4/10
Promising start but falls apart just like the main character
1 August 2021
I love Lilly James. She is terrific in everything she does. At first her character is charming and full of life, feeling trapped by her families wealth and privilege as she dreams of true love and an thrilling life. The director, Emily Mortimer, like Sophia Coppola before her, decides to mix a period piece with contemporary music. It was great to hear Marianne Faithful I admit, and in the first episode I found the series promising.

However, the character, Linda evolves. She becomes a horrible person who hates her own children and eventually abandons them. She also uses men to escape her boredom. She leaves a trail of human despair in her wake. Her cousin and best friend, Fanny is the narrator of the book and film. Soon you begin to wonder why they are friends at all. Linda seems incapable of being a friend to anyone. She is self-absorbed, aimless, and incapable of being happy and content. This is OK, of course. She is not the first anti-hero in literature and film, but this series tries to portray her as some sort of feminist hero like being a wife and loving mother is a betrayal to her own independence and Bohemian soul.

This is tragic story. Her downfall is very sad, but it's played out like a comedy that is not remotely funny. The characters are paper-thin cliches, void of humanity. I am reminded of today's youth who seem to think that a life on social media is the same as real life. It's a life of veneer. People pretending to be something they are not because it's more thrilling than facing how ordinary we all are.

Linda goes to great lengths to find happiness, ultimately by escaping any chance of it.

And in the end listening to people complain about there boredom is well, BORING.
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