Ill-gotten gains seldom prosper.
Sandwiched between " "strange fascination" and " bait" , "one girl's confession " ,although featuring the Moore/Haas couple is much more melodrama than film noir ; its numerous sudden new developments , its emphatic moral side ( the heroine wants to be punished for what she's done -though she has extenuating circumstances ,her father having been ruined by her boss- ,her good behavior in prison , her donation to charity , her desire to stay on the straight and narrow in spite of it all );sometimes her attitude takes naiveté to new limits : even if she may be afraid of being followed by a detective , telling where her dough is hidden to a man whose reputation is shady (an unrepentant gambler) is not very smart ,even though it provides the screenplay with another sudden new development.
The best idea is the scene with the gardener :pay attention to a moment which may be insignificant ,but has a pivotal importance for what comes next.
Sandwiched between " "strange fascination" and " bait" , "one girl's confession " ,although featuring the Moore/Haas couple is much more melodrama than film noir ; its numerous sudden new developments , its emphatic moral side ( the heroine wants to be punished for what she's done -though she has extenuating circumstances ,her father having been ruined by her boss- ,her good behavior in prison , her donation to charity , her desire to stay on the straight and narrow in spite of it all );sometimes her attitude takes naiveté to new limits : even if she may be afraid of being followed by a detective , telling where her dough is hidden to a man whose reputation is shady (an unrepentant gambler) is not very smart ,even though it provides the screenplay with another sudden new development.
The best idea is the scene with the gardener :pay attention to a moment which may be insignificant ,but has a pivotal importance for what comes next.