There's a lesson here; always persevere with a film past the first fifteen minutes. On first attempt this seemed very much to me like an Italian production (it is actually Italian/Canadian) trying too hard to emulate a wholesome American 'family' horror - which it is in a way - but the results go beyond that kind of blandness.
Following the death of his wife, Craig and his mute daughter Jennifer (Aaron Stielstra and Eleonora Marianelli respectively) move into a dilapidated home. Craig looks and dresses very much like 'your average guy', and uses American slang, but has an accent, as all characters do. He also has a slightly manic edge to him. Jennifer is a sweet child, terrifically acted. Her sense of fear and unsureness is conveyed entirely through her eyes, and I would hope Mirianelli has a successful future ahead of her. Craig's sister Susan (Désirée Giorgetti) provides scant, and often pretty unhelpful support. In flashbacks, wife Helen is played, rather stiltedly, by Sofia Pauly.
Craig seems to be sinking into his own private hell, exacerbated by his daughter's increasingly dark dreams. As we learn a little more about him, we find he has a catalogue of failures behind him. The dream-like figure of The Blind King (David White), a chatty mummy-like demon, appears to be orchestrating Craig's anxieties through shared dreams and threatens to engulf him completely. Or so it seems to me - a lot of this is open to interpretation, despite much psychological dialogue. This appears to be the curse of the underdog, the black sheep of the family, the loser.
This is a dark journey that runs out of steam a little toward the end. My score is 6 out of 10.
Following the death of his wife, Craig and his mute daughter Jennifer (Aaron Stielstra and Eleonora Marianelli respectively) move into a dilapidated home. Craig looks and dresses very much like 'your average guy', and uses American slang, but has an accent, as all characters do. He also has a slightly manic edge to him. Jennifer is a sweet child, terrifically acted. Her sense of fear and unsureness is conveyed entirely through her eyes, and I would hope Mirianelli has a successful future ahead of her. Craig's sister Susan (Désirée Giorgetti) provides scant, and often pretty unhelpful support. In flashbacks, wife Helen is played, rather stiltedly, by Sofia Pauly.
Craig seems to be sinking into his own private hell, exacerbated by his daughter's increasingly dark dreams. As we learn a little more about him, we find he has a catalogue of failures behind him. The dream-like figure of The Blind King (David White), a chatty mummy-like demon, appears to be orchestrating Craig's anxieties through shared dreams and threatens to engulf him completely. Or so it seems to me - a lot of this is open to interpretation, despite much psychological dialogue. This appears to be the curse of the underdog, the black sheep of the family, the loser.
This is a dark journey that runs out of steam a little toward the end. My score is 6 out of 10.