Review of Kimi

Kimi (2022)
7/10
Great little pandemic thriller from Steven Soderbergh! [+71%]
15 February 2022
Kimi takes a while to get going, but it makes for an engaging ride when it does. David Koepp's screenplay treatment is old-school, but the plot is contemporary. It does reek a little of a Rear Window hangover, but what Koepp does is add unique, original spins to it. Even though it's a COVID film, the reason for the protagonist being indoors is something else altogether. What makes her want to leave the premises is also something that holds your attention. It's screenplay-writing 101, but it's lovely seeing Koepp (writer of blockbusters such as Jurassic Park, Mission Impossible, Spiderman, and more) return to form.

Steven Soderbergh is SO GOOD at making these slow-burn thrillers come to life. The first time we see agoraphobic Angela (Zoe Kravitz) step out of the house, the choice of camera angles spectacularly convey her dread and apprehension. A couple of riveting twists and a kickass set-piece featuring a nail gun is also in store. Since the film revolves around a device that functions as an operating system, it made perfect sense for the climactic showdown to unfurl at Angela's place, with said device playing a crucial role. Kravitz's woodenness is one of the film's strengths; the character arc comes through at a pivotal point, and we realize why she's willing to go dangerous lengths to report a violent crime.

At 1h 29m, Kimi is definitely worth a watch for all the above reasons.
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