was made on a string budget with authentic real aged teenagers.
In SKAM, characters were balanced, multi layered and above all believable, while the characters here are quite shallow and, for that matter, portrayed by over age women. This gives it a somewhat awkward feeling at times, especially when it comes to portraying first sexual encounters. It is worth noting that Aamu Milonoff is 23, Eleonoora Kauhanen is 24 and Linnea Leino is 30 when the "girls" keep on experiencing these first (random) sexual encounters and discuss them on their job in a fruit juice stand, usually right after high school classes.
There is an abundant supply of cliches, like singing to random music playing on the car stereo while driving to parties or bouncing around each other in luxury apartments like happy young kittens.
All characters, even more so the male characters, feel constructed with a need to cover cliches. For the sake of comedy this is okay and at times it is entertaining. Anything beyond that feels contrived. The teenage love stories do not have the kind of pull that some teenagers actually feel when they are in it, thinking they experience the end of the world.
There is a lot of sexuality in this film that obviously comes from teenagers watching too much pornography. While it is true that European teenagers are highly exposed to pornography, portraying this issue with over aged actresses playing teenagers recreates a feeling of sexual exploitation that was declared as the arch enemy in feminist film making. In this aspect the film has failed. It could have been a chance to authentically rewrite the way teenage girls are portrayed in modern cinema.
The structure and the feel is a derivative of the Norwegian Internet series SKAM, which was made on a string budget with authentic real aged teenagers.
In SKAM, characters were balanced, multi layered and above all believable, while the characters here are quite shallow and, for that matter, portrayed by over age women. This gives it a somewhat awkward feeling at times, especially when it comes to portraying first sexual encounters. It is worth noting that Aamu Milonoff is 23, Eleonoora Kauhanen is 24 and Linnea Leino is 30 when the "girls" keep on experiencing these first (random) sexual encounters and discuss them on their job in a fruit juice stand, usually right after high school classes.
There is an abundant supply of cliches, like singing to random music playing on the car stereo while driving to parties or bouncing around each other in luxury apartments like happy young kittens.
All characters, even more so the male characters, feel constructed with a need to cover cliches. For the sake of comedy this is okay and at times it is entertaining. Anything beyond that feels contrived. The teenage love stories do not have the kind of pull that some teenagers actually feel when they are in it, thinking they experience the end of the world.
There is a lot of sexuality in this film that obviously comes from teenagers watching too much pornography. While it is true that European teenagers are highly exposed to pornography, portraying this issue with over aged actresses playing teenagers recreates a feeling of sexual exploitation that was declared as the arch enemy in feminist film making. In this aspect the film has failed. It could have been a chance to authentically rewrite the way teenage girls are portrayed in modern cinema.