I'm not quite sure how seriiously Diderot meant his text to be taken when he wrote his novel "La Religieuse"; it's certainly anti-clerical and it did provoke a scandal. Here was a tale of savagery and what was perceived as sexual perversity within the Catholic Church and amongst nuns no less and, of course, the story told in "La Religieuse" can shock us even now even if we are a little more sophisticated.
Jacques Rivete filmed Diderot's "La Religieuse", (English title, "The Nun"), in 1966 and it's a classic, certainly one of the key French films of the period. It's the story of a young 19th century French girl with no prospects of marriage put, like so many of her contemporaries, into a convent. However, Susanne, (a never better Anna Karina), is a rebel and her rebellion takes the form of a lawsuit against her convent so that she can renounce her vows and go back into the world. However, the nuns have other ideas and she is subjected to all the horrors they can inflict on her.
When she loses her case she is transferred to a, let's call it a more 'open prison', where the nuns gambol and frolic like gay versions of the sisters in "The Sound of Music" and where the Mother Superior takes a more than motherly interest in Susanne and where even the local priest takes a less than religious fancy to her. The contrast to her former convent is deliciously perverse; religion is scorned and debauchary championed and poor Susanne is torn between the devil and the deep.
Rivette, of coursem films all this in his typrically austere style drawing excellent performances from his largely female cast and certainly giving it 'the look' of a proper period piece. It's also one of his most accessible films though it was never likely to pack the local cinema on a Saturday night. This is art-house fare of the best kind; intelligent and gripping and its reputation is richly deserved.
Jacques Rivete filmed Diderot's "La Religieuse", (English title, "The Nun"), in 1966 and it's a classic, certainly one of the key French films of the period. It's the story of a young 19th century French girl with no prospects of marriage put, like so many of her contemporaries, into a convent. However, Susanne, (a never better Anna Karina), is a rebel and her rebellion takes the form of a lawsuit against her convent so that she can renounce her vows and go back into the world. However, the nuns have other ideas and she is subjected to all the horrors they can inflict on her.
When she loses her case she is transferred to a, let's call it a more 'open prison', where the nuns gambol and frolic like gay versions of the sisters in "The Sound of Music" and where the Mother Superior takes a more than motherly interest in Susanne and where even the local priest takes a less than religious fancy to her. The contrast to her former convent is deliciously perverse; religion is scorned and debauchary championed and poor Susanne is torn between the devil and the deep.
Rivette, of coursem films all this in his typrically austere style drawing excellent performances from his largely female cast and certainly giving it 'the look' of a proper period piece. It's also one of his most accessible films though it was never likely to pack the local cinema on a Saturday night. This is art-house fare of the best kind; intelligent and gripping and its reputation is richly deserved.