Run-down 1970s Britain proved to be a fertile backdrop for truly memorable light drama such as Budgie, The Sweeney, & Minder, and i reckon Hazell was just about as good.
James Hazell is an ex copper who left the force under a cloud, and is now working as an enquiry agent; he's a cockney charmer with an eye for the ladies, and no case is too hard as long as the money's right. His work takes him around some of the seediest, and in some cases, swankiest parts of London, and as with The Sweeney, the location work and cockney banter are a big part of the attraction of this great show.
Nicholas Ball was initially considered too young for the role, but i'm really glad he eventually got it because he absolutely nailed the part and made it his own. I particularly enjoyed the first series, which featured one of the show's best characters Dot Wilmington. Other regulars were his cousin Tel, and his nemesis 'Choc' Minty.
Hazell ran for only two series, and in a way i'm glad, as too many good shows outstay their welcome and grow tired and flabby.
On a final note, it's sad to think that ITV, the channel that gave us Callan, Public Eye and all the aforementioned classics is now best known for making mindless drek like Love Island and Keith Lemon.
James Hazell is an ex copper who left the force under a cloud, and is now working as an enquiry agent; he's a cockney charmer with an eye for the ladies, and no case is too hard as long as the money's right. His work takes him around some of the seediest, and in some cases, swankiest parts of London, and as with The Sweeney, the location work and cockney banter are a big part of the attraction of this great show.
Nicholas Ball was initially considered too young for the role, but i'm really glad he eventually got it because he absolutely nailed the part and made it his own. I particularly enjoyed the first series, which featured one of the show's best characters Dot Wilmington. Other regulars were his cousin Tel, and his nemesis 'Choc' Minty.
Hazell ran for only two series, and in a way i'm glad, as too many good shows outstay their welcome and grow tired and flabby.
On a final note, it's sad to think that ITV, the channel that gave us Callan, Public Eye and all the aforementioned classics is now best known for making mindless drek like Love Island and Keith Lemon.