This new Western blends elements of noir, drama, and suspense to create a generally searing character study. Set in the 1960s, it tells the story of a retired sheriff (Kevin Costner) and his wife (Diane Lane.) Their young grandson has been spending time with his stepfather, whom they view as suspicious and is married to their son's widow. The leading couple leaves from Montana to the Dakotas to visit their step-family and try to get their grandson back, but things go south very quickly. The performances are generally powerful all around. Costner and Lane give clear emotional depth as well as a real sense of genuineness and urgency while in character. They feel haunted with grief from the death of their son, yet also proactively driven by a strong desire to ensure their grandson is properly treated. The film's cinematography of the Great Plains is gorgeous (although it was actually filmed in Alberta, Canada,) and the score is also quietly powerful.
In the second half of the film, the dramatic tension is gradually increased both through the slow-burn tone as well as the dialogue. The film's gritty and slow-burn style may remind viewers of thrillers written and/or directed by Taylor Sheridan. Without going into any detail, suffice it to say that characters' instincts may be brought to a boiling point. However, the sudden and occasionally uneven increases in dramatic tension as well as violence do not always feel conducive to the film's tone. As a result, the film doesn't quite comment as starkly on its characters' behaviors or the nature of violence as thoughtfully as it intends to. The motivations of the characters are also rather predictable, and outside of Costner and Lane's characters, I did not find the rest of them to be especially engaging. Even though the characters are well-developed, the roles they play in creating some of the story's suspense are not inherently unique. That said, this is still a well-acted and well-shot thriller that should please patient viewers that know what they're in for. 7/10
In the second half of the film, the dramatic tension is gradually increased both through the slow-burn tone as well as the dialogue. The film's gritty and slow-burn style may remind viewers of thrillers written and/or directed by Taylor Sheridan. Without going into any detail, suffice it to say that characters' instincts may be brought to a boiling point. However, the sudden and occasionally uneven increases in dramatic tension as well as violence do not always feel conducive to the film's tone. As a result, the film doesn't quite comment as starkly on its characters' behaviors or the nature of violence as thoughtfully as it intends to. The motivations of the characters are also rather predictable, and outside of Costner and Lane's characters, I did not find the rest of them to be especially engaging. Even though the characters are well-developed, the roles they play in creating some of the story's suspense are not inherently unique. That said, this is still a well-acted and well-shot thriller that should please patient viewers that know what they're in for. 7/10