Following on Fanaka's promising first film "Emma May", with its strong feminist and community themes, this second, more commercially successful feature is a distinct disappointment belonging, as it does, in the entryway to the Museum Of Standard Prison Pics (somewhere between "The Green Mile" and "Papillon") and whose biggest lesson appears to be that what is to be most feared by African Americans about incarceration is bad acting. Solid C.
Review of Penitentiary
